Football Regulation

Debate between John Whittingdale and Nigel Evans

Wednesday 8th November 2023 Commons Chamber

[Mr Deputy Speaker (Mr Nigel Evans)]

I just remind the Minister that at 7 o’clock the Whip will once more move the motion for the Adjournment of the House.

[Sir John Whittingdale]

Thank you, Mr Deputy Speaker.

I do understand the concern expressed by the hon. Member for Sheffield South East (Mr Betts). Certainly, we would not wish to have a system in which the directors decided who they do and do not wish to talk to. It will be part of the licensing requirements that fans are involved. I am sure we will wish to explore that further during the passage of the Bill, but it is certainly the intention that that is one of the conditions for licensing.

We have seen other examples of fans fighting back against their owners to save their clubs at Blackpool, Charlton Athletic and, as we have heard tonight, Reading. That should not have had to happen.

Safety of Journalists

Debate between John Whittingdale and Nigel Evans

Thursday 10th June 2021 Commons Chamber

[Mr Whittingdale]

I thank every Member who has contributed to what has been an excellent debate, even if it has been brief. Inevitably and depressingly, it has been something of a tour of the globe, which is a reflection of the number of countries where to be a journalist is still a dangerous occupation.

I cannot go through every single country that was mentioned, but I was interested to hear the Opposition spokesman, the hon. Member for Leeds North West (Alex Sobel), refer to the work he has done with the Inter-Parliamentary Union. I thought I would mention that since you, Mr Deputy Speaker, were a distinguished chair of the British Group Inter-Parliamentary Union and I had the privilege of taking over from you. I know that the hon. Gentleman is also active in the BGIPU. Alongside the Government’s efforts, the IPU has done a lot to highlight the importance of freedom of the press. We will continue to work internationally through organisations such as the G7 and the Council of Europe. I should also mention the work of my colleague in the Foreign Office, Lord Ahmad, who is the Minister responsible in this policy area and who is extremely active.

I want to talk specifically about what is happening in this country and to highlight one or two contributions to the debate. My hon. Friends the Members for Gravesham (Adam Holloway) and for Aylesbury (Rob Butler) spoke with considerable experience, having both worked as broadcast reporters, and recounted some of their knowledge of this issue. I am particularly grateful to my hon. Friend the Member for Gravesham, who reminded us of the sadly long list of British journalists—a number of whom were referred to—who have lost their lives in the course of their duties. The hon. Member for Caithness, Sutherland and Easter Ross (Jamie Stone) talked about Rory Peck, and it is worth paying tribute to the work done by the Rory Peck Trust, which was established in his name, to support freelance journalists who suffer in the ways mentioned.

There are of course still challenges to meet in this country. My hon. Friend the Member for Folkestone and Hythe (Damian Collins) highlighted the use of what are now called strategic lawsuits against public participation. He will know that the Government have made changes to the law on defamation that we believe make such lawsuits more difficult, but he also cited current examples, so it is certainly something that we need to monitor. It has been highlighted as a way in which people can try to suppress legitimate journalism. My hon. Friend also mentioned the online safety legislation that we will use to put in place extra protection for the work of journalists, in recognition of the importance of the freedom of the press.

The hon. Member for Belfast South (Claire Hanna) made an excellent speech. She highlighted the particular risks of being a journalist in Northern Ireland. A representative of the Police Service of Northern Ireland serves on the National Committee for the Safety of Journalists, and I have had meetings with the Minister of State, Northern Ireland Office, my hon. Friend the Member for Worcester (Mr Walker) to discuss these matters, but we are conscious that great abuse of journalists who operate in Northern Ireland still takes place. Of course, as the hon. Member for Leeds North West said, the most recent tragic death of a journalist in the course of carrying out her work was that of Lyra McKee from Belfast.

We have taken a really strong lead in this policy area with the establishment of the National Committee for the Safety of Journalists. We have published a national action plan, and we have the commitment of all those who serve on that committee to take more action, but of course we recognise that more needs to be done.

As I say, I am grateful to all those who have contributed to this afternoon’s debate and brought with them her own experience of having previously worked in journalism. I finish by paying tribute to all journalists, and in particular to those who have risked their lives and continue to do so on a daily basis in pursuit of exposing truth.

Question put and agreed to.

Resolved,

That this House has considered the safety of journalists.

[Mr Deputy Speaker (Mr Nigel Evans)]

From all of us at the House of Commons I wish all the team working for the launch of GB News on Sunday the very best of British as they start an important role reporting the news that impacts on all our lives. That team contains many journalists whom we all know and greatly respect, so good luck to them all.

