United States Film Tariff

Chris Bryant Excerpts

Wednesday 7th May 2025 Commons Chamber

[Stuart Andrew (Daventry) (Con)]

(Urgent Question): To ask the Minister if he will make a statement on the potential implications for the UK film industry of the United States’s proposed 100% tariff on foreign-produced films.

[The Minister for Creative Industries, Arts and Tourism (Chris Bryant)]

As the House will be aware, President Trump announced on Sunday that he had authorised the Department of Commerce to initiate tariffs on all movies produced in foreign lands. He has made other comments since. This is a very fluid situation and we will continue to take a calm and steady approach. I spent most of Monday talking to UK and US film makers and the general secretary of Bectu, among others, and I can tell the House that we are already in active discussions with the top of the US Administration on this subject.

We are working hard to establish what might be proposed, if anything, and to make sure our world-beating creative industries are protected. We are absolutely committed to ensuring that the film industry can continue to thrive and create good jobs right across the UK. UK film and high-end television generated production spend of £5.6 billion in 2024, and we want to work with our domestic industry and international partners to continue to build on that success.

We are absolutely clear that the deep ties between the US and UK film industries provide mutual benefits to both countries. Productions are, by their very nature, international partnerships, which are often developed and created across different countries and locations. Indeed, US movies are often multinational precisely because US movies earn far more overseas than they do domestically in the United States. The UK and the US both benefit when the likes of “Star Wars” and “Mission Impossible” are filmed in the UK, just as we both benefit from the close working relationship between our producers, talent and crew.

Our countries have a long history of working together to drive the growth and creative success of our film and television sectors. From Cary Grant to Hugh Grant, and from Alfred Hitchcock to Christopher Nolan, British talent has often been at the forefront of the US sector, and I am absolutely sure this will continue in the years ahead. I was once told by a film producer, “Never judge a film by the first 10 minutes.” I think we can say the same of this.

[Stuart Andrew]

I thank the Minister for his answer. As he rightly says, we learnt over the weekend that the President’s Administration intend to impose a 100% tariff on all films produced outside the US. It is understood that he has directed the US Government to begin implementing the policy immediately.

I welcome the fact that the Minister recognises the film industry in this country as a jewel in our crown of world-leading creative industries. I also point out that the sector alone is worth £1.96 billion here, and supports 195,000 jobs up and down the country. It shows off our great British culture and values, the talent we have, and some of the most amazing settings for so many films of different genres.

I am glad that the Government are working to ensure that all is done to give confidence to our directors, actors, screenwriters and producers that they are thinking about them, because for both independent film makers and major studios this action could result in cancelled projects, lost investment and a significant decline in UK film exports, which is especially hard given that they are still recovering from the covid pandemic. But I have to say that it is disappointing the Government failed to start the negotiations with President Trump’s team for five months after the election and fired Britain’s top trade negotiator. It is difficult not to wonder whether a different approach could have led to a different outcome.

None the less, the priority is to protect our film industry, so what assessment has the Minister made of the potential impact on the UK film sector? What immediate steps are the Government taking to engage with the US and ensure that the investment in UK facilities by many US businesses, which would be affected, is highlighted? What contingency plans has he prepared in the event that no exemptions can be secured? Finally, what assessment have the Government made of the potential drastic cut in BBC Studios’ profits from sales to the US market, and what impact could that have on the licence fee?

[Chris Bryant]

First, may I, on a co-operative note, say that one reason we have a very strong film and high-end television sector in the UK is the joint policy, adopted across several years by both Conservative and Labour Administrations, to ensure we have very competitive tax credits. I pay tribute to the work done by the previous Government, which we were able to enhance when we brought in two new tariffs—I mean two new tax credits—in the Budget just before Christmas. No, we are not in favour of bringing in tariffs. I think I am right in saying that in 1947 the Labour Government did bring in tariffs on US films, because we thought too many US films were being shown in British cinemas. That strategy did not go very well: the Americans simply banned the export of US films and we ended up watching “Ben Hur” repeatedly in every cinema, as well as a film called “Hellzapoppin’” which I do not think anybody has watched since. However, the successful bit of what we did in 1947 and 1948 was that we invested in the British film production system, which led to films such as “Hamlet” and “Kind Hearts and Coronets”. That is the pattern we still want to adopt.

Let me be absolutely clear: we believe that there are mutual benefits to both of us if we continue on the path we have selected. I am not sure precisely what is intended: I do not know what a tariff on a service would look like and I do not know whether the intention is for it to be on movie theatres. The danger is that the US already has two major problems with its film industry: one is distribution costs, so if the US went down that route, it could lead to heavy problems for the industry; and the other is the very high cost of making movies in the US.

Most films these days are an international collaboration of some kind, and we want to maintain that. Even the British production of “Paddington”—I am looking at the hon. Member for Cheltenham (Max Wilkinson) only because I suspect he is about to mention it; and he has just given me a Paddington hard stare—was made by StudioCanal, which is, of course, part of Canal+. It had Spanish actors as well as British actors. This is just a fact of modern films: they are multinational and that is one of their strengths. Incidentally, I do not think that Paddington ever went to Peru—I do not think they filmed any of it in Peru. I am also told by my Peruvian friends that there aren’t any bears in Peru.

[Dame Meg Hillier (Hackney South and Shoreditch) (Lab/Co-op)]

I welcome the Minister’s measured and thoughtful response to President Trump’s latest announcement and his full-throated support for the British film industry. He will be aware that my constituency is very much a filming venue for both film and television. In his discussions with the United States, will he ensure that he is also championing high-end television, as I think he briefly mentioned, which is often filmed, produced and made in Hackney? I also make a plea for all the creative industries in my constituency that feed into the film industry. Can the Minister ensure there is good communication from the Government on these negotiations? This is creating a great a deal of uncertainty.

[Chris Bryant]

I know Hackney very well; as my hon. Friend knows, I used to be a councillor there. It is not just London that is a phenomenal place to make a movie, but the whole United Kingdom. We have some of the best scenery and some of the best buildings. It is not only Bath, which gets used endlessly in lots of films—when I was there a couple of weeks ago, I heard about a long list of them. My hon. Friend is also right about television. What is the difference between making “Bridgerton” and making a movie? In fact, the pattern is very similar; international collaboration is important because it delivers international audiences, and we want to maintain that.

[Mr Speaker]

I call the Liberal Democrat spokesperson.

[Max Wilkinson (Cheltenham) (LD)]

British film really is the marmalade sandwich in the lunchbox of our creative industries; it has given us Bond, Paddington, Harry Potter and Monty Python. Donald Trump clearly thinks he is a god-like figure, but on the Lib Dem Benches, we are clear that he is not the messiah—he’s a very naughty boy. If he had his way, we would be watching “Harry Potter and the Prisoner of Alcatraz”, or perhaps “Harry Potter and the Executive Order of the Phoenix”. Will the Minister confirm that all options will be on the table to protect our film industry, including working with allies such as Canada and Australia, which have shown strength in recent weeks by voting anti-Trump? Will he commit to immediately meeting film industry leaders in the UK to co-ordinate a response in this area, and will the Government back our world-leading creatives by doing the right thing on AI and copyright?

[Chris Bryant]

I could have predicted half the hon. Gentleman’s question, because I knew Paddington would get in there. On a serious note, I am meeting industry representatives tomorrow afternoon, and I look forward to understanding their precise concerns, in addition to the obvious concerns that we all share.

I want to caution slightly against a word that has been used three times now, I think, with Members saying that President Trump has “announced” something. A clear policy has not been announced—I think we need to be careful about that. As I said earlier, it is difficult to see how a tariff would be imposed on a service or on films in this way. I want to be careful and precise in the way we move forward on this.

I have been asked what we are doing: we have already had people in Washington DC talking with people in the Trump Administration at the highest level, and we will progress that. Of course, we want to do everything we can to preserve the strength of the industry.

[Joe Morris (Hexham) (Lab)]

I declare an interest, as one of my little sisters works in the UK film and TV industry; I am immensely proud of her. I urge the Minister to look at how we bolster home-made film and TV as part of the soon-to-be published creative industries sector plan, particularly in Northumbria, where we have some of the most wonderful landscapes; a couple of years ago we sadly lost Sycamore Gap, which provided a memorable backdrop, but we also have Hadrian’s wall. We also have a fantastic workforce, but too often I see young people having to leave the north-east to get creative opportunities elsewhere in the UK.

[Chris Bryant]

That is an extremely well-made point, and I would add to it something I said when I appeared before the Select Committee—from whom I suppose we might hear in a moment—which is that I am very keen on having a mixed economy in the British film industry. Sometimes we will be making films for other markets; sometimes we will be making films that tell predominantly British stories about the way we are in this country and selling them around the world, but where the intellectual property remains with British production companies. That is the mix that we need to achieve.

The hon. Member for Cheltenham (Max Wilkinson) referred to our relationship with the US. I should also say that the Secretary of State was in India last week; both she and I want to ensure that we also have a much stronger relationship with India, which is one of the fastest growing economies in the world. We think we can do a great deal more in that film production space as well.

[Mr Speaker]

I call the Chair of the Culture, Media and Sport Committee.

[Dame Caroline Dinenage (Gosport) (Con)]

There is no doubt that this speculation will cause huge worry to those working in British film production, but, as the Minister says, it highlights once again the importance of bolstering the British screen sector. We recommended steps to deliver that in a recent Select Committee report, yet within days of publishing it, his Department had already asked for an extension to the time in which it would respond. This weekend we heard rumours that the whole Department is up for the chop under his Government—I am not sure if that is before or after he has sacrificed our creative industries on the altar of AI. The Minister is a brilliant communicator, and I know that deep in his heart he cares passionately about this issue, but when will he show some grit and action on behalf of our world-leading creative industries, in particular our screen sector?

[Chris Bryant]

I hope the hon. Lady accepts that there are areas where I have taken very deliberate action on the back of recommendations from her Committee, not least in relation to a levy on gig and arena tickets to fund support for small music venues—but I take her point. I was not aware that we had asked for an extension. We will get on with providing a response to her as fast as possible. It was an excellent report; I have read it. It contains lots of good things that I want to take forward, but we probably will not be able to do everything in it.

It is really important that we focus on skills in the UK screen industry; that has been raised repeatedly with me. I want every kid in the country to have a chance to work in the creative industries, including in film and high-end television. Many would not even think that that was a possibility, so we need to transform the whole pathway into those industry skills; I know that that is one of the things that the hon. Lady’s Committee has raised.

