Arts Council England Funding: Coalfield Communities

Helen Goodman Excerpts

Tuesday 20th February 2018 Commons Chamber

Motion made, and Question proposed, That this House do now adjourn.—(Wendy Morton.)

[Helen Goodman (Bishop Auckland) (Lab)]

rose—

[Jim Shannon (Strangford) (DUP)]

rose—

[John Mann]

I will give way to my hon. Friend.

[Helen Goodman]

My hon. Friend is making a passionate case. I think the bias is for London and against the regions. Not so long ago, the whole of Lincolnshire was given 25p per person. What can be done with 25p per person? That is absurd. At the same time, London was getting 14 times as much as the average across the rest of the nation.

[John Mann]

My hon. Friend makes a good point. I merely say that when it comes to the English coalfields, we are talking about zero, zero, zero, zero, year after year. So the young people are reliant on the schools, which do their best, but we all know that schools funding has been tight. Schools funding for the arts has been tight for successive Governments—this goes back to the Labour Government as well. It has always been tight, but it has got tighter. Where someone wants to be creative in music in Bassetlaw, there is no facility available in the community for them. Where someone wants to go into the world of theatre, they find that no youth drama is being funded by the national Arts Council. The amounts of money that are there ought to be spread to some extent, to allow us to do things.

When we bid for money, the way the Arts Council works is that it says, “We’ll give you a consultant. One of our consultants.” That consultant will advise the Arts Council on what should be done. It is a closed shop within the arts world, where they give someone they know the contract to bid for money from themselves and none of it gets into the former coalfield communities. It is a scandal. The Arts Council needs to have the integrity to open up opportunities to give us the chance to demonstrate that where we do not have the arts infrastructure to bid for money, we can do it in a different way, with its assistance, without needing that infrastructure. Where people have the time, wisdom, inclination and skills, coming from the arts world, I do not begrudge them their brilliant ideas, inventiveness and claims in respect of facilities that already exist. If those facilities were in my constituency, I would be proposing the same. But is this fair on the national level? What about not just the education but the health, not least the mental health, of young people and the importance of the arts to them?

--- Later in debate ---

[The Parliamentary Under-Secretary of State for Digital, Culture, Media and Sport (Michael Ellis)]

I congratulate the hon. Member for Bassetlaw (John Mann) on securing this interesting and important debate. I believe that he and I are in agreement about the vital role that the arts can and do play in binding local communities together and about the sense of pride—and enthusiasm, for that matter—that engagement with the arts can bring to individuals and to places; we are certainly in agreement about that. The Government truly believe in and recognise the power of the arts to transform places and, indeed, people’s lives. I passionately believe that and know it to be true.

As the hon. Gentleman will know, Arts Council England rightly operates at arm’s length from the Government. In those circumstances, it would be wrong for a Minister of the Crown to intervene in, or comment too specifically on, individual funding cases. I shall therefore begin by discussing the Arts Council’s role and the support that it provides at a broader level.

The Arts Council’s mission is “Great art and culture for everyone”, which it seeks to achieve through advocacy and investment in line with its 10-year plan. It works to make the arts, and the wider culture of museums and libraries, an integral part of everyday public life, accessible to all and understood as essential to the national economy and the health and happiness of society.

On the hon. Gentleman’s specific point, the Arts Council has worked very hard in recent years to ensure that investment outside London has increased as a percentage and in cash terms. He will be pleased to hear that last year some 70% of Arts Council funding was awarded outside London. Between 2018 and 2022, an additional £170 million will be invested outside London. The Arts Council is also on target to spend 75% of national lottery money outside London by April this year—that is expected in the next couple of months.

The Arts Council recognises that more can be done to ensure that more people have access to great art and culture. Its flagship Creative People and Places programme, for example, was set up to focus on the least-engaged parts of England. Current investment in that programme is more than £53 million. The scheme allows local people to have a say in the art that they want locally. It is about taking art and culture to the people. Through that programme alone, the Arts Council has reached 1,450,000 people who would not ordinarily participate in art and culture.

There are some great examples of Creative People and Places schemes working in former coalfield areas, such as St Helens in the north-west, where Heart of Glass was set up in 2015. The evidence shows that that has made a difference. Heart of Glass and St Helens library service will join the Arts Council’s national portfolio of organisations for the first time in 2018 to 2022—congratulations to them for that achievement.