Coronation Street: 60th Anniversary

Debate between John Whittingdale and Nigel Evans

Wednesday 2nd December 2020 Commons Chamber

[Mr Whittingdale]

I am grateful to the hon. Lady for that. It has been some years since anyone was sent to prison for that and I hope it does not happen again, but it was disproportionately women who suffered.

My hon. Friend the Member for Buckingham (Greg Smith) talked about the issue of raising awareness of sepsis. It is perhaps worth observing that there cannot be another street in Britain that has experienced so many disasters and so many tragedies in such a short space of time.

Of course, most recently, the programme has had to wrestle with the challenges of covid, both in terms of production and also as a storyline. Covid stopped production of “Coronation Street” in March, but it was able to resume in June under the protocols to ensure safety. I want to pay tribute to the ITV health and safety team and to Magnus Brooke of ITV who played a very large part in helping to draw up those protocols so that not just ITV Studios productions could get going again, but all the other broadcasters and film companies could, too.

I have been chairing the broadcasting, film and production working group, which has brought together representatives of all the broadcasters, film companies and production companies to discuss how we could get production going again. We have now put in place very strict protocols to ensure that production can take place safely. As the hon. Member for Batley and Spen mentioned, we have also put in place the £500 million film and TV restart scheme. She is absolutely right that one obstacle was the difficulty in obtaining insurance of productions against the possibility of their having to stop because of covid. I am glad to say that that is in place and, as a result, productions have been resumed by most of the major broadcasters and film companies, but it has required some quite inventive solutions.

I understand that, on “Coronation Street”, furniture is quite often placed between characters in order that they can remain apart and socially distanced. Indeed, in a particularly inventive way, filming of romantic scenes takes place with one actor sitting on one end of a sofa looking longingly at a tennis ball suspended from the ceiling and then, once that section has been filmed, the other actor takes their place at the other end of the sofa and stares at a different tennis ball longingly and the production crew then splice the two together so that no one can tell. It is very important not just, obviously, that production is done safely, but that a show like “Coronation Street” gets across the public messaging about the importance of maintaining social distancing and mask wearing. “Coronation Street” had the socially distanced wedding between Maria and Gary.

I fear that it is almost certain that Weatherfield would still be in tier 3 at the end of the national lockdown, which would mean that the Rovers Return would be able to supply only a takeaway service, but I hope that it would not be long before the Rovers Return would be in tier 2, which would, of course, allow the sale of alcohol with a substantial meal such as Betty’s hotpot.

The hon. Lady also rightly referred to the importance of the UK production sector and our creative industries and the need to ensure that every region and every nation of the UK benefits from them, and we have been very keen to ensure that more production is done outside London. The BBC now has a major centre in Salford at MediaCity. ITV is now located with the “Coronation Street” set there. I have also had the pleasure of visiting the “Emmerdale” set in Leeds. ITV still has a presence in Leeds and Channel 4 has now established its headquarters in Leeds. I am absolutely clear that it is very important that we continue to encourage production to take place right across the UK, because it brings enormous economic benefits in terms of jobs and wealth creation.

The hon. Member for Batley and Spen and my hon. Friend the Member for Buckingham referred to the importance of public service broadcasting. We are living through extraordinary changes in the media landscape that have brought huge extra opportunities for viewers in the range of content available through a number of streaming services that did not even exist two or three years ago. Now we have a choice of Amazon, Apple, Disney and Netflix, as well as Sky and the public service broadcasting companies. The PSBs have a tremendous role in supporting the UK creative industries, and while some of the streaming services are now commissioning content in this country, because we are so good at it here, the PSBs nevertheless still represent the major commissioners of UK content. We have recently established the Public Service Broadcasting Advisory Panel to examine the way in which PSB needs to adapt to this new landscape, but I am absolutely clear that there is still a role for public service broadcasting, and we will be looking at the issues and challenges facing public service broadcasters, such as the issue of prominence that my hon. Friend the Member for Buckingham raised.

I would like to conclude by joining all those who have spoken in paying tribute to a show that has not only brought pleasure and entertainment to millions of people over the course of the last 60 years, not just in the UK but in many other countries around the world, but also played a vital role in raising awareness and affecting attitudes on so many important public issues. As several people have said, I look forward to at least another 60 years.