[Peter Swallow (Bracknell) (Lab)]

Whether it is because of the fantastic, state-of-the-art Shinfield Studios just up the road, access to fantastic filming locations such as Swinley forest on the Crown Estate, or our incredible transport links, Bracknell Forest is increasingly becoming a go-to location for the film industry. As the Minister has already touched on, we need to see more emphasis placed on home-grown skills, so that young people in Bracknell can access the fantastic opportunities that the film sector offers. Will he say a bit more about what this Government will do to break down the barriers to opportunity in the film industry?

[Chris Bryant]

We have already invested significant amounts of money in the skills sector, and more came as a result of the Budget. My hon. Friend is quite right that his patch is a go-to area for film production. One reason that US companies—and, for that matter, companies from many places around the world—come to the UK to make films is for our skills; we have some of the best cinematographers, technical experts and designers, as well as the acting talent, which means that it is possible to make a very convincing film in the UK more effectively and cheaply than in many other places. We are determined to ensure that the UK remains the best place in the world to make movies.

[Daisy Cooper (St Albans) (LD)]

Film studios are a really important part of our economy in Hertfordshire and give opportunities, jobs, apprenticeships and work experience to people in my constituency. As the Minister has recognised, it is not remotely clear yet how the tariffs will operate, and many have said that they are unworkable, but if America goes ahead and we have to take action in this country to ensure that our film industry is competitive, I urge him to look at the business rates regime with the Treasury. Sky Studios Elstree near my constituency has seen its business rates go up by more than 600%—they now account for 30% of its operating costs. I encourage the Minister to look at tackling that regime, as one measure to ensure that we protect our creative industries and the film sector here in the UK.

[Chris Bryant]

The hon. Lady makes a good point, which has been raised with me by several other Members. We made special provision in the Budget to ensure that the business rates for studios are protected until 2034, and I think that is a good measure. I know that some of the very large studios are finding it more difficult, and I am happy to continue looking at the issue. Let me read some statistics that may be helpful. According to a report published in January by the Motion Picture Association of the United States of America, in 2023 the US earned $22.6 billion in film and television exports, and its services trade surplus was $15.3 billion, or 6% of the total US trade surplus in services. It is mutually beneficial for the US and the UK to remain with the system we have, without tariffs.

[Chris Vince (Harlow) (Lab/Co-op)]

As you will be aware, Mr Speaker, Harlow is the birthplace of Rupert Grint, Jo Joyner and Rik Mayall. I have to mention Leila Khan too, because I used to teach her and she is an up-and-coming star. Harlow has also recently doubled as Paris in an episode of “The Crown”. Does the Minister agree that Harlow, as well as the rest of the UK, has a huge amount of talent and that, far from relying on US film imports, we produce some fantastic films in this country and our film industry is growing? What can this Government do to support it to continue to grow and thrive?

[Chris Bryant]

My hon. Friend is quite right about Harlow. I would argue that many different parts of the UK that have never yet managed to get into films need to up their game. Local authorities can play a role in ensuring that their area is considered as a potential place to make a film. It is often about whether other facilities are available in the local area that can contribute to that. He makes a fair point on behalf of Harlow, and if there is a film, he will be starring in it.

[Sir Oliver Dowden (Hertsmere) (Con)]

I may be able to help the Minister: Paddington Bear actually lives in Borehamwood, because the movie “Paddington” was produced in my constituency at Elstree Studios, which sits alongside Sky Studios Elstree as a jewel in the crown of the British industry. It is no surprise that Donald Trump is jealous because, by many accounts, more film and television content is produced in Hertfordshire than in Hollywood.

As the Minister rightly said, the current situation is of mutual benefit to our two nations. There is one thing that he could do right now, though, and for once I agree with the Minister—sorry, I meant to say the hon. Member for St Albans (Daisy Cooper); I will get my facts right in a moment. The key point is that business rates are proving to be crippling for many of our studios, including Elstree, so I urge the Minister to have another go at the Treasury. I remember a similar situation with the culture recovery fund; the Treasury is resistant to begin with, but if he keeps going, he will get some further movement. That would be a huge fillip to the industry and would help it to withstand whatever shocks it may face.

[Chris Bryant]

I am very confused about who is and is not a Minister these days. I accept the point: it is clearly an issue. I remember that when we were in opposition, I was regularly knocking on the door of the now shadow Secretary of State, the right hon. Member for Daventry (Stuart Andrew), trying to get him to do something to persuade the Treasury to do something about business rates. I am fully on board, and I understand the problem. I look forward to the right hon. Member for Hertsmere (Sir Oliver Dowden) assisting me in more endeavours in the future. Hugh Bonneville told me that he was slightly upset when he signed up to “Paddington in Peru”, because he thought that he would be filming in Peru, but he only got as far as Borehamwood.

[Alex Mayer (Dunstable and Leighton Buzzard) (Lab)]

The economy is set to benefit from a £50 billion boost from the Universal theme park in Bedfordshire, which will star Paddington Bear; all Members will welcome that. Does the Minister agree that stars like Paddington Bear have an enormous amount of soft power? We have heard that in the Chamber today. What can the Minister do to reassure me that he will ensure that we protect and support the next generation of Great British storytellers?

[Chris Bryant]

My hon. Friend makes a very good point. I am delighted that the theme park will happen; it will be transformational for the British tourism industry, apart from anything else, and it will be the largest theme park across the whole of Europe. I am very grateful to my colleagues in the Treasury, who certainly delivered when it was necessary in relation to that. I emphasise how important not just our film industry, but our high-end television—and, for that matter, the very existence of the BBC and stuff produced by ITV and many others—is as part of our soft power, although I think Paddington probably counts as hard power.

[Clive Jones (Wokingham) (LD)]

Shinfield Studios in Wokingham borough has brought hundreds of jobs to my constituents and to many across Berkshire. It is a very important part of our local economy and a symbol of the UK’s creative strength. We must not forget that Berkshire is the Hollywood of Britain, and it must be protected from Donald Trump’s reckless tariffs. Will the Minister condemn these harmful tariffs and work with the film industry to ensure that the UK remains the world’s premier destination for film investment?

[Chris Bryant]

The hon. Gentleman is absolutely right. We want to maintain the UK as the premier destination for international investment from not just the United States of America, but India, which I have already referenced, and Nigeria; I would like to see a lot more co-production between the UK and Nigeria. It is worth bearing in mind that 51% of our movie exports go to the European Union, so this is a genuinely open market, and my belief is that free trade is better than tariffs.

[Andrew Pakes (Peterborough) (Lab)]

The Minister will know that the UK has a world-leading film and TV workforce that flies the flag for collaboration, British talent and economic growth around the world. But he will also know that much of our film workforce is freelance and that they will be watching this news with anxiety, particularly as many of them are still recovering from the impact of the recent US industrial action. I thank the Minister for his hard work. I am pleased that he has spoken to Phillipa Childs, the head of Bectu. The union Bectu is a fearless champion for our industry in the UK. Will he join me in reassuring Bectu members and our film workforce that we are on their side and that, whatever happens, we will help protect film talent in the UK?

[Chris Bryant]

I shall make two points in reply to that question. First, there have been difficulties over the past couple of years in the UK film and high-end television industry because of what happened in the United States of America. That makes the point about the mutuality between the US and the UK film industry all the stronger. The truth is that I would like the US movie industry to be strong, because if it is strong, our industry will be strong as well. There are net benefits for both of us, and there is a win-win situation.

The second point is about freelance work. I have often worried that so much of the creative industries relies on freelance workers. In many cases, that is great, because people want that kind of career, but they also need some degree of security if they are to be able to take out a mortgage and plan their economic future. That is definitely one of the things that we will look at in relation to the industrial strategy, which we hope to be publishing soon.

[Greg Smith (Mid Buckinghamshire) (Con)]

The film industry is enormously important to the Buckinghamshire economy. Pinewood Studios is in the constituency of my hon. Friend the Member for Beaconsfield (Joy Morrissey), but many of my constituents are supported in jobs not just at the studios themselves, but in the many supply-chain businesses that feed into them. Pinewood goes over and above most other businesses I know in providing opportunities for young people through its Futures Festival, which showcases every single career that can be had in the film industry. Much of that success is actually achieved on American money, because companies such as Disney and Amazon use Pinewood out of choice. Therefore, on top of what the Minister has said about working with the Trump Administration to try to avoid these tariffs, can he assure us that he is working with companies such as Disney and Amazon to ensure that those American brands are speaking up to say why they are choosing Pinewood and other UK studios?

[Chris Bryant]

I think the first text message that I received early on Monday morning was from Pinewood. So, yes, I am on that case as well, but it is not just about Amazon and Disney; it is also about the streamers and a whole series of other such organisations making their product here in the United Kingdom. Of course, Pinewood is the home of Bond, which also makes the point, because historically the distribution rights for Bond were, I think, with an American company, but the production rights were with Barbara Broccoli and her relatives. All of that is now with the US, but let me put it this way: I am very hopeful that Bond will still always be British.

[John Slinger (Rugby) (Lab)]

I am glad that the Minister mentioned the phrase “win-win”, because in international trade in the film industry and the creative industries, it has to be about win-win rather than zero sum. When I discussed this industry with Fabien Riggall, the founder of Secret Cinema, it became absolutely clear that we have such incredible innovators in our creative industry, and in the film sector specifically. For them to flourish, we need to retain that sense that it is a win-win situation internationally and for the UK, not zero sum.

[Chris Bryant]

My hon. Friend makes an extremely good point. I will, if I might, just leap off the word cinema to make the point that film is not just about production, but about finding audiences. One of my concerns in the UK is about how we make sure that cinemas—or movie theatres as they are known in the US—can flourish as well. They can be a really important part of dignity in a town. A town that has a cinema is likely to be a place that has respect for itself, and I would like to ensure that that continues into the future.

[Pete Wishart (Perth and Kinross-shire) (SNP)]

Scotland is now one of the most sought after film destinations in the world, and US film companies regularly base their operations in Scotland. We have featured in everything from Batman to Indiana Jones to “World War Z”. All of that, as well as developing the film sector in Scotland, will be put at risk if there is any concept of tariffs at all. Will the Minister work closely with the Scottish Government in his response to the US? Will he state quite clearly that such a move would be mutually self-destructive, and that all parties are set to lose if the US proceeds with anything approaching tariffs?

