Policing and Crime Bill

Lord Clement-Jones Excerpts

Report: 2nd sitting (Hansard): House of Lords
Wednesday 7th December 2016 Lords Chamber

Moved by

[Lord Clement-Jones]

172: After Clause 126, insert the following new Clause—
“General duties of licensing authorities
(1) Section 4 of the Licensing Act 2003 (general duties of licensing authorities) is amended as follows.(2) After subsection (2)(d) insert—“(e) the provision of social or cultural activities.””

[Lord Clement-Jones (LD)]

My Lords, Amendment 172 would create a fifth licensing objective that licensing authorities must promote when discharging their functions. It would secure the provision of social or cultural activities as a general duty. It follows the similar Amendment 214A from Committee.

There is a very strong case to be made that activities such as live music should be completely deregulated from the Licensing Act. Other legislation, such as the Environmental Protection Act 1990, the Regulatory Reform (Fire Safety) Order 2005, the Health and Safety at Work etc. Act 1974, and the Anti-social Behaviour Act 2003 contain a great many of the protections in law that form the basis for conditions relating to live music that may be imposed by the Licensing Act on a premises licence. The Licensing Act therefore presents a tier of legislative duplication that is in many respects unnecessary, given that live events can be controlled by other means.

Despite this compelling argument, the Government have not been minded to deregulate further than audience sizes of 500—a level that builds on the Live Music Act I took through Parliament. In the meantime, there has been a continuing decline in live music venues. As the noble Earl, Lord Clancarty, rightly said in Committee:

“There has in recent years been a perfect storm of circumstance for our night-time economy. Rising rents and business rates, property developments, noise complaints, complaints about anti-social behaviour and more have conspired to devastate our night-time cultural landscape”.—[Official Report, 9/11/16; col. 1212.]

In these circumstances we need to amend licensing objectives in particular to help these venues survive. Current objectives relate to crime and disorder, public safety, public nuisance and protection of children. Mark Davyd of the Music Venue Trust said:

“Licensing is just one of many areas of the legal framework around grassroots music venues that is contributing to their rapid decline”.

As the chief operating officer of Live Nation said:

“Unfortunately not all local authorities are like-minded and their interpretations of the Licensing Act are not always helpful, or consistent, which is frustrating and creates obstacles for venue operators at all levels”.

The amendment is designed to introduce a new objective in the local authority decision-making process that would take account of the positive cultural impact of staging an event. At present, authorities are not obliged to consider the wider benefits of music and entertainment in the community, and instead focus on the negative impact of applications. The noble Lord, Lord Kennedy, said in Committee, that,

“music and other activities should be helped and supported where possible through the licensing system, rather than just regulated”.—[Official Report, 9/11/16; col. 1214.]

A proportionate approach from licensing authorities would be welcome when they handle applications or complaints relating to entertainment. That the four existing licensing objectives are completely predicated on preventive measures does nothing to help struggling venues that are already being hit by high business rates and new planning developments. Amendment 172 is therefore required to support the social or cultural impacts of an activity regulated by the Licensing Act.

I have of course read the Minister’s response of 9 November and taken account of what she said. Her argument was that it would be difficult to replicate the evidence of harm in the same way as for licence conditions that seek to protect against and reduce harm—a rather circular argument. She went on to say that a licensing objective of promoting cultural activity and inclusion is,

“quite a subjective matter and may be interpreted in different ways … Making this a licensing objective could place licensing authorities in a censorious position, whereby licensees organising events might be obliged to explain what additional cultural value their entertainment might generate, and the licensing authorities would be required to evaluate that information”.—[Official Report, 9/11/16; col. 1216.]

This amendment is substantially different from the Committee stage amendment in two crucial respects. First, it is no longer limited to cultural matters and makes a much broader point about other activities that have social benefits that may need to be supported by a positive objective in the Licensing Act, too. This would deal with a legitimate criticism of the original amendment —that it would result in all premises having to provide cultural activities. That was not the intention of the original draft, but I accept that it could have led to it.

Secondly, the amendment relates to provision rather than the original amendment’s attempt at “promotion”. The specific call for promotion was regarded by the Minister as putting licensing authorities in a potentially censorious and subjective position, as I just mentioned. I should point out, however, that the current objectives, particularly the prevention of nuisance, are already interpreted subjectively and censoriously.

As is stands, the cultural activities of, say, a grass-roots music venue are not considered at all. Once gone, these venues will not come back into our towns and cities. There is a delicate balance that should be achieved by local authorities. Having this fifth objective might just be critical to a decision that will lead to their remaining open. The Minister’s response in Committee was fairly cursory, and I look forward to a more detailed and substantive response to the amendment at this stage. I beg to move.

[The Earl of Clancarty (CB)]

My Lords, I support Amendment 172, which has been excellently introduced by the noble Lord, Lord Clement-Jones. There needs to be a shift from authorities viewing our nightlife economy as something to be restricted to viewing it as something to be encouraged. Indeed, provision should be made. If London, to take just one example of cities across the UK, has lost 40% of its music venues in the past five years—not, it cannot be overemphasised, through lack of demand—there is something seriously awry with how our local communities are developing.

