The Arts: Health Effects

Debate between Chris Ruane and Lord Vaizey of Didcot

Wednesday 11th October 2017 Westminster Hall

[Mr Vaizey]

I absolutely endorse my hon. Friend’s players. I look forward to visiting them—in fact, I know that the Minister will visit on the 300th production that the players perform. He said that to me before the debate, and I know that he will stick to his commitment. My hon. Friend the Member for Congleton (Fiona Bruce) can tell her constituents to look forward to welcoming my hon. Friend the Member for Salisbury (John Glen).

The other obvious area to talk about is age. As we luckily have an ageing society in the sense that people are living to be older, the arts can play a huge role in helping people with some of the conditions that come as one reaches one’s later years.

[Chris Ruane (Vale of Clwyd) (Lab)]

On longevity, is the right hon. Gentleman aware that someone born today has a 50% chance of living to more than 105 and that a 20-year-old today has a 50% chance of living to more than 100? As the period of old age grows, it is important that we have fulfilling activities for older people.

[Mr Vaizey]

The hon. Gentleman is absolutely right, and he has given me a wonderful introduction to the next part of my speech. Age UK has found that taking part in creative activities such as the arts has the most direct influence on a person’s wellbeing in later life. Indeed, in 20 years’ time we expect more than a million people to have a dementia diagnosis, and engagement with the arts can provide significant help in meeting that enormous challenge. For example, music therapy, which has already been mentioned, has been proven to reduce agitation and the need for medication in two thirds of participants with a diagnosis of dementia. A good example is A Choir in every Care Home, a new project from Live Music Now that is encouraging music and singing in care homes across the UK. That supports evidence that finds that regular group singing can enhance morale, reduce loneliness and improve mental health. Of course, it can also help those who are suffering from a terminal illness. There are legion examples of how the arts and health are working together and making an impact.

S4C and Welsh Identity

Debate between Chris Ruane and Lord Vaizey of Didcot

Wednesday 7th May 2014 Westminster Hall

[Mr Vaizey]

That is an extremely important point, which takes me back to the debate, beginning in 2010, about the future of S4C, because S4C’s current success has taken place against the background of significant challenges, but those challenges have also brought opportunities. S4C was not alone in facing challenges.

[Chris Ruane (Vale of Clwyd) (Lab)]

By “challenges”, does the Minister mean cuts?

[Mr Vaizey]

It is always good to have someone come late to the debate and destroy the good will and general bonhomie that we were hitherto enjoying. I mean challenges. I am always one for a euphemism, but I mean the challenges that have been faced by many fine institutions. I was pleased that the Government were able to protect Department for Culture, Media and Sport funding for S4C during the last autumn statement and to ensure no cuts. It is not possible to offer certainty around Exchequer funding beyond 2015-16—in case anybody wants to try to read between the lines of that statement, that is the case for all publicly funded bodies—but given that the majority of S4C’s funding now comes from the licence fee, it is important that it is guaranteed up to 2017. The Government have as yet made no statement on how they intend to proceed on charter review. Sadly, I may not be the Minister supervising charter review, but common sense would clearly dictate, given the stellar speeches and high quality of the hon. Members who have contributed to the debate and given the level of debate that accompanied the changes to S4C in 2010, that S4C and other language channels will be a prominent part in such a review.

Today, we have focused on the culture as well as the cash, but it is important to understand the contribution made by S4C to the creative economy in Wales, as mentioned by the hon. Member for Arfon. Thousands of Welsh jobs are supported by S4C-related activity, and research published by S4C last year showed that each pound of funding returned nearly twice that amount for the Welsh economy, which is perhaps unsurprising but nevertheless important to acknowledge. It is also encouraging to see that formats developed in Wales, and in Welsh, are selling internationally. We have mentioned “Hinterland”, but there is also the recent sale of “Fferm Factor” to China, taking farming to a country with 300 million farmers.

As we look to the future, a key challenge for all traditional broadcasters will be to continue to reach their audiences. That challenge is more acute for public service broadcasters, and particularly for S4C, which faces the challenge of reaching an increasingly fragmented audience with such a wealth of content, and means of accessing content, on the market. In a world where the internet is largely in English, that is no small challenge, which is why the point made by my hon. Friend the Member for Aberconwy (Guto Bebb) is so telling. The partnership with the BBC not only saves money in overheads and encourages a shared approach to programming and news, but gives S4C the opportunity to showcase its excellent content on BBC iPlayer.

I am delighted that S4C is reaching out and continues to strive to meet children’s needs with two dedicated channels, Cyw, broadcasting to pre-schoolers on TV and online, and Stwnsh, aimed at slightly older children and young people. Although age need not be a barrier to learning a new language, as shown by my hon. Friend the Member for Montgomeryshire, it is important to reach people and potential Welsh speakers when they are young. I hope that S4C will continue to push forward plans to reach young people in a multi-channel, multi-device world. It is also important to reach the 16 to 24-year-old audience. Among Welsh speakers in that age group, only half consider themselves fluent, so it important that such content continues to be pushed through, which is why S4C programmes being on iPlayer and S4C’s own online offering, Clic, are so important. It is entirely in line with the Government’s objective that public service content should be available to as many people as possible, and maintaining a presence on such platforms will be increasingly central to that objective as viewing habits change.

Finally, I thank all hon. and right hon. Members who have contributed today. There may have been some disagreement or concern about the changes made to S4C’s funding structure a few years ago, but no one in the Government and no one in the House with an interest in such matters would deny S4C’s importance to the Welsh language, to Welsh identity, to culture more broadly and to the Welsh economy. I salute S4C on its success and wish it great success in the future.

Oral Answers to Questions

Debate between Chris Ruane and Lord Vaizey of Didcot

Thursday 14th June 2012 Commons Chamber

[Chris Ruane (Vale of Clwyd) (Lab)]

8. What assessment he has made of the potential effects of advertising aimed at children on (a) childhood obesity and (b) children’s mental health.

[The Parliamentary Under-Secretary of State for Culture, Olympics, Media and Sport (Mr Edward Vaizey)]

No assessment has been made. The rules on advertising content standards are the responsibility of the independent regulators—the Advertising Standards Authority and Ofcom. It is for those regulators to assess the sort of material that is appropriate for different audiences.

[Chris Ruane]

Half the adverts aimed at children encourage them to gorge on junk food and become obese, while the other half extol the virtues of size zero. Is it any wonder that 20% of children suffer with mental illness? Will the Minister look at the example of Sweden, which has banned advertising aimed at the under-12s?