[Chris Bryant]

I have already made the point that we think there is a win-win situation. A strong US movie industry will benefit a strong UK movie industry. I believe in fair trade and free trade. In fact, over recent years, it has been worrying that more and more countries have wanted to put up protectionist measures around a whole series of industries. It has tended not to happen in services, and to be more about goods, which is one of the other issues. The hon. Member is right about Scotland. I am very keen on working with all the devolved Administrations to make sure that we remain the best place in which to make films and high-end television. I do not know whether anybody has watched “Havoc”—[Interruption.] Sorry, I was not referring to the Conservative party. Returning to my point, “Havoc” was all filmed in Wales, but it looks as if it is an American dystopian city.

[Mr Gagan Mohindra (South West Hertfordshire) (Con)]

Warner Brothers Studios Leavesden is in my constituency and a genuinely world-class film and TV production centre. It provides thousands of jobs, generates significant wealth for the UK economy, and earns South West Hertfordshire the reputation of Hollywood in Hertfordshire. Major international blockbusters, including “Barbie”, “Mission: Impossible”, “Paddington” and the Harry Potter franchise have been filmed there, and the recently confirmed HBO Harry Potter TV series is set to be filmed there this summer.

Leaving aside the decisions that the Chancellor has made and the impact that they have had on the economy, can the Minister reassure us that he will continue to update the House and the industry more widely about how the Government will mitigate these tariffs if they come to fruition?

[Chris Bryant]

We are working on making sure that we have a proper trade deal that would not just mitigate the tariffs, but mean that we would not end up in the situation that the hon. Gentleman has just described. I know Leavesden well, and, for that matter, Warner was in touch very quickly—actually I think I was in touch with it very quickly on Monday morning. I am very hopeful that it will be part of our discussions when I gather the industry together tomorrow afternoon, but the hon. Gentleman makes a good point none the less.

[Caroline Voaden (South Devon) (LD)]

Unlike many others in the House, I cannot say that my area—Totnes—has film studios, or that a major movie has been made in my constituency, but we do have a lot of creatives living in our community, from writers to musicians and producers. We also have a costume maker, who happens to be my daughter. I am very proud of her and she is entering this industry—an industry that we should all be proud of. If these tariffs materialise, they will deal another blow to the UK film industry following the strikes that we have already seen. Will the Minister assure us that he is ready to protect and insulate the UK film industry and all the jobs that it sustains, particularly freelance jobs, by pushing for either tax credits or business rate adjustments?

[Chris Bryant]

I find it difficult to believe that there has not ever been a film made in Devon, but if that is the case, one of my major aims must be to make sure that in the next few years a film is made in Devon. Perhaps we will be able to get the hon. Member a bit part. I will, if I may, just refer back to Cheltenham. One of the films made in Cheltenham many, many years ago was “If”, which is wonderful and was directed by Lindsay Anderson. The word “if” is a very important one at the moment, because we are talking about if these tariffs were to be imposed.

[Dr Andrew Murrison (South West Wiltshire) (Con)]

On Sunday, the President of the United States said:

“WE WANT MOVIES MADE IN AMERICA, AGAIN!”

Does the Minister agree that the key to making great movies is to ensure artistic freedom and expression and to grow the necessary skills? With that in mind, would he visit Tech Trowbridge in my constituency, which is doing a good job in upskilling young people in multimedia?

[Chris Bryant]

Yes.

[Steff Aquarone (North Norfolk) (LD)]

As a one-time producer of a British-made film, I am proud that North Norfolk has been the backdrop for many great films, including “Alan Partridge: Alpha Papa”. It is no wonder that President Trump would want to dissuade such a film from coming to America, as Steve Coogan himself has said that

“the only person on Earth who’s more Alan Partridge than Alan Partridge is Donald Trump.”

Can the Minister assure the blossoming creative sector in North Norfolk that he values its contributions to our economy, and can he give reassurance that the Government will do everything they can to protect the sector from another Trump trade tantrum?

[Chris Bryant]

The hon. Member refers to some things I have already spoken about, but why did he not make his film in Devon? He has obviously not got the message from his party colleagues. There are lots of great British films that will be watched in American cinemas over the weeks to come, and I am certain that no President would want to say, “Don’t watch British films”. One of the films I enjoyed most over the last few months was “Conclave”, which was a phenomenal success and remarkably timely.

[Sammy Wilson (East Antrim) (DUP)]

The film industry is important in Northern Ireland; the Executive have poured a considerable amount of money into Northern Ireland Screen, and the internationally successful “Game of Thrones” was filmed in Northern Ireland, much of it in my constituency. We can see the benefits of that, as tens of millions of pounds have been poured in for building sets, for costumes and for catering, and even now thousands of tourists come every year to see where the filming was, so there is a long legacy.

I welcome the way in which the Minister is dealing with this situation. Tariffs are speculation at the moment, but before they become policy it is important that we get the message over to the Administration. Will he ensure that in constructing his arguments he consults with the Northern Ireland Executive to ensure that Northern Ireland’s voice is heard in these discussions?

[Mr Speaker]

A rather “Lawrence of Arabia” question.

[Chris Bryant]

The right hon. Gentleman makes a good point. I have already had discussions on other matters relating to the creative industries with Members of the Executive in Northern Ireland, and I think I have another call next week, so I will of course make sure they are consulted. He makes a very good point about tourism. An awful lot of tourists who come to the UK want to see the places where some of their favourite movies and television series were made. That is one of the things that VisitBritain is capitalising on at the moment with its “Starring GREAT Britain” campaign.

[Lincoln Jopp (Spelthorne) (Con)]

I very much enjoy discussing the British film industry, because Members across the House stand up and say that they have the Hollywood of Hertfordshire or Bedfordshire and everywhere else. I am blessed in Spelthorne to have Europe’s biggest film studios and the second biggest in the world in Shepperton—interestingly, it is second not to Hollywood but to China. There is a certain amount of nervousness in Spelthorne as a result of the posting on Truth Social that the Minister has come here to talk about. I agree with him that it is incredibly difficult logistically and technically to unpick the US-UK intellectual property in a film, and I think it will prove to be so. I therefore commend him for his considered run at this; I think it is the right thing to do.

A couple of weeks ago I visited Cineco, one of our many British film support companies, which makes sets and props. One point it made on skills is that the apprenticeship model does not work terribly well for industries that have so many freelancers and such lumpy work schedules. As a sidebar to the Minister’s meeting with industry leaders tomorrow, would he please raise and discuss that with industry leaders?

[Mr Speaker]

Another “Lawrence of Arabia” question.

[Chris Bryant]

Interestingly, I was at the Bad Wolf studios in Cardiff last week, and one thing Jane Tranter raised with me was how important the security of knowing that they have a number of projects in their studios has been to taking on apprentices in the company. They have been making not just “Doctor Who” but “His Dark Materials”, and “Industry” is being filmed there at the moment. There are a whole series of different projects, and that enables the studios to take people on not just on a daily basis. We need to change the apprenticeship levy in the UK so that it works better for the film industry and so that the industry can make long-term commitments to people’s future careers.

[Zöe Franklin (Guildford) (LD)]

I appreciate the Minister’s comments this afternoon. I am a member of the Culture, Media and Sport Committee, and we have heard over and over again how important UK film tax credits are to the industry and about the tangible difference they make to film makers across the UK. Can the Minister say whether the Government are considering increasing or adjusting them in any way to maintain competitiveness with US and other international markets, given the context we are now working within?

[Chris Bryant]

I have always said that I support film tax credits. Labour first introduced them under Gordon Brown. They were continued by the Conservative Government, and then we introduced two new ones. Incidentally, I think that the independent £15 million movie tax credit will make a significant difference to the UK, particularly at this point. I note that some documents produced around the semi-announcement in the United States of America have praised the way that we have done things in the UK, and other parts of the world want to mirror it. I will take praise wherever I can get it.

[Robin Swann (South Antrim) (UUP)]

The uncertainty of President Trump’s comments puts an unsettledness in the industry, especially in Northern Ireland, where we have the Titanic Studios and Northern Ireland Screen working away. Titanic Studios is already working on “A Knight of the Seven Kingdoms”, which is a prequel to “Game of Thrones”, so there is a lot of activity going on in the industry. Will the Minister consider including Northern Ireland Screen in his meeting tomorrow with the industry, rather than leaving it another week to engage with it?

[Chris Bryant]

That is a very fair point; I am happy to do that.

[Munira Wilson (Twickenham) (LD)]

I am deeply proud that St Margarets in my constituency has been home to Twickenham Film Studios for over 100 years. The studios have been involved in production and post-production work for big-name films including “The Italian Job” and “Ghandi”, and most recently they did the Oscar-winning sound production for “Top Gun: Maverick”. However, they have been beset by financial challenges, from the US writers’ strike to the sky-rocketing business rates mentioned by my hon. Friend the Member for St Albans (Daisy Cooper). The tariffs could deal a fatal blow to studios such as Twickenham. Can I urge the Minister, as others have, to work with the Treasury and the Valuation Office Agency on bringing down the rateable value of film studios? Can I also invite him to follow in the footsteps of Tom Cruise and come to St Margarets to visit Twickenham Film Studios?

[Chris Bryant]

The thing is, Tom Cruise does all his own stunts, doesn’t he? I am a little bit nervous about being dangled off the back of a helicopter or dumped in a vat of—I don’t know. [Interruption.] The shadow Minister says he will happily arrange it. Well, then, I invite him to see the Rhondda tunnel; we can dangle him down a hole as well.

The hon. Lady is making a point that has been made several times. Tom Cruise is one of the biggest investors in the UK because of all the movies that have been made here, and we are very grateful to him. The British Film Institute will be honouring him next week, and I think that is really good. As I say, we are the best place in the world to make movies, and we want to continue that.

I feel very left out, not having a studio in my constituency, but we have produced some of the best actors in the world, including Sir Stanley Baker. I think one of his best films—you will know this, Mr Speaker—was “Sodom and Gomorrah”.

[Mr Speaker]

I was thinking of a different film.

[Chris Bryant]

What film were you—hang on, we are not meant to do this, are we? Order, order. As I was saying, I am also very proud of the young actor Callum Scott Howells, who is doing phenomenally well.

[Mr Speaker]

For the final episode, I call Jim Shannon.

[Jim Shannon (Strangford) (DUP)]

Never the final episode—still a wee bit to go yet. I thank the Minister very much for his answers, and for the energy he displays on behalf of the sector. In a question in the Chamber yesterday to the Minister for Trade Policy and Economic Security, I highlighted the £330 million income for the film industry in Northern Ireland since 2018. The importance of USA films to that cannot be overstated; they include epics such as “Blade Runner”, to say nothing of “Game of Thrones” and “Star Wars”. So many films use our highly skilled studios and work, due to the cost-effectiveness of this option. The Trump tariffs will negate much of this benefit. I am quite confident of the Minister’s response, but how can he emphasise the need to give consideration to our film sector, which is an integral part of this United Kingdom of Great Britain and Northern Ireland?