The licensing authorities need a better understanding of this landscape and to act constructively to counter this. As the noble Lord, Lord Clement-Jones, said, in her reply in Committee the Minister said that cultural activity is “quite a subjective matter”. However, there is nothing in the amendment submitted in Committee or in this amendment about which cultural events should take place. The amendment is not in any way prescriptive; nor is there any sense of a limit to be placed on cultural events or of their particular value socially or culturally. The Minister talked of “a censorious position”, but the fact is that there is already, to a significant degree, an implicit censoriousness—one might say a tunnel vision—in the treatment of our clubs and music venues by licensing authorities, and the amendment would address that.

In evidence given yesterday to the Select Committee on the Licensing Act 2003, Mark Davyd, chief executive of the Music Venue Trust, said, “We want to see grass-roots music venues acknowledged and respected alongside theatres and art centres as spaces that are vital to the health, wealth and happiness of the UK”. That is a laudable aim. It also means that comparable criteria for operation should be applied to all those venues, but that kind of parity can be achieved only if all these cultural activities are perceived in a positive sense and as being connected through the wider landscape. There needs to be a mechanism that achieves that. The licensing authority is, or should be, the meeting place of all the different stakeholders; it is the logical place for that to happen. I hope the Minister will look favourably on the amendment.

--- Later in debate ---

[Baroness Chisholm of Owlpen]

My Lords, Amendment 172 seeks to add,

“the provision of social or cultural activities”

to the list of licensing objectives. This would require licensing authorities to make licensing decisions based on this objective, such as placing conditions on licences with regard to the provision of social or cultural activities.

As I explained in Committee, the existing licensing objectives, as provided for in Section 4 of the Licensing Act 2003, seek to reduce harm, which can be evidenced. Licence conditions intended to reduce the level of harm can be easily understood—for example, a requirement to restrict noise levels. Requiring licensing authorities to consider the provision of social or cultural activities would run in contradiction to the other licensing objectives, all of which are aimed at harm reduction.

Importantly, the 2003 Act provides that when a licensing authority receives a compliant application for a premises licence or club premises certificate, it must grant the authorisation unless it receives “relevant representations”. In effect, this means there is a presumption that licensing authorities will grant a licence in respect to an application, with appropriate conditions, unless there are strong concerns in terms of the licensing objectives.

I respect the noble Lord’s intentions with regard to grass-roots music venues and cultural participation, and share his desire to see a vibrant music industry, but I do not feel it is appropriate to use the 2003 Act to pursue that goal. On that basis, I hope the noble Lord will be content to withdraw this amendment.

[Lord Clement-Jones]

I thank the Minister for her response and the noble Earl, Lord Clancarty, for his contribution. One of the key points that he made, and which we are making with this amendment, is that of course local authorities have to make judgments currently. That runs, to use phraseology used by the Minister herself, directly counter to the arguments that are being made by the Government. She talks about evidence of harm, as if somehow under the current objectives it is all cut and dried and the evidence is absolutely clear-cut, but the fact is that judgments are made by local authorities. I am sure that when the noble Lord, Lord Kennedy, was a councillor in Southwark, he had a very enlightened approach to these matters, but these things are a matter of interpretation, and how you treat the evidence of harm is a subjective matter. In many cases, strong concerns might be disregarded because there are other, supervening objectives that a local authority thinks are important, or it may give more time for remedy.

There are all sorts of aspects, so to regard the current set of objectives as somehow pristine and able to be interpreted with huge clarity by local authorities, in contrast to this confused, woolly cultural objective, is only to confuse the issue. It is really a way of saying that the status quo is fine. But the status quo is not fine, and local authorities need some further guidance on these matters. I am not going to push this amendment further at this stage, but I hope there is a way in which further guidance or some other nudge towards a better solution for our night-time and grass-roots music venues is achievable. I am sure from the nods that I am receiving from the Government Front Bench that there is some sympathy for that approach. Now I am getting completely the reverse—clearly I had lulled myself into a false sense of security, which is always a big mistake in this House.

I hope the drip-drip of the fairly incessant rhythm—perhaps that is the right phraseology to use in connection with live music venues—of the campaign to ensure that we keep our live music venues has some effect. I entirely agree with the noble Lord, Lord Kennedy, that the night-time tsar in London is a fantastic new development, and I hope that other combined authorities will follow what London is doing in that respect.

I believe the Home Office also has responsibility in this area to help to preserve our venues, rather than simply stonewalling and saying, “We’ve got a very fine Licensing Act as it is and we don’t need any further objectives”. When we come to our next debate, I am sure the Government will make the same argument but they may find a rather different response when it comes to a vote. In the meantime, I beg leave to withdraw the amendment.

Amendment 172 withdrawn.