All 2 Debates between Gavin Robinson and John Whittingdale

BBC Commissioning: Oversight

Debate between Gavin Robinson and John Whittingdale
Tuesday 24th October 2023

(1 year, 2 months ago)

Westminster Hall
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Gavin Robinson Portrait Gavin Robinson (Belfast East) (DUP)
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I am grateful for the Minister’s attendance and for what he has just shared. A perception arising from some issues that my hon. Friend the Member for East Londonderry (Mr Campbell) raised is that some people in the BBC are too popular to be criticised, too successful to be touched, and too important in the ratings game to have issues raised about their conduct. Some of the points that my hon. Friend made touch on questionable, if not corruptible, practices around commissioning and around individuals and their behaviour. The Minister is right that Ofcom is there for when the BBC has completed its investigations, but Ofcom looks very particularly at regulatory matters. He mentioned the ongoing review, but can he give us any assurance that there will be a level of stringent and independent oversight in the BBC and through its management structure, so that when such issues are raised, which touch on malpractice or questionable practice around the allocation of financing and the commissioning of resources, the public and we all know there is integrity in the process of investigating them?

John Whittingdale Portrait Sir John Whittingdale
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I am grateful to the hon. Gentleman, and I agree that nobody who is in receipt of public money or who holds a senior position in a publicly owned and publicly funded organisation should be exempt from scrutiny to make sure that they are carrying out their functions properly, and that any concerns around that need to be investigated.

As for whether anybody is too popular or too senior to be examined or held to account, the hon. Gentleman will be aware that the highest-paid BBC employee is Gary Lineker, and there has been quite a lot of controversy over some of his remarks. That is absolutely right and, as a consequence, the BBC has recently carried out a further consideration of their social media guidelines for highly paid staff and has brought those into play, partially as a result of some of those controversies. That matter is very different from the kind of issues that the hon. Gentleman raised. They relate to allegations that have been received about possible corrupt behaviour, and, obviously, that would also need to be investigated. The particular show that he referred to is presented by the fourth highest-paid person at the BBC. That, again, is another reason why a large amount of public money is spent, and we need to be satisfied.

As I said, this is not a matter that the Government can or should investigate, but there are independent bodies that do so. The first port of call I suggest the Gentleman might talk to is the BBC board member for Northern Ireland, Mr Michael Smyth. He was recently appointed and has taken up his post. Part of his role is to oversee the BBC’s activities in Northern Ireland, as well as to act as a member of the board as a whole. I am sure the hon. Gentleman will draw his concerns to Mr Smyth’s attention, and also take advantage of the BBC first complaints process.

I hear what the hon. Gentleman says about the individual who runs the editorial standards and guidelines committee, but there are also independent board members who sit on that committee. He could certainly draw his concerns to their attention. Ultimately, as we have discussed, the NAO has full access under the charter. If there are concerns about the way in which public money has been spent, that, too, is a matter that the NAO could investigate.

I do not in any way suggest that the hon. Gentleman has not raised some serious concerns; I hope they will be examined to his satisfaction. I think he is best placed to pursue them through the routes that I have suggested, but I am grateful to him for raising these matters this morning.

Question put and agreed to.

BBC Charter Review

Debate between Gavin Robinson and John Whittingdale
Thursday 16th July 2015

(9 years, 5 months ago)

Commons Chamber
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John Whittingdale Portrait Mr Whittingdale
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The BBC gains considerable income from its commercial activities, which are carried out by BBC Worldwide. How that is done is something we will want to look at. However, one of the principal reasons that £3.7 billion of public money goes towards supporting the BBC is to support programming that is in the national interest and that has great public importance, but which would not necessarily be produced commercially.

Gavin Robinson Portrait Gavin Robinson (Belfast East) (DUP)
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Mr Speaker, last night you missed the focus in the Chamber on my experience, or inexperience, of how the House operates. In preparing to come to the House, however, I watched a very good BBC production, the original version of “House of Cards”. I am not going to put about any stick this afternoon, but I watched “House of Cards” through Netflix, which costs £6.99 a month. When I watch BBC iPlayer, I do it through Now TV, which costs £5.99 a month. Even when I add those two together, it is still better value for me than the licence fee, from which I do not get any great benefit. Will the Secretary of State tell the House what discussions have taken place with organisations such as Netflix, Now TV, blinkbox, Flixster and other successful organisations—[Interruption.] Now TV is Sky—that are succeeding in providing a good service and a version of media that more people wish to access?

John Whittingdale Portrait Mr Whittingdale
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The hon. Gentleman rightly identifies those services, which have recently entered the market and are proving extremely successful. Some might be cheaper than the licence fee and some might be more expensive, but the one thing they have in common is that people can choose whether they want to subscribe to them, which of course they cannot do with the licence fee. I remain an admirer of the original version of “House of Cards”, which he rightly says was produced by the BBC, and of the very clever adaptation for the American market, which was done by Netflix. Both versions are examples of superb drama, and I say that not just because the author is my daughter’s godfather.