[Mr Deputy Speaker (Mr Nigel Evans)]

I am not going to let the moment pass without saying a few words. This is rare and exceptional, but we are going to do it, and I am grateful to Mr Speaker for allowing me to chair this part of the Adjournment debate. Congratulations, Tracy, there is nobody more appropriate than you to have this particular debate. I have to say, as well, that I have seen many Ministers answer Adjournment debates with speeches prepared by their own Departments, but John, you wrote every word of that speech. I was looking at it, and that is your handwriting. I do not know if you could read it, but none the less it is your handwriting. You have grown up with the series, as we all have in this Chamber.

I know that Mr Speaker would have wanted, in normal circumstances, to have done a big reception at the end of this debate and had many of the stars past and present in his state rooms, but I am afraid covid has meant that that cannot be. We cannot even go into the snug in the Strangers Bar, because that is closed. None the less, I am sure that at some stage we will be able to properly mark the 60 years of “Coronation Street” in the Palace of Westminster. I know that that Chamber would have been full of some of the stars looking down before we went on to the reception.

I grew up in the 1960s watching “Coronation Street” on the huge TV we had in the corner—a small screen, but a big TV—all in black and white. I lay on the floor and listened to the haunting melody on a Monday and Wednesday. My father would close the shop early in order to watch “Coronation Street” because he loved it so much. Little did I think, watching that series, that I would be chairing a debate on “Coronation Street” in the House of Commons as Deputy Speaker.

I remember once meeting Jean Alexander, the great Hilda Ogden, and I could not get over how posh she sounded when she was not being Hilda Ogden. She was such a great actress, and that is part of the thing about “Coronation Street”: the great actors and actresses—yourself included, Tracy—who have performed in the amazing, longest running soap opera in the entire world.

In the 1960s, Bill Roache opened Swansea carnival. My mother dragged me down to the front to watch Bill in the back of an open-top car. I thought I was looking at a Hollywood actor—that is the height of the fame of people who starred in “Coronation Street” in those days. Little did I think then that I would represent the Ribble Valley, in the north-west of England, in Lancashire, or that in the village I bought a house in, Pendleton, I would be living opposite Vicky Entwistle—Janice Battersby—who is now a personal friend. I went to her wedding in Manchester, when she married Andy Chapman. Lots of stars of “Coronation Street” were there.

Bill Roache, too, has become a personal friend of mine over the years—a wonderful man. He has helped me out in a couple of general election campaigns, as he has a number of people who became MPs. Bill is the longest-serving actor in the longest-serving soap. What an amazing accolade! John, you mentioned Jane Luca, and she helped me to get on to the set of “Coronation Street” as well. We are all grateful for the fantastic facilitation that Jane has given many people over the period.

Another thing that has come out about “Coronation Street” is the humour—yes, the drama, and the fact that it treat difficult subjects, but it is one of the most humorous things on TV, more than some of the other soaps on at the moment, where you feel a bit depressed at the end. With “Coronation Street”, humour runs through the entire series, the entire 60 years of its production. For me, as far as broadcasting is concerned, you can stick your “Crowns”; I am going to stick with “Corrie”, as I have for the past 60 years, and as I am sure we all will in the future.

It is a real shame that at the end of this debate, we cannot have that haunting melody of “Coronation Street” playing, which I am sure we are all thinking about now. It is the thing that got us there to watch the show and, even at the point of highest drama, there would be silence in our living rooms as we listened to that closing melody. So thank you, “Corrie”, for everything that you have done over the past 60 years.

Question put and agreed to.

Concessionary Television Licences

Debate between John Whittingdale and Nigel Evans

Monday 6th July 2015 Commons Chamber

[Mr Whittingdale]

As the hon. Lady knows, the Government already fund S4C with £6.7 million of direct funding and we have already set out our intention for the next two or three years. Beyond that, it is something that we will consider at the time.

[Mr Nigel Evans (Ribble Valley) (Con)]

The Secretary of State may remember when I sat on his Select Committee and had a go at the former chief of the BBC Trust, Michael Lyons, about some of the eye-watering salaries it paid to top executives and so-called top talent, including the £6 million it was paying Jonathan Ross. I have read recently that it will be paying Chris Evans millions just so that he can present “Top Gear”. Is it not absolutely right that the BBC should get a grip on some of these salaries and that it should play its role in ensuring some restraint in the coming years?

FIFA

Debate between John Whittingdale and Nigel Evans

Monday 1st June 2015 Commons Chamber

[Mr Whittingdale]

I thank the right hon. Gentleman for his kind remarks. I completely agree with him. What happened 15 or 20 years ago following the Salt Lake City bid, which led to a complete reform of the International Olympic Committee, provides a very good precedent for the tackling of matters such as this. The IOC, which at that time suffered from allegations much the same as those that are now swirling around FIFA, did clean up its act, which shows that a result is certainly possible. The British Government will work with the FA in putting as much pressure as we can on other football associations to ensure that FIFA takes the same route as the IOC.

