Lisa Cameron
Main Page: Lisa Cameron (Conservative - East Kilbride, Strathaven and Lesmahagow)Westminster Hall is an alternative Chamber for MPs to hold debates, named after the adjoining Westminster Hall.
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Dr Lisa Cameron (East Kilbride, Strathaven and Lesmahagow) (SNP)
It is an absolute pleasure to serve under your chairmanship today, Mr Howarth. For once, I have very little to declare in terms of interests, as I am entirely tone deaf, but I appreciate other people’s musical acumen, which is why I am here to speak today.
Economic analysis data demonstrate that the UK’s music industry makes a vast contribution to the UK economy. Figures published by UK Music indicate that between 2014 and 2015, although other sectors have been struggling in these times of austerity, the music industry has continued to grow by 5% year on year. Last year, the music industry contributed £4.1 billion to the UK economy, £2.1 billion of which came from musical exports. It provides a large number of jobs—approximately 117,000 full-time jobs—and generates additional revenue from the thousands of musical tourists who visit the UK each year to attend music gigs and festivals or to revel in our rich music history. That also has a knock-on effect for local businesses and communities, creating vibrant local cultures, generating wealth and encouraging economic growth.
Given the obvious value of our music industry, it is important for artists to be able to promote their music abroad, to build fan bases, boost exports and attract more musical tourists. However, it seems that, as described, performing overseas can be problematic and expensive, particularly for musicians in the early stages of their career.
I understand that at present a number of sources can provide assistance to musicians to help them to work abroad. It is mainly financial, but does not reach many artists. Through this scheme, funding is available to UK-registered independent music companies and can help artists to progress from being established UK musicians to being commercially successful international acts, but it does reach the vast number of acts and not everyone can receive funding.
It seems that when performing overseas, many of the issues encountered by musicians relate to cumbersome policies and procedures. I supported a recent early-day motion recognising the specific difficulties for UK musicians in obtaining work visas to perform in the US. In this regard, I note that guidance issued by the Musicians Union, highlights that, except in very specific circumstances, all performances in the US require a visa regardless of whether the artist is being paid. It is a two-step process, and to perform abroad, a petition must be filed by a company in the US before an application can be lodged in the UK. Thereafter, all UK visa applicants must attend an interview at the US embassy in London or Belfast. That can be a long process, and for anyone who does not live locally, it may be difficult to attend the interview.
The visa process is expensive and may cost thousands of pounds, with fees for processing being incurred in both the US and the UK. If an act has backing musicians or crew, more than one petition is required and each petition in the US is charged separately. Also, if the act is not represented by a US company, it will have to employ immigration professionals to act as the petitioner on its behalf. It seems that the cost for the services of such companies can range from approximately $800 to over $8,000. If the visa is required within three months, additional fees are incurred for an expedited service, with the US charging $1,000 to process an application within 10 to 15 days.
It has been highlighted that many artists find the application process complicated, confusing and unpredictable, which can lead to mistakes by the applicant and the officials processing the application with long delays and increased costs and losses. When applications are delayed, acts that are keen to ensure that they can meet planned dates may have to pay additional costs to try to have their applications expedited, or they may hold off booking travel arrangements until the last moment, which can impact on the cost of flights. That can sometimes result in whole tours being cancelled or postponed, so in addition to losing money on the US tour, artists may also lose money by having to forfeit booked travel and accommodation and by missing out on other bookings that they had refused on the assumption that they would not be available.
Those up-front and hidden costs make it very difficult for musicians who earn under £20,000 a year to meet visa requirements, particularly if they are travelling to perform at free shows aimed at raising their profile. In some circumstances, it may be possible to be exempted from visa requirements on discussion with the US embassy, but that occurs only in very specific showcasing situations, which stipulate that the artist should not yet be a full professional musician.
As a result of these issues, some desperate musicians may risk entering the US to perform without the correct documentation. Surely, the system should be workable, so that people are not placed in this situation and do not go to these extreme lengths. The early-day motion that I signed called for the US and the UK to devise a more workable system for UK musicians to perform in the US, and I reiterate that request to the Minister today. Given the music industry’s value to our economy, surely that would be advantageous for both sides of the Atlantic.
I commend the recent success of my local band, Single by Sunday, which won a competition at the weekend for its musical ability. I very much hope the Minister will make strides with such applications, so that Single by Sunday can soon be touring the US.