[Chris Bryant]

I thought the credits were already rolling, and then up comes the hon. Gentleman. It may be just that I am an optimistic person by nature, but I feel very optimistic about where all these negotiations will end up. I am hopeful that we will end up with some kind of deal. I also passionately believe that wherever that deal ends up, the UK film industry will succeed, because we have always been a great nation at telling stories that people want to watch all around the world. We have some of the greatest actors. We may be a small nation, but we manage to dominate on screens all around the world because we are just talented, and everybody will still want to keep on buying that talent, whatever the deal may be.

Neon Signage

Chris Bryant Excerpts

Tuesday 6th May 2025 Commons Chamber

[The Minister for Creative Industries, Arts and Tourism (Chris Bryant)]

I am sure that you look forward to every response from a Government Minister, Madam Deputy Speaker. I note that my hon. Friend the Member for Bolton South and Walkden (Yasmin Qureshi) ended her speech by saying,

“Let us light the way for the future of British neon”.

I am grateful to her for securing this important debate and, consistent with her approach, I am also grateful for her thoughtful and rather illuminating speech—if you will forgive the pun, Madam Deputy Speaker. I did not actually write that pun; somebody in my Department, to whom I am enormously grateful, wrote it.

[Madam Deputy Speaker]

Sack them.

[Chris Bryant]

No, I am not sacking them. You cannot call for civil servants to be sacked from the Chair, Madam Deputy Speaker, otherwise people will call for you to be sacked.

As the Jamaican reggae artists Tenor Saw and Bob Marley have lyricised,

“Life is one big road with lots of signs”.

This debate has shone a light on not just neon signage itself, but the wider question of how we protect, support and promote the often overlooked corners of our creative economy. Let us be absolutely clear: as my hon. Friend said, neon is not simply about advertising, and it is not just a relic of a bygone era. It is artistry and craftsmanship; it is a part of our living heritage and of the living texture of our urban and rural landscapes. I remember for a while there was a neon sign on entering the Rhondda that used to say, “Two can dine for £1.99. Fine dining.” [Laughter.] I think it is slightly out of date.

From Glasgow to Blackpool and from the corner pub to the west end theatre marquee, there is neon. Behind each flicker of neon gas is a maker, a designer, a glass-bender and an engineer of light. These are not just tradespeople, but creative professionals sustaining a skillset passed down through generations. Many artists in the UK and across the world have taken advantage of what is, as my hon. Friend said, Great British invention. It was only in about 1912 that it passed to the United States of America and became part of its advertising hoardings. We think about neon adverts, but it is an essential art form, too. We have only to think of many of Tracey Emin’s neon works, such as “Fantastic to Feel Beautiful Again”, which is a beautiful piece, or—apologies for this, Madam Deputy Speaker; do not get overexcited —“Kiss Me, Kiss Me, Cover My Body In Love”, which is another great work.

The Liverpool artist Chila Kumari Singh Burman’s work often uses neon. I went to an extraordinarily wonderful exhibition of hers at the Imperial War Museum North, which had large amounts of neon, drawing on her family’s tradition of running a shop. Members may recall that a few years ago she covered Tate Britain during the winter period with lots of different neon signs. For that matter, people can go online—this is my advertising for the Tate—and buy one of her tiger or ice cream neon works for £950. For that matter, at Tate Modern there is Martin Creed’s work, “DON’T WORRY”. It is difficult not to sing, “Don’t worry”, is it not? A few years ago at Tate Britain, the Welsh artist Cerith Wyn Evans did an extraordinary piece, which I really remember, because it was such a contrast with the galleries it was in. It was 2 km of neon light. That was back in 2017.

The creative industries as a whole, as my hon. Friend will know, contribute £124 billion a year to the UK economy, and neon, as a niche but important part of that ecosystem, has a dual role in commerce and in our culture. Advertising is one of our key exports in the UK and an important part of our creative industries, too. We need just think of the Piccadilly Circus signs, God’s Own Junkyard, or the glow of a fish and chip shop on a rainy Tuesday night. These are not just signs, but signifiers of place, of character and of British eccentricity. They are things that imprint themselves in our memory as part of what we think of as our own home town.

I hear the call today for consumer transparency and greater support—the point was well made—whether through planning protections, trademarking or cultural preservation funding. Under existing legislation and guidance, there are provisions in place to protect unique aspects of our historic environment, including street furniture and signage. Indeed, the entrance range of the Walthamstow Stadium, with its fabulous neon sign, is grade II listed. Anyone can recommend a building, site, monument, designated landscape, battlefield or, indeed, sign for inclusion on the national heritage list for England, so long as they meet the eligibility requirements. I encourage people to do that.

I hope the House will allow me—apologies again for this—to cast a light on my Department’s work on living heritage. I encourage neon crafters to make a submission to the inventories of living heritage in the UK when we open the call for submissions later this year, following our incorporation of the convention last year. That is a fantastic opportunity for the neon craft community to advocate for their craft, raise awareness and be part of a wider conversation on living heritage.

Let me also address another point that my hon. Friend made, which was about sustainability. She is right that some people have incorrectly expressed concern about energy use by neon, when modern neon is far more efficient than its reputation suggests. When maintained, it outlasts LEDs, is recyclable and in some cases is even repairable.

On consumer transparency and the use of the term neon, I fully understand the concern that clearer definitions and protections could help prevent confusion for consumers and help preserve the value of handcrafted neon signage. We have only to go online for two or three minutes to find lots of different supposedly neon signs being advertised relatively cheaply, which are no more neon than they fly in the air. They are sometimes described as “LED neon signs”, which is a contradiction in terms. I fully take on board the point that my hon. Friend has made, and I thank her for bringing this matter to our attention as we engage with Departments across Whitehall on their trademark policy development. This is not solely a matter for the Department for Culture, Media and Sport.

As I said earlier, protecting neon is not about nostalgia. It is about supporting livelihoods, unlocking tourism, and giving our public spaces character at a time when homogenisation threatens to reduce the character and unique identity of everything from our skylines to our high streets. The Government hear the case being made for neon signage, not as a gimmick or an indulgence but as an essential, flickering thread in the tapestry of British creativity. We hear the concern from artists, from heritage bodies and from communities who want to see colour, identity and local pride preserved. We are committed to working with industry, local government and the wider public to explore how best to secure the future of this unique form of creative expression. On this, we will not let the lights go out. As the Greek-born American neon artist Chryssa once said,

“I saw Times Square with its light and letters and I realized it was as beautiful and difficult to do as Japanese calligraphy.”

We should never let go of such artistry in our British traditions.

[Madam Deputy Speaker (Ms Nusrat Ghani)]

Illuminating!

Question put and agreed to.

Parthenon Marbles: British Museum Act 1963

Chris Bryant Excerpts

Wednesday 30th April 2025 Westminster Hall

[The Minister for Creative Industries, Arts and Tourism (Chris Bryant)]

Kalimera, Mr Vickers. It is very good to have this debate and I commend the hon. Member for South Leicestershire (Alberto Costa) for bringing it to the House. Interestingly, it is the first one on this issue in this Parliament, and I am grateful to have the opportunity to speak about it.

The hon. Gentleman is absolutely right that UK relations with Greece are extremely warm and tender, and have been for many centuries in many regards. Perhaps Lord Byron is best known in the UK for his poetry, and for being

“mad, bad and dangerous to know”,

but in Greece, he is considered to be quite a hero. That is why I am delighted that we are in the process of having the statue of Lord Byron moved to Hyde Park, where it will have a more prominent display. I know that the Greek Government have been supportive of that. For that matter, I have been to one production of Oedipus in the last few months, and there have been two—albeit rather updated—versions here. I think we all know that Greek culture is a really important part of our foundational understanding of what it is to be a modern democracy. Indeed, the word “democracy” comes from two Greek words, and “telephone”, “oligarchy” and so many other parts of our language are determined by their Greek origins.

The hon. Gentleman was also absolutely right to point to the many millions of British people who go to Greece every year. I think one in four British people goes to Spain every year and one in six British people goes to Greece. That is why it is so important that in the conversations I have had, particularly with my Greek counterparts, both as Tourism Minister and as Culture Minister, we have often focused on those issues more than anything else.

We want to enhance the relationship. This is nothing to do with being a member of the European Union or not being a member of the European Union. I was really delighted only a couple of weeks ago to be invited as a Culture Minister—I think it is the first time this has happened since Brexit—to the informal meeting of Culture Ministers in Warsaw. There are so many areas in which our cultural relationships are intrinsically linked with Greece, not least in our discussions about Ukraine and security in the eastern Balkans. There are so many areas in culture and security where our geopolitical relationship with Greece is absolutely vital. That is nothing to do with whether we are a member of the European Union. That is why we want to press the reset button on our relationship with the EU.

[Andrew George]

Will the Minister give way?

[Chris Bryant]

I will, but it will limit the amount of time I have to respond to the questions.

[Andrew George]

I welcome the Minister’s opening remarks, particularly about Lord Byron, who, of course, was opposed to Lord Elgin’s actions regarding the removal of the Parthenon sculptures. Clearly, the specific point for today is whether it is possible, under the 1963 Act, for the British Museum to arrange a loan, and whether the Minister and the Government would stand in its way.

[Chris Bryant]

If the hon. Gentleman had let me get on to that subject, we would have got there earlier, but he got to make his point—I think he divided the speech he would otherwise have made into two interventions. That is not something that I ever did when I was—

[Andrew George]

Of course not.

[Chris Bryant]

That is the use of irony, which is also, of course, another fundamentally Greek concept.

I want to say at the outset that the marbles are an extraordinarily significant and important part of Greek and—I would argue—western artistic and architectural understanding. Nobody should ever diminish their importance. Indeed, it is upsetting to think of previous moments when the Acropolis was used as an arsenal, and a big explosion ended up destroying large parts of it. That was many centuries ago. The marbles were built between 447 BC and 438 BC by Phidias, who was one of the greatest of all Greek artists and sculptors. He also designed and built the great statue of Zeus at Olympia, which was one of the seven great wonders of the world, along with the hanging gardens of Babylon and so on.

