Creative Industries

Jo Platt Excerpts

Monday 27th January 2025 Commons Chamber

[Jo Platt (Leigh and Atherton) (Lab/Co-op)]

Thank you, Madam Deputy Speaker. It is an honour to follow the hon. Member for Gosport (Dame Caroline Dinenage), who is an excellent chair of the Culture, Media and Sport Committee, even when she is telling me off for going over my allotted time.

Growing up in Manchester in the ’90s, I saw at first hand how culture can breathe new life into a city struggling with the aftermath of deindustrialisation. In the face of economic decline, it was community cinemas, street art and independent venues that became the beating heart of Manchester city centre. Spaces like Canal Street flourished, not just as a hub for Manchester’s LGBT community, but as part of a vibrant city centre that reflected the city’s cultural and inclusive spirit—all powered by the music, creativity and diversity that defined our nightlife scene. I am giving away my age.

That scene was accessible to me, as I grew up in Salford, right in the area that MediaCity now calls home. The BBC’s move marked the largest relocation of any public sector organisation outside London this century. Since then, Salford has seen a remarkable 142% growth in employment in the creative and digital sectors, along with a 70% increase in the number of digital and creative businesses. MediaCity stands as a powerful example of how the creative industries can deliver both economic and social benefits to local communities. That experience shaped my belief in the transformative power of culture to regenerate communities and drive economic revival. Culture turned the tide for Manchester, and I believe that today’s generation deserves that same opportunity.

[Alex Mayer (Dunstable and Leighton Buzzard) (Lab)]

South Side Studios in Leighton Buzzard repurposes vacant spaces on the high street, which brings people to the high street. We also have the Peppercorn team, who want a cultural and heritage centre, which would bring people into the town centre. Does my hon. Friend agree that cultural industries can bring growth to not just cities, but our market towns as well?

[Jo Platt]

My hon. Friend makes an excellent point on an issue that I will come to. I think the Government will be focused on that change. For the Labour Government, this is a pivotal moment—a chance to make culture truly accessible for all, and to ensure that communities like mine in Leigh and Atherton experience culture as a driving force for positive change.

I have spoken many times in the Chamber about my previous role at Leigh Spinners Mill—I am sick of sending it copies of Hansard, as it costs me a fortune in postage—but by revitalising a once dormant 100-year-old cotton mill, we created a thriving creative hub where artists, musicians and creative businesses could set themselves up. It proves that towns like mine are full of rich, creative talent. That effort mirrors the important work done by the Music Venue Trust, which is dedicated to creating spaces where grassroots music can flourish. One such example is the Snug in Atherton, which has become a cornerstone of the town’s nightlife, playing a crucial role in revitalising the town centre over the years. We see there a model of local ownership and community-driven success, which aligns perfectly with Labour’s vision and the values of co-operatives. It fosters local empowerment and ensures that communities can take ownership of their spaces and their futures.

However, as much as we celebrate these successes, we must acknowledge the challenges facing the creative industries. Grassroots creative artists—particularly in towns like Leigh—have often felt left behind, and too many talented individuals feel overlooked by the larger cultural institutions, and excluded from the opportunities that they deserve.

I welcome the Minister’s comments, and his focus on the creative industries. He is putting them at the heart of the forthcoming industrial strategy, which will play a key role in the Government’s plan for change. I am not under the illusion that we will get some huge financial institution investing in Leigh, creating thousands of jobs—that is not going to happen. What we need is growth in our existing industries, and the many creative industries that keep our small towns working. We need to reassess funding models, rethink policy frameworks and build stronger educational pipelines to ensure that everyone, regardless of background or postcode, can access careers in culture, media and sport.

I would like to ask the Minister about the introduction of a well-publicised proposal that could be a game changer for visual artists: the smart fund. That initiative, backed by creative industry organisations, could unlock the economic potential of the sector by creating new support mechanisms for freelance artists and the wider visual arts sector. That would be a vital step towards bringing the UK into line with other countries, and ensuring that creators from all backgrounds have the support that they need to thrive.

It is essential that any funding reaches grassroots artists and organisations—those working in town centres and local communities. I am passionate about creating the physical and financial space for the creative industries to flourish, not just in cities, but in smaller towns like Leigh and Atherton. The impact of nurturing local talent cannot be overstated. It brings people together, creates jobs and builds stronger communities. I am sure that the Government are working hard to address the challenges facing the creative industries, including funding issues, the threat of AI and skills shortages. This is about more than just jobs or culture; it is about building stronger, more connected and more vibrant communities across our country.

Secondary Ticketing Market

Jo Platt Excerpts

Thursday 24th October 2024 Westminster Hall

[Jo Platt (Leigh and Atherton) (Lab/Co-op)]

It is an honour to serve under your chairmanship, Mr Rosindell. I thank my hon. Friend the Member for Cramlington and Killingworth (Emma Foody) for securing this debate so that we can discuss subjects that resonate deeply with our constituents. I wholeheartedly align with her position, which reflects my commitment as a longstanding Co-operative party member. The values we uphold—community, fairness and inclusivity—are essential as we confront the pressing issue of ticket touting.

I thank my hon. Friend the Member for Washington and Gateshead South (Mrs Hodgson) for her hard work over the past 15 years, which has been nothing short of phenomenal. I am sure the Minister is hearing the collective enthusiasm for cracking down on this practice.

The impact of unfair ticket pricing on ordinary individuals cannot be overstated. There are many barriers to accessing cultural experiences for communities in Leigh and Atherton. One of the most significant is affordability. Many are excluded from our vibrant cultural sector due to soaring ticket prices, which have become an obstacle rather than a gateway to enjoyment. If we are to make culture accessible, we must start with fair pricing practices.

Even cinema tickets, which were once a modest indulgence, have become unaffordable for many families. In response we have seen some remarkable achievements. Leigh Film Society is a fantastic Co-operative-inspired organisation that strives to screen films that are socially inclusive and affordable, prioritising accessibility for all. Run entirely by dedicated volunteers, that initiative recognises the inaccessibility of cinema tickets and is committed to broadening cultural access in our community. They now have a deal with the National Theatre whereby they can screen National Theatre Live. Bringing that to Leigh is incredible for our constituents.

The demand for live music in the UK is thriving. We must ensure that it remains accessible to everyone. Significant reforms in ticket pricing are essential. The Music Venue Trust is championing the cause of grassroots venues and advocating for a fair distribution of funding within the cultural sector. These venues are not just places for entertainment; they are community hubs that foster creativity and bring people together. While this debate is centred on ticket touting, we must not lose sight of the need to protect and enhance grassroots venues, which play a crucial role in communities like Leigh and Atherton. By supporting such venues, we can ensure that the cultural landscape remains diverse and vibrant.

I fully support my hon. Friend the Member for Cramlington and Killingworth in her calls to reform ticket pricing practices. Together, we can create an environment where ordinary people can participate in our rich cultural life without fear of being priced out. Let us commit to supporting grassroots groups and organisations that enrich our communities.