[Mr Nigel Evans (Ribble Valley) (Con)]

Will the Secretary of State make absolutely certain that, with this “cling-on” in charge of FIFA, the sponsors will know that their names will be associated not with the beautiful game, but with a corrupt and discredited organisation?

[Mr Whittingdale]

My hon. Friend is absolutely right to focus on the sponsors as one of the ways we can best exert pressure on FIFA to make change. The sponsors are paying a huge amount of money because they want to be associated with this game, which is popular and loved by so many around the world. If it becomes clear that FIFA is instead identified with corruption and sleaze, it must be for them to consider very carefully whether they still wish to be associated with it.

Future of the BBC

Debate between John Whittingdale and Nigel Evans

Monday 21st October 2013 Commons Chamber

[Mr John Whittingdale (Maldon) (Con)]

I congratulate my hon. Friend the Member for Vale of Glamorgan (Alun Cairns) on his success in obtaining this debate, which comes at a time when some serious questions need to be addressed. I do not want to detain the House for too long, because the Culture, Media and Sport Committee will take evidence tomorrow morning from the chairman of the BBC Trust and the director-general, so we will cover a lot of the issues in detail. We have also announced that we intend to hold a full inquiry into the future of the BBC, and that is likely to commence in the new year. That will provide an opportunity to examine these matters and I do not want to prejudge the inquiry. It is, however, worth spending a little time on the subject, because there have been some very difficult issues raised, and some very clear failures by, the BBC over the past year.

It is important not just to focus on criticisms, but to recognise that the BBC remains one of the finest broadcasters in the world and that, at its best, it is unequalled. That is not to say that one should just point at the successes. It is important that we look at the failures and see how they can be prevented from happening again.

[Mr Nigel Evans]

There was once a time when people said that only the BBC could do the arts and that it could not be done commercially. Does my hon. Friend agree that Sky Arts is now doing a tremendous job in providing arts to the masses, and that Classic FM on the radio provides classical music to a group of people who perhaps would never previously have listened to Radio 3? The onus is therefore on the BBC to keep raising the game. It does not have to chase the ratings, but it needs to ensure that it keeps providing high-quality programmes.

[Mr Whittingdale]

I am not in the least surprised to find that I agree completely with my hon. Friend, who was an excellent member of the Committee for a time. I will come on to this issue, but he is absolutely right that there has been a change in terms of the amount and diversity of content available. The advent of Classic FM, which is hugely successful, means that Radio 3 should no longer need to occupy the same space, but concentrate, as it does most of the time, on a little more challenging and difficult classical music than the more commercial Classic FM output. That applies equally in other areas.

My right hon. Friend the Secretary of State has described this as having been an annus horribilis for the BBC, and she is certainly correct. Reference has been made to the Jimmy Savile exposure. We have seen the Pollard report and my hon. Friend the Member for Vale of Glamorgan is right that, given that a lot of money has been spent and a great deal of evidence taken, it is worrying that questions remain, particularly about the evidence submitted to Pollard by Helen Boaden and its apparent conflict with that supplied by Mark Thompson. Pollard did not really address that and I know that others may wish to pursue it.

Of course, the bigger question was not about the Pollard review, which examined why “Newsnight” came not to be broadcast, but about how Jimmy Savile was able to operate in the way that he did for so long. We await the findings of Dame Janet Smith’s review of the culture of the time. That may prove to be rather more shocking and it may have greater lessons of which we will need to take account.

The next failure, which was certainly as shocking, was the Lord McAlpine programme. It would have been the most catastrophic failure of editorial judgment at any time, but it defied belief that it happened such a short time after the failure to broadcast the Savile programme. Obviously, that led to the resignation of the then director-general, but there was a failure in editorial standards right across the news and current affairs division, and it is still not clear to me that everybody responsible has been identified or that sufficient action has been taken.

Another issue is the so-called respect at work inquiry into the bullying practices that apparently took place over a long period and the failure of management to take any action when presented with worrying findings about the way in which some employees at the BBC were treated. The right hon. Member for Dulwich and West Norwood (Dame Tessa Jowell) said that those were historical episodes. There is evidence that the bullying is not an historical, but a recent practice. The Select Committee will pursue that matter with the management of the BBC.

A lot of attention has been given to the level of the pay-offs and salaries. Those are serious matters. A culture appeared to exist whereby a small group of people at the top of the BBC awarded each other pay-offs when they came to leave. Those severance payments far exceeded any contractual liabilities.