Many of us who have been to see, both here and in Athens, all the different elements of the marbles know how extraordinary they are, although I worry that we do not quite see them in the brilliance that people would have seen them originally. We know now, from lots of research that has been conducted, that they would have been painted or tinted in some way, and they would really have stuck out. The battle of the Centaurs and the Lapiths, and the frieze with the Panathenaic procession, would have looked very different from how we experience them today.

This is a debate that has gone on for 200 years, although I think the first direct bid from the Greek Government to the UK Government was back in 1983, and it was turned down in 1984. I should make some things very clear. First, the Parthenon marbles—or the Elgin marbles, whatever we want to call them—are not the property of the UK Government. That is sometimes misunderstood, because in different countries, parts of the national patrimony are actually under the direct ownership of the Government. We do not have that structure in the UK. From the outset, the British Museum was set up as an independent body. Its trustees are given fiduciary responsibilities under the British Museum Act 1963 now—it was originally under previous Acts before that—and they have to adhere by them. If they do not, they will find themselves in court. That is one of the aspects of this debate that we have to bear in careful consideration.

One of the questions that has been raised fairly regularly is whether it is legally possible for there to be an indefinite loan. I want to be clear about that issue, because I noted that an article in The Daily Telegraph— I think it followed a conversation that the hon. Member for South Leicestershire had with the paper—talked about an indefinite loan. Let me be absolutely clear that the British Museum Act 1963 states in section 3, on the keeping and inspection of collections:

“Subject to the provisions of this Act, it shall be the duty of the Trustees of the British Museum to keep the objects comprised in the collections of the Museum within the authorised repositories of the Museum, except in so far as they may consider it expedient to remove them temporarily for any purpose connected with the administration of the Museum and the care of its collections.”

It is possible for loans to be enabled through an open individual export licence. They are granted by Government, but can be granted only for up to three years. Obviously, the working assumption of anything that is temporary—a temporary licence— is that it is guaranteed that the items are returning. That puts paid under existing law to any idea of an indefinite or permanent loan.

I have read articles where people in Greece say that they are not interested in a loan anyway, because a loan implies that the marbles still belong to the British Museum rather than to Greece. The important point that I am trying to clarify—because I think there has been some misunderstanding—is that under existing law, it would be impossible for there to be a permanent or indefinite loan. The trustees would be required, in seeking a licence to export, to show that they were absolutely certain that the items were returning. I do not think that would be easy if they had arranged a permanent or indefinite loan—the point being that we would have to change the law. The immediate question that the hon. Member may ask is whether we are intending to change the law. We have no intention to change the law.

I will respond to some of the hon. Member’s other questions in writing. He asked about conversations or communications with the Greek Government on this issue since last July. I have met several Ministers, including Culture Ministers and Tourism Ministers, at various different times. The only occasion on which this issue was mentioned was when the Tourism Minister came to see me on 4 November last year, and she very briefly raised the matter. We mostly talked about tourism, but there was a brief mention of the Parthenon sculptures. I will check if there have been any other communications from the Greek Government since last July, but I am not sure there have been. I may be wrong, so I will write to the hon. Member.

There are provisions in the 1963 Act for temporary loans, and my understanding is that the chairman of the British Museum has been in some discussions. We have not been party to those discussions, but he has briefly outlined some of the issues that have arisen, both to me and to the Secretary of State for Culture, Media and Sport. I am not aware of any further developments in that area in recent months. If a suggestion of a temporary loan were to come from the British Museum, there is a process for considering that under existing law, but that would—

Motion lapsed (Standing Order No. 10(6)).

Intellectual Property: Artificial Intelligence

Chris Bryant Excerpts

Wednesday 23rd April 2025 Westminster Hall

[The Minister for Creative Industries, Arts and Tourism (Chris Bryant)]

Ms McVey, I am sure that if you were not in the Chair, you would be participating in this debate, because I know that you have an interest in this area not only as a Member of Parliament, but personally. I am not sure whether there is a recording of your performance in “The Vagina Monologues” years ago, but there are many other recordings of you around, and I am sure you would want to enforce your copyright in relation to them as well.

Today is not only the 48th birthday of my hon. Friend the Member for Bury North (Mr Frith) and Shakespeare’s 461st birthday, but Turner’s 250th birthday. I suppose we could all join in singing “Happy Birthday” since, interestingly enough, it came out of copyright in 2015 because Warner Chappell lost a lawsuit over whether it maintained the copyright. The fact that people had to pay for it is one of the reasons that it rarely appeared in films and instead people ended up singing “For He’s a Jolly Good Fellow”—or “For She’s a Jolly Good Fellow”—which always seemed rather odd.

I will not go through all the individual contributions to the debate, if that is all right with Members, because I want to deal directly with the specific issues as much as I can. My hon. Friend, whom I congratulate on securing the debate, talked about a landing point, and that is what I will try to talk about today.

There are some things that I think we all agree on. First, an honest day’s pay for an honest day’s work is a fundamental principle not just of the Labour party, but of the whole of British society in how we order ourselves. Another hon. Member said that creators deserve to be paid. I completely and utterly agree, and so do the Government. The right hon. Member for Hayes and Harlington (John McDonnell) referred to the performers’ rights framework. He is quite right: that does need some review, and we are looking at it. Interestingly enough, in one of the very early Westminster Hall debates I took part in, way back on 12 June 2002—the hon. Member for Perth and Kinross-shire (Pete Wishart), who is sitting across the Chamber today, led the debate that day—I said that we need to look at the performers’ rights framework. I completely agree that creators need to be remunerated.

Secondly, it is patently wrong to use pirated material to train large language models. I have to be careful, because—I declare my own interest as an author and member of the Society of Authors—it has been noted in several newspapers that my own work was scraped in the use of the Library Genesis dataset by Meta Platforms Inc. Such use is patently wrong and I do not think anybody disagrees with that.

Thirdly, we should never characterise the creative industries as luddites. That is simply and patently untrue. I recently went to Ninja Theory, a video games company in Cambridge. It uses AI all day, every day, as an integral part of making sure that any game it presents is at the cutting edge of modern gaming. The same could be said of so many creative industries, not just about their use of AI but about their use of innovation. I want to knock this on the head: nobody in Government is saying that the creative industries are luddites. It is perfectly legitimate for people to have concerns about their future remunerative stream, and we acknowledge that.

It is not just video games; musicians and people in so many other parts of the creative industries use AI. Indeed, we should not forget that a large chunk of the creative industries is tech companies that are developing AI. As several hon. Members have noted, those companies have their own copyright concerns—otherwise, how will they make a living into the future?—but the irony of some complaining about others stealing their work is not lost on anybody.

Fourthly, the creative industries are already engaging with artificial intelligence. Many of them are engaged in licensing already, and have been from the very beginning. That is not just true for newspapers, many of which have had an easier time delivering that if they have been behind a paywall; a whole series of different licences have now been arranged. I went to the London book fair and spoke to several publishers, all of whom were interested in bringing forward licensing with AI companies and want to do so with all the AI platforms, for the simple reason that, as some of the academic publishers put it, they want AI to be the best version of AI that it can be. A fundamental principle of a pipe is that what comes out of it depends on what is put into it, and the quality of responses produced by AI will depend on the quality of information that has been put into it. Many of the UK’s big academic publishers are trying to license and get remuneration for their work because they want to make sure that AI provides good, modern answers based on solid information.

Fifthly, transparency is vital but not simple, as the hon. Member for Runnymede and Weybridge (Dr Spencer) said. Several hon. Members referred to the European Union, which theoretically has transparency provisions in its legislation, but has yet to come up with a system that is both proportionate, and effective and usable. Frankly, there is no point in somebody dumping a list of millions or billions of URLs that have been scraped and looked at on some kind of website. Whether that was done on a monthly or weekly basis, it would hardly be usable, or a proper, effective means of transparency.

We need to get transparency, and the enforcement of transparency, right. That is why we have consulted on this area. There is a great deal more work that we need to do. I would like to do some of it with allies in other countries who are struggling with this too, but we need to do it with the creative industries and with tech. There must be somebody out there who could make a commercial living out of creating an app that could help us solve the transparency issue, but it is vital that we do so. We need to make sure that there is transparency, because otherwise how can anybody know whether their works have been scraped or not?

[Pete Wishart]

Will the Minister give way?

[Chris Bryant]

I am very reluctant to give way, if only because I have quite a lot of things to get through. I am really sorry. We will have another debate on this issue very soon, I am sure.

Sixthly, several Members referred to people wanting a “legal peace of mind”. I am not reiterating the line about whether or not there is legal certainty; that is not the point I am making. Many individual creators have been in touch with me directly—I am sure that they have been in touch with other hon. Members—to say, “I don’t know where I stand now under the existing law. I understand how Getty Images can go to court and enforce their rights, sometimes on behalf of themselves but also on behalf of the people they represent, but how do I do that for myself when I’ve just posted some of my works online, because I’m advertising my works? I don’t want to disappear from the internet, so the robots.txt system doesn’t work.”

That is a really important area where we need to do work. We have a framework of civil enforcement of copyright in the UK. It is robust and it meets the Berne convention issues that my hon. Friend the Member for Bury North referred to, but it is still easier for those who have lawyers and cash to use it. That is why we have collecting societies, which can be more effective in many areas, but the different segments of the creative industries that we are talking about have to be dealt with differently, because a musician, an artist, a photographer, somebody who writes or somebody whose words or voice are being used are all treated differently, or their rights are enforced differently at present, and we need to make sure that there is that legal peace of mind for all those people into the future.

My hon. Friend said that a technical solution for rights reservation does not yet exist and he is absolutely right. I think a couple of other Members made that point, and I know that the Culture, Media and Sport Committee, which is admirably chaired, has referred to some of these matters, including in a letter to Secretaries of State. But why do we not make it happen? I am determined to make it happen. Surely, it cannot be beyond the wit of the clever people who are developing all this technology to develop something. If we could get to a place where it was very easy for any individual, or everybody—

[Dame Caroline Dinenage]

Will the Minister give way?

[Chris Bryant]

I only have 45 seconds left, so I am afraid that I cannot; I am sorry.

If we were able to deliver that over the next 12 to 18 months in the UK, then we genuinely would be leading the world and we would be answering the problems of transparency and provenance, and making sure that people were genuinely remunerated. That is one of the things I am determined to do.