[Helen Goodman]

The statistics the Minister has given would be reasonable if between a quarter and a third of the British population lived in London, but they do not. Moreover, although the Arts Council is at arm’s length, the Minister has under his own control a significant budget that he could use if he wished to make up for the deficiencies in Arts Council distribution.

[Michael Ellis]

The fact of the matter is that the Arts Council has made significant progress, as I have outlined, in delineating moneys outside the London area. It is also important that my Department and I access all people throughout England. Arts Council England is focused on that too.

I should like to take this opportunity to congratulate Sue Williamson, who joins the Arts Council as director of libraries from St Helens library service, which I referred to a moment ago. She most recently delivered its award-winning cultural hubs and arts in libraries programme, and oversaw the successful application to the Arts Council’s national portfolio.

Another Arts Council-funded scheme is First Art, which is a collective of four cultural and community organisations working within former coalfields in north-east Derbyshire and north-east Nottinghamshire. It aims to bring inspiring cultural experiences within reach of everyone in Ashfield, Bolsover, Mansfield and north-east Derbyshire over the next two years. It is a very exciting programme.

The hon. Member for Bassetlaw raised the issue of funding for coalfield communities at Prime Minister’s questions a few weeks ago, when he alleged an inequality of funding by comparing funding for coalfield communities with funding in the London Borough of Islington, which he mentioned again this evening. I am happy to correct that assertion on the record. Having read his letter to me following Prime Minister’s questions, I see that his figures are based on the Arts Council’s national portfolio funding only, which led to the conclusion of a discrepancy in funding. In actual fact, although the national portfolio organisation funding is an incredibly important part of the Arts Council’s work—it provides regular funding over a set period to some of England’s most vital cultural institutions—it is by no means the only form of funding it distributes. The Arts Council has established various funding streams to tackle different issues across the nation. Many of those funding streams are heavily focused on supporting areas outside London. Some 80% to 90% of the funding for the Ambition for Excellence scheme, which supports talent, leadership and ambition, will be spent outside London. Recent research showed that 91% of touring activity funded by the Arts Council strategic touring fund was spent outside London. Some £35 million will be invested in the scheme between 2015 and 2018.

--- Later in debate ---

[Michael Ellis]

I want to do everything I can to support all parts of society to access all forms of art. The Harley Gallery is doing wonderful work, and it is open to all. I know that the hon. Gentleman will join me in encouraging people to visit that gallery and any other galleries nearby that people wish to visit.

The Arts Council recognises the need to increase levels of ambition and interest at the local level. This, of course, cannot be done in isolation. Partnerships are vital. They often extend beyond culture and tourism to include businesses, the local authority in a given area, schools and higher education establishments. In places where that co-operation exists, great things can happen. I know that, as a supporter of the arts, the hon. Gentleman will be a leader in Bassetlaw in working to make these things happen. Clearly, things do not change overnight. It is important that this House devotes time to discussion of the arts, given their importance to so many people in our country.

I again congratulate the hon. Gentleman on enabling this discussion to take place.

[Helen Goodman]

Before the Minister concludes, we know what the problem is, and we know it is difficult, but we want to know what he is going to do about it.

[Michael Ellis]

Well, this Minister is deeply supportive of our arts, our culture, our galleries and our museums—our entire sector. This Minister is going to give every ounce of support to ensuring that we support the Arts Council and other arm’s length bodies in the important work that they are doing to make sure that the widest section of society has access to the arts, crucial as we know that to be in broadening the horizons and vistas that the hon. Member for Bassetlaw has spoken of. As I have said, there is work to be done, but it is wrong, in my submission, to characterise the Arts Council in the way that it has been characterised, because it is working very hard on this, and 75% of its funding is now outside of London.

As we all know, arts and culture help to remind us of where we come from. They bring incredible stories to life and help us to step into someone else’s shoes and see the world through their eyes. This country is a world leader in culture and the arts and the Government are committed to supporting that. By continuing to inspire people through the arts, we can continue to create the practitioners of the future. With the leadership—the good leadership—of the Arts Council, the House can see that this Government are paving the way for a bright cultural future right across the nation.

Question put and agreed to.