My hon. Friend the Member for Slough (Mr Dhesi), who is no longer in his place, said that we must listen to the creative industries before any legislation is introduced. He is 100% correct. I absolutely commit that that is what we will do. Somebody else said that technology is not good or bad; I think they were almost quoting “Hamlet”. I will make the point that artificial intelligence was made for humanity by humanity, not humanity made for artificial intelligence, and we need to make sure that we get the balance right.

Finally, my hon. Friend the Member for Bury North started the debate by saying—because he had to—that we have “considered” the impact of AI on intellectual property. We have not adequately considered it yet. We have to consider it more. We were not intending to legislate in the data Bill, and there is no clause in it, on opt-out. There is no such clause. There is no need to take it out, because it does not exist. I am determined to get us to a place where people are properly remunerated, where they are able to enforce their rights, and where AI can flourish in this country and be used by the creative industries and the creative industries are not left by the wayside. In short, to quote the Bible, we will not sell our birthright for a mess of pottage.

Automation: Economic Benefits

Chris Bryant Excerpts

Tuesday 22nd April 2025 Westminster Hall

[The Minister for Creative Industries, Arts and Tourism (Chris Bryant)]

Finally, somebody speaks up for the robots. We have been waiting for centuries. The robots have been clamouring outside, waiting for the moment when somebody would speak up for them, and I am sure that they will be delighted about the way that my hon. Friend the Member for Rugby (John Slinger) has done so today.

My hon. Friend made a point right at the beginning about the cultural aspects of how we view the word robotic, which was interesting, was it not? If we say that a politician is robotic, we somehow dismiss them and think that that is inappropriate. Instead, it might actually mean that they are accurate, precise and do things on time. In addition—I suppose this is because I am the Minister for the creative industries—it makes me think of “Hamlet”. Are robotics good or bad? Well, as it says in “Hamlet”:

“There is nothing either good or bad but thinking makes it so.”

I think that is part of the problem we have here. For some reason or other, we have decided that automation is bad, but actually my hon. Friend is quite right to say that in so many different regards it can only possibly be good.

Often, robotics can take away the drudgery from a repetitive process that a human being might find difficult to maintain in as accurate a way as a robot. It can enhance productivity; several Members who are not even obsessed with this matter are none the less interested in how we can improve our productivity in the UK, because it is one of the ways in which we fail economically. Robotics can also improve the quality and reliability of a product. So, a business that significantly invests in automation can end up, despite the up-front capital costs, recouping that investment much faster than it would if it had relied on other means of producing its goods.

Automation is not about stealing jobs; it is about enabling humans to do other things, including other jobs where human creativity and human ability and the relationship of one human to another may be more important than the repetitive element of the work.

My hon. Friend referred to running the London marathon and asked whether robots can run a marathon for us. I do not think that is the point of a marathon. The point of a marathon is that it is far too long; it is a preposterously lengthy race. I have run the London marathon three times. I had decided that I was not going to race against anybody else; I was just racing against myself, to get to the end. That is my advice to him about how to run a marathon. It was all going swimmingly until I got to the very end—to the last 200 yards—and two women dressed as Bakewell tarts overtook me. Then, I was very upset and decided that I was going to beat the tarts, and I did. However, the point is that there are things where only we humans can compete and where only we can make a difference.

Robotics can also provide solutions to pressing social problems, including autonomous vehicles for transport, which we have not referred to yet, and robotic maintenance and monitoring, supporting clean energy transition. Robotic innovations can also enhance social care, which might be a very significant part of improving productivity and the quality of the care that can be provided, so that the personal human involvement is not about doing the drudgery.

Robotics can also help with surgery in hospitals. It is depressing that we have lagged behind many other countries in bringing, for instance, laparoscopic robotics into hospitals up and down the land. I had two such operations last year; if tea is poured into me, it just pours out as if I were a colander. The significant improvement in the amount of time, the accuracy, the safety and the lack of infection that laparoscopic robotics can provide in surgery is absolutely significant. For instance, as in my case, the ability to remove a melanoma from inside a lung—collapsing the lung and then removing the melanoma—is quite extraordinary and would never have been possible unless we brought automation into the system. However, that requires capital investment.

My hon. Friend is absolutely right that we are not a world leader in automation; I wish we were. I have slightly different figures from his—mine might be a year out of date—but I think that, according to the International Federation of Robotics, we were 24th in the world in 2023, but it may be that in 2024 we were 23rd in the world. My hon. Friend pointed out that we are not in the top 10—we are the only G7 country not to be, which is an embarrassment for us. This country has innovated in so many areas, although once we have innovated we have sometimes found it difficult to take things to market and get them invested in—other countries have been better at that—so that is one of the things that the Government need to address. That is shameful. As several Members said, it is part of the problem with our productivity. If we could only get to par with others in the top 10, we would improve our productivity by roughly 20%. British Ministers have been dreaming of that kind of significant improvement in productivity for the past 15 or 20 years, because that would enable the economy to grow far more significantly.

My hon. Friend had a different figure for the significant improvement that we could see in gross value added. My figure is that £150 billion could be added to our GVA by 2035 if we seize hold of the opportunities that robotics and automation provide.

My hon. Friend referred to some of the problems. As I said earlier, I think one of the problems is reluctance. That is partly due to an ethical question: how do we ensure that people do not lose jobs but find different jobs in which they are more effective, productive and engaged? There are also some moral anxieties about robotics—perhaps some of the films that we have produced over the years, which he wittily referred to, have not entirely helped in that.

Another issue is access to cash—in particular, to capital financing. In the discussions I have had as a Department for Science, Innovation and Technology Minister, people from the industry have repeatedly said to me, “It is easier if you are in London and the south-east than it is if you are in the rest of the United Kingdom.” That is another aspect that we need to change. These issues are about automation not just here in London but throughout the United Kingdom, and in so many different sectors. I have responsibility for space, and obviously robotics and automation are a key part of delivering an ambitious space programme in future years. I believe we can be a world leader if we focus on the things that we are particularly good at, and where we have a unique contribution to make, but I am conscious that we need to get the security aspects right.

There are things that we are already doing. As my hon. Friend knows, the Government have a Made Smarter adoption programme, whose budget we doubled to £16 million a year, starting from 1 April 2025. That will undoubtedly make a difference. As he said, we are developing an industrial strategy. Members might think that the country should always have an industrial strategy, a bit like they might think that we should always have a digital inclusion strategy. Those two things have to go hand in hand. We are developing an industrial strategy and, just as in space, we are rightly focusing on the things where we have a unique capability. Through the Department for Business and Trade, we have decided to focus on sectors where we think there is an opportunity for economic growth and where the UK has something special to offer.

I am really glad that the advanced manufacturing plan includes work on robotics, which is key to several elements of advanced manufacturing. I am slightly in danger here, because I have read it and I cannot tell my hon. Friend what is in it given that we will be publishing it later, but it has not got to its final draft yet. I think that a lot of things that he has been saying will be reflected in that document.

My hon. Friend said that this was not about AI, but sometimes robotics and automation are referred to as “embodied AI”. Obviously, there are significant elements of robotics that work best when they include a learning capacity. That is why I am really proud of the AI opportunities action plan that we launched earlier this year. It has 50 different proposals. We are taking action in relation to all 50, and have been consulting on two. That includes looking at the AI skills gap—a significant aspect, which hon. Friend mentioned. We need to make sure that we have the skills in the UK to develop automation.

Likewise, we have to look at whether we have enough AI graduates coming out of universities, or even starting in that education process. That too is not just a matter for one part of the country; it is a matter for economic growth throughout the country. We also need to increase the diversity of the talent pool that comes into that world. It is not just in one industry, such as automotives, where that might be significant, but a whole series of industries—nearly every one—and also lots of our public services that could be better delivered using embodied artificial intelligence. Similarly, we need to look at the education pathways into AI, and therefore into robotics as well.

Part of DSIT’s funding to UK Research and Innovation goes to Innovate UK, which is responsible for the catapult centres. That includes the one to which my hon. Friend has already referred, the high value manufacturing catapult. DSIT is providing £8.8 billion to UKRI in this financial year; Innovate UK will receive £948 million of that. The high value manufacturing catapult is a strategic research and innovation hub for industry, commercialising the UK’s most advanced manufacturing ideas. The seven centres help businesses to transform the products they sell, the way they make them and the skills of their workforce, to remain competitive globally.

I am delighted that, as has been mentioned, we have had a historic debate on automation. I hope I have not provided a robotic answer to my hon. Friend’s questions. I very much hope that when we produce our industrial strategy in the next few weeks and months, he will be proud to say that we are embracing and fully behind this drive for greater productivity through greater automation, while always holding on to the belief that it is not about replacing people’s jobs. It is about enabling people, with that human element, to play the human role they need to play in whatever industry it may be, whether the creative or automotive or other. My final thought is that the marathon is far too long a distance. I wish him well. I hope he comes in at more than three hours and 24 minutes.

Question put and agreed to.

Living Heritage Inventory: Consultation Response

Chris Bryant Excerpts

Tuesday 22nd April 2025 Written Statements

[The Minister for Creative Industries, Arts and Tourism (Chris Bryant)]

I am repeating the following written ministerial statement made today in the other place by my noble Friend, the Minister for Gambling and Heritage and DCMS Lords Minister, Baroness Twycross:

The Government have published the response to the consultation on the inventories of living heritage, one of the key obligations under the 2003 UNESCO Convention for the Safeguarding of the Intangible Cultural Heritage, which the UK ratified last year. The response details how we, working closely with the devolved Governments, will create inventories of living heritage of England, Scotland, Wales and Northern Ireland, which will combine into a UK inventory.

The Government will start a conversation throughout the UK about our cultural heritage—the folklore, performance, customs and crafts that play an important role in the identity, pride, and cohesion of communities across the UK—and how we collectively safeguard this intangible cultural heritage or ‘living heritage’.

The Government have taken an open, inclusive and community-based approach to implementing the convention and we are grateful to the many who participated in the roundtables and submitted responses to the consultation. This engagement has been invaluable in developing the criteria, categories, and approach we will use for the inventories. DCMS has worked closely with the devolved Governments to agree the consultation response.

Later this year, the Government will open the call for submissions to these inventories with full guidance and information about how to submit an item. DCMS will engage and include as many communities as possible to recognise and celebrate the extraordinary range of living heritage across all corners of the UK.

[HCWS588]

Bedford Universal Theme Park and Resort

Chris Bryant Excerpts

Tuesday 22nd April 2025 Written Statements

[The Minister for Creative Industries, Arts and Tourism (Chris Bryant)]

I am pleased to publish an update on the proposal for the construction of a Universal Destinations and Experiences (UDX) theme park and resort in Bedford, further to the Prime Minister’s announcement of the same during recess on 9 April.

We have reached an agreement in principle for Universal to turn the site of the former Kempston Hardwick brickworks, on the outskirts of Bedford, into a 476-acre theme park and entertainment resort complex. The expected multi-billion pound investment from the American company will be one of the most significant investments to be made in the United Kingdom in this Parliament, and is among the largest single investments ever in the UK tourism and entertainment sector.

The benefits of the project are substantial. Universal estimates that it will deliver over £50 billion for the economy by 2055; and that 8.5 million visitors will come to it in its first year of operation in 2031. Over the course of the construction period, 20,000 jobs will be created, with a peak of 5,000 on site at the busiest time. The park and resort will employ 8,000 people in its first year, which is anticipated to rise to 10,000 by the 20th year of operation. Jobs will require skills of all kinds, with opportunities to develop careers in a range of creative, administrative and technical fields. The development is expected to become the biggest visitor attraction in the UK, surpassing our current top attraction of the British Museum. It will be the first Universal theme park in Europe and one of the largest visitor attractions on the continent.

This investment is the Government’s plan for change in action, directly improving the lives of working people and strengthening our country. It aligns with our missions to kick-start economic growth and break down barriers to opportunity—providing valuable opportunities outside of London and our bigger cities for professionals to develop their careers and live meaningful lives.

In November, this Government announced the creative industries as a priority growth-sector, and a key pillar of the upcoming industrial strategy. Universal’s theme park and resort is one demonstration of how this Government are already securing investment in the high-growth sectors that will drive our growth mission.

Part of the reason Universal chose the UK as their European home was due to the strength of our creative industries. From Dua Lipa to Shakespeare, Conan Doyle to Hogwarts, we are a world leader in the arts and creative industries. Universal’s theme park and resort will be another tremendous asset to the sector. It will bring hundreds of jobs in the creative industries, showcase our wonderful British intellectual property, and enhance our soft power, as fans of British creativity across the globe look at the world-class offer in Bedford.

Alongside the creative industries this will boost tourism in the UK. In November of last year, I announced my ambition for the UK to attract 50 million visitors a year by 2050. The tourism industry is larger than our automotive and agricultural industries combined, and is projected to grow in the years ahead. This investment will create a new visitor economy in Bedfordshire, enabling Bedford and the region to showcase proudly all it has to offer to tourists, from the UK and globally. This Government believe everybody across the UK is a part of our national story, so I am proud that this investment puts Bedford at the centre of a new, major tourist attraction.

Government are working hard, together with Universal, to ensure that they can meet the ambitious delivery timelines. Even so, decisions on procurement and intellectual property rest entirely with Universal and as such they will be the first to share updates in those areas. Of course we have gone to great lengths to champion the strengths of British companies and intellectual property.

The Government are also working closely with Bedford borough council. It is essential that local voices and experience should be woven into any delivery of policy, projects and programmes; and given the scale of change and the transformational impact on the area, the imperative to do so is even greater. The council has shown commendable dedication so far to this project.

The Department would welcome the support of colleagues across both Houses for this transformational investment.

[HCWS590]

Digital Landlines: Rural Communities

Chris Bryant Excerpts

Wednesday 2nd April 2025 Westminster Hall

[The Minister for Data Protection and Telecoms (Chris Bryant)]

It is a delight to see you in the Chair, Mr Betts, and to see so many Members take part in this debate. From the moment I was appointed as the Telecoms Minister, this issue has been the single thing that has kept me awake most at night. It is about very vulnerable people up and down the country, many of whom have absolutely no understanding of what PSTN might mean, how their telecare device works or whether it will work when a man or a woman comes to change the connection to their house, and so on.

At the same time, on day one, I was made very aware by officials that the single biggest problem we have is that the copper network is simply becoming less and less reliable. Simply remaining with the old system will not work, because that will leave more people in danger, rather than fewer. The very first thing I did as a Minister was to rant in the office, “We are going to get everybody round the table to come to a better set of decisions.” It was preposterous to me that people were still selling telecare devices that would only work on an old analogue system, and would not work on the new system at all.

[Esther McVey]

rose—

[Chris Bryant]

I will not give way for the moment; I want to make a few points first, if that is okay.

It was also preposterous to me that still very few people had any understanding of what was happening in their own home and that most operators had no proper connection with a list of vulnerable patients or customers, despite the fact that local authorities, health boards and a whole series of other public sector bodies have precisely that information.

As I said, the very first thing I did was to stamp my foot and we got everybody round the table—I think it was in July last year, and we had another meeting later in September. I was forceful with all the operators in this field. First, I wanted to make sure that every single local authority was written to and told that they must provide that list of vulnerable customers to the operators. They started saying things about GDPR and I said, “No, you know perfectly well that we are able to get round these issues for this specific purpose.”

Secondly, I was trying to make sure that there was much greater resilience in the system—the point that several Members have made. Thirdly, of course the Ofcom rules say batteries only need to have one hour of back-up, but it is not just Vodafone that offers more than that; BT, KCOM and Zen Internet have all announced, following discussions I had with them back in September and November, that they will now have a battery power of between four and seven hours. Of course, that is not perfect—if there is a flood or something that will knock out the systems for several days—but that is when other resilience measures from local authorities really need to kick in.

I have acted in all those different areas from the beginning. I say this as gently as I can to the former Minister, the right hon. Member for East Hampshire (Damian Hinds): the briefing that I had was that previous Ministers were utterly complacent in this area, and that is why I was determined to act.

[Esther McVey]

The explanation that has been given is that the switchover is happening because of the poor condition of the copper, but has the Minister sought reassurances? Has there been a full investigation? I find it hard to believe that the copper is so bad that the switchover cannot be delayed. Will he go back and get assurances that it needs to be done?

[Chris Bryant]

It is a fact. We have to deal with the facts, I am afraid. It is a simple fact that the copper system is now failing on a daily basis.

[Esther McVey]

Has the Minister got facts?

[Chris Bryant]

Yes, I have facts. I would be happy to write to the right hon. Lady if she would like me to. I remember that last July, my anxiety was that somebody would end up having a telecare device not working because of VoIP. Since that time, the number of failures has increased far more in relation to when copper has failed, rather than in relation to VoIP. That is the precise fact that we have to deal with.

The former Minister, the right hon. Member for East Hampshire is right; it is an industry-led process and it always has been. We have to deal with the practicalities of the fact that the copper system is not going to last forever. The other former Minister over there, the right hon. Member for North East Cambridgeshire (Steve Barclay), is looking cross with me. I am not saying that the civil service briefed me to that effect.

[Steve Barclay (North East Cambridgeshire) (Con)]

You did say that.

[Chris Bryant]

I did not. I will finish my point. All of industry briefed me about that point—they were grateful because they said that everybody was, frankly, complacent about the issue until we came to power.

[Steve Barclay]

The Minister did say that. I welcome the fact that he has just corrected what he said. I think this is a debate in which everyone has a common purpose—particularly relating to the vulnerable and those with medical devices when there are storms and other crises—which is how we can arrive at a solution. Hopefully, we can work on that together.

What came out of many of the interventions we have heard was a concern about gaps in data. For those of us who, as Ministers, have attended Cobra, one of the first things that is almost always found is a concern over the quality of data. In covid, we had to get the Information Commissioner to change the rules for the clinically extremely vulnerable because we did not have enough data.

The Minister seemed to be saying that, having stamped his foot and intervened, he has fixed the data issue, but colleagues have been saying that they are concerned about data. Could he clarify—is he still concerned about gaps in data, or is he saying that the gaps in data have now been addressed? Could he also write to the Members attending the debate to confirm the data issue?

--- Later in debate ---

[Chris Bryant]

That was a long intervention and I am not sure what precise elements of data the right hon. Gentleman is referring to. What I am saying is that one of the things the operators needed to have was a full list of all vulnerable customers. It is never going to be 100% perfect, because there are some people who had telecare devices but have moved on to a different system, and so on, but in the main the people who know who their vulnerable customers are—those who might be relying, for instance, on a telecare or similar device—are local authorities and local health trusts or boards, or whatever the pattern may be in different parts of the United Kingdom. We have got to a place where 85% of local authorities are now reliably providing that information. I have not had any further complaints from the operators, but we keep on pressing the point with them.

In November, we also introduced the non-voluntary migration checklist, which means that nobody will be moved from one system to another without having had a visit, without having had the system explained to them, and without it being made sure that the new telecare device, or whatever it may be, would work under the new system. That has substantially reduced the dangers that there may be to individuals.

The right hon. Member for East Hampshire referred to the subject of working between Departments. We have been working closely with the Department of Health and Social Care, and that has led to the new telecare national action plan, which was announced a few weeks ago. That, too, was a result of the consultations that we started last July, September and November about trying to make sure that every person in the country who could be at risk because of an outage, an electricity failure, or the simple transition from one system to another, would be covered, and that they would have a system that worked as efficiently and effectively under VoIP as it would have done under the copper system.

I do not think we have any choice about whether we transition from copper, because copper will simply not survive for the next five to 10 years. I am happy to write to the right hon. Member for Tatton (Esther McVey) on the specifics if she wants.

[Richard Foord (Honiton and Sidmouth) (LD)]

If there is a recognition that we need to switch from copper to broadband, then this plainly is another incentive to get broadband rolled out to the most remote rural areas. A councillor wrote to me to say:

“As we only get 2MBs on a good day, adding the land line will reduce the signal to a point where our devices will not work”.

These are people who are trying to work, earn money and pay taxes in rural areas. Does the Minister agree that, if we are going to scrap copper, we need to make sure that we have broadband?

[Chris Bryant]

There is a big point about broadband generally, and I will come to mobile because I think that several Members’ points have not been about PSTN at all today; they have been about mobile connectivity. That is an important issue of resilience as well. I could speak for the whole day about that, not least because of the reports today—I think in The Telegraph—that all of Ofcom’s previous announcements on mobile coverage are rather wide of the mark when it comes to what people are really able to achieve. The hon. Gentleman referred to 2 megabits per second; a telecare device will work on 0.5 megabits per second, so that is not the issue. The issue is whether someone has a router that has a back-up battery that will survive long enough if there is an electricity cut.

[Damian Hinds]

The Minister is right that the most vulnerable people must be at the very top of our list of concerns, but can I be really clear that this debate is not only about that group? It is about anybody who is cut off in a storm and may need to phone the emergency services, because anybody—they may not even be elderly—might have a medical emergency. That has not been getting enough attention in his remarks so far.

[Chris Bryant]

In truth, the advice I have had so far from the industry is that in the main in those kinds of instances, people would be using their mobile phone to—[Interruption.] Well, the right hon. Member for East Hampshire got cross with me when I was not listening to him earlier, so I will get cross with him back.

There is a legitimate point here: how do we make sure that we have the resilience for mobile technology as well? The point that I have made many times is that Ofcom reports 97% coverage for all mobile operators in many constituencies, but we all know from our lived experiences that that simply is not true. I think that that is partly because its expectation of mobile coverage is 2 megabits per second, whereas to be able to do anything reliably, a mobile signal today needs 5 megabits per second. There are also still areas with notspots—where there is simply no mobile signal. In my own semi-rural constituency in the south Wales valleys, there are many areas like that.

We need to make sure that the industry providing the mobile signal is able to deliver greater resilience in its masts. I am sure that other Members will have had the experience that I have had in my constituency, where people have set fire to masts because they believe that they do medical damage and things. If there is no mobile signal, people do not have any ability to make calls. The vast majority of people now do not rely on their home landlines to make emergency phone calls; they rely on mobiles.

[Damian Hinds]

Will the Minister give way? I know he is very short of time—

[Chris Bryant]

And therefore I am not, I am afraid, going to give way again.

[Esther McVey]

Come on—it’s his debate.

[Chris Bryant]

All right. I will give way.

[Damian Hinds]

This may be the last thing in the debate, but it is important to say that in many of our constituencies, there are places where people cannot make a voice call on a mobile telephone indoors. That is what an elderly person would be trying to do. It is not about a data transaction; it is about being able to make a phone call.

[Chris Bryant]

That is literally the point that I made two sentences ago, so I am grateful to the right hon. Gentleman for reiterating it. The point is that we need to be able to get broadband to every single home in the country. We are working on Project Gigabit to deliver that as far as possible.

I am aware—not least because I am a Welsh MP in Wales—that there are some places in the UK where it is going to be phenomenally difficult to get to every single home with gigabit-capable broadband. That is where other solutions, such as fixed mobile and potentially satellite, are going to have to come into play. We will need to develop new technology to—

[Mr Clive Betts (in the Chair)]

Order.

Motion lapsed (Standing Order No. 10(6)).

Oral Answers to Questions

Chris Bryant Excerpts

Wednesday 26th March 2025 Commons Chamber

[Claire Hughes (Bangor Aberconwy) (Lab)]

4. What assessment he has made of the effectiveness of Ofcom’s reporting of mobile coverage.

[The Minister for Data Protection and Telecoms (Chris Bryant)]

I am sure that every Member of the House would agree that Ofcom’s reporting of mobile coverage is rather over-optimistic and does not reflect people’s lived experience. I am absolutely determined to change that, and Ofcom is helping me to do so.

[Claire Hughes]

My constituent Lesley suffers from multiple health conditions, including epilepsy, and lives with the constant risk of seizures. Her family rely on broadband to use the landline, but recently the broadband went down for several days, which meant she was completely unable to make calls because of the ongoing problems with mobile coverage in Llandudno. Will the Minister agree to meet me to discuss how we can safeguard vulnerable customers such as Lesley and address the issues in Llandudno?

[Chris Bryant]

I think my hon. Friend also has a problem at one of her universities, which we are going to try to deal with as well. She has written to me, and I will write back as soon as possible, but perhaps we could short-cut that with a meeting. I am conscious that, for medical conditions, the resilience of someone’s connectivity is just as important as the day-to-day coverage.

[Mark Pritchard (The Wrekin) (Con)]

I thank the Minister for his candour and honesty. He is one of the most effective, experienced and able Ministers in the Government. Having paid those compliments, can I encourage him to visit Shropshire, where there are still too many notspots? Perhaps one of the reasons is that this country has only four mobile network operators. Is it not time that we had more competition? Finally, is the shared rural network agreement likely to hit its targets by the end of this year?

[Chris Bryant]

The shared rural network will reach its targets. The right hon. Member makes a very good point, which is that, frankly, the connectivity that people think they are getting from Ofcom is simply not what they are actually getting. Their phone looks as though it has lots of bars and is saying 4G, but they cannot even download an app to park their car. We have to transform that across the whole of the UK. In the end, most of that is down to the industry, and I want to make sure that we remove some of the barriers to further investment in the industry to improve mobile connectivity for every single Member of the House.

[Susan Murray (Mid Dunbartonshire) (LD)]

5. What steps his Department is taking to ensure that smaller platforms are adequately regulated to protect children from online harms.

--- Later in debate ---

[Michelle Welsh (Sherwood Forest) (Lab)]

6. What recent progress his Department has made on improving digital inclusion in Sherwood Forest constituency.

[The Minister for Data Protection and Telecoms (Chris Bryant)]

If we are to be a successful digital nation, we have to take the whole nation with us. We were proud recently to publish our first digital inclusion action plan, the first for 10 years, because of precisely that: we want to take everybody with us.

[Michelle Welsh]

Too often, in ex-mining communities such as Ollerton and Edwinstowe, in rural communities such as Farnsfield and even in Hucknall West, people struggle to get a phone signal and access to the internet. Constituents feel that they are left behind and miss out on the new and upcoming technologies that we know improve access to online jobs, education and business opportunities. Does the Minister agree that we need to ensure such communities are at the heart of the Government’s digital inclusion ambitions, so no one is left behind, especially those in deprived communities?

[Chris Bryant]

My hon. Friend is absolutely right, and her constituency exemplifies one of the issues we face, which is that we might have relatively affluent areas cheek by jowl with much poorer areas. That is why, in our digital inclusion action plan, we have tried to ensure that we address all the different forms of digital exclusion, whether it is by virtue of age, ethnicity, educational background or physical geography.

[Sarah Dyke (Glastonbury and Somerton) (LD)]

Lack of access to digital services prevents people from applying for jobs, studying and accessing healthcare, but community interest companies such as Donate IT, based in Wincanton, are helping to bridge the gap by diverting IT equipment that was otherwise heading to landfill. By refurbishing that tech and distributing it to the people, schools and groups who need it, Donate IT is helping to address digital poverty. How does the Minister plan to support such organisations to prevent electrical waste from going to landfill and to tackle digital exclusion?

[Chris Bryant]

I am really pleased that that is happening in the hon. Lady’s constituency. We were pleased as a Government to be able to say not only that many Government Departments will make sure that we do precisely the same thing, but that many major employers will also do the same. It is crazy to chuck old kit into landfill when, frankly, it could be used much better to provide people with digital opportunities for the future.

--- Later in debate ---

[Liam Conlon (Beckenham and Penge) (Lab)]

T3. Beckenham and Penge is where local lad David Bowie launched his music career, and today it is home to a vibrant, talented community of creatives whose work is increasingly sought after by AI companies. Our creatives deserve a just deal to provide fair pay for my constituents and the legal certainty required to encourage Ai investment. What steps is the Minister taking to deliver that?

[The Minister for Data Protection and Telecoms (Chris Bryant)]

This country is a creative content superpower, and we will do absolutely nothing to undermine that. We want to make sure that people are properly remunerated for their work and that AI companies have access to the high-quality data that they need to be able to deploy effectively in this country.

[Jeremy Hunt (Godalming and Ash) (Con)]

The Minister can see that the whole House has filled up out of concern at the atrocious mobile phone signal in Godalming and Cranleigh high streets and in Bramley, Shamley Green and Peaslake. Now that spring is in the air, will he visit Cranleigh to see for himself just what a problem this is?

[Chris Bryant]

Well, I was in Pizza Express in Godalming only a couple of weeks ago, and the mobile signal was absolutely shocking. I could not find my way to Busbridge village hall. I am not sure whether it is the MP or the Telecoms Minister who is rubbish—[Hon. Members: “Oh!”].

[Mr Speaker]

In which case, we will move on to Prime Minister’s questions.

Telecoms Supply Chain Diversification Advisory Council Report: Government Response

Chris Bryant Excerpts

Wednesday 26th March 2025 Written Statements

[The Minister for Data Protection and Telecoms (Chris Bryant)]

The security and resilience of the UK’s digital infrastructure is of central importance to the Government’s strategic objectives. This statement provides an update on the Government’s response to the Telecoms Supply Chain Diversification Advisory Council’s report and recommendations. It outlines the Government’s approach to addressing the risks to supply chains that support advanced connectivity technologies.

I am grateful to the Telecoms Supply Chain Diversification Advisory Council for its report and recommendations, setting out the risks we still carry and what the Government, working with industry, should do to address them.

Ensuring that individuals and businesses have access to high-quality connectivity serves as the foundation of our modern, digital economy. Given our current and future reliance on this connectivity, it is essential that these technologies are secure and resilient. This includes ensuring that we have a healthy, competitive telecoms supply chain, both to drive innovation and to avoid the risks that may arise from acute market concentration. In the broader digital sector, last year’s Crowdstrike incident, which led to IT outages worldwide, showed just how disruptive it can be when something goes wrong with a supplier to which we have high exposure.

I accept the Council’s recommendations. The previous Government took steps to begin addressing these risks, but Government and industry still have more to do. In the Government’s response, we reaffirm our commitment to secure and resilient digital infrastructure. We outline the steps we will take to manage risks in the short term, transition to a healthier supply chain in the medium term, and prevent similar risks from emerging in the long term.

By addressing these issues, we can drive growth and build sovereign capability by increasing the share of technologies developed within the UK. With a strong research base and a range of suppliers of advanced connectivity solutions based here, we aim to expand the UK’s role in the global supply chain and influence the next generation of technologies to meet our connectivity needs.

To seize this opportunity, the Government have committed to advanced connectivity technologies as a key growth market in the forthcoming industrial strategy, utilising our available levers to maximise our potential. We will work in partnership with the mobile network operators to deliver the measures set out in this response. To ensure all our efforts are well-targeted and informed by those both developing and deploying these technologies, we will also establish a new Advanced Connectivity Technologies Council.

The security and resilience risks to our digital infrastructure are significant, but the economic potential that will be unlocked by cutting-edge connectivity is vast. Guided by the Telecoms Supply Chain Diversification Advisory Council’s recommendations, the Government will work to advance secure, resilient and innovative digital infrastructure and the technologies that enable this, now and in the future.

The Government response will be deposited in the Libraries of both Houses.

I look forward to continuing work to strengthen, secure and expand our digital infrastructure, working with stakeholders across the economy and international partners.

[HCWS552]