Royal Albert Hall Bill [Lords] Debate
Full Debate: Read Full DebateChris Bryant
Main Page: Chris Bryant (Labour - Rhondda and Ogmore)Department Debates - View all Chris Bryant's debates with the Department for Science, Innovation & Technology
(1 day, 19 hours ago)
Commons ChamberWell, this is a rum old affair, isn’t it? I think we can definitely put this down as one of the recondite moments of parliamentary democracy. A number of people have asked me today, “What on earth is all this about?” and then said, “What is an opposed private Bill?” or “What has the Chairman of Ways and Means got to do with it?” and all the rest of it—so, yes, it is a strange little moment.
It is nice to see the right hon. Member for Maldon (Sir John Whittingdale), who listed about a fiftieth of all the things he has sat on in his time, and it still added up to rather a large number of things that he has been involved in at some point or other, including virtually every committee at the Royal Albert Hall, apart from selecting the music—
Yes—well, it would have been endlessly hard rock, wouldn’t it, if it was just to please him?
Of course, this debate is timely because the Proms are about to start. The Proms are one of the most renowned British cultural institutions in the UK, where the BBC meets the public in a more open way than in any other. The concerts are broadcast all around the world, and everybody knows about them—not just the last night, but the first night, the penultimate night and all the different bits that have tradition attached to them.
Of course, the Royal Albert Hall, as everybody has referred to, is one of the great cultural institutions of the UK. It is a phenomenally versatile space, apart from anything else. People have mentioned concerts they have been to. Dua Lipa, of course, had a wonderful concert there last year. I think my husband has been to see Kylie there—well, he has been to see Kylie nearly everywhere. I have been to see Kylie nearly everywhere, too—it is always nice to live up to a stereotype, isn’t it? What is amazing is that wrestling and so many other different styles of events can take place there—the right hon. Member for Maldon mentioned Cirque du Soleil, for example.
The Royal Albert Hall is a great part of the British cultural sector, and it is unique in the way it is structured financially and constitutionally. I do not think that anybody has said this evening that it is precisely how one would probably want to constitute it if one was starting from scratch. [Interruption.] I noted a slight Gallic shrug from the right hon. Member for Maldon, so I think he is sort of agreeing with me. I think most of the people who own the seats at the Royal Albert Hall would agree that it is not quite what anybody would design if they were starting again today.
It is worth reminding ourselves of precisely what we are doing with a private Bill, because it is different from a public Bill. “Erskine May” does not get to private Bills until page 1,024 or something, so we can tell that they are unusual. It states:
“In giving any bill a second reading, the House approves the general principle, or expediency, of the measure. There is, however, a distinction between the second reading of a public and of a private bill. A public bill is founded on public policy, and the House, in agreeing to its second reading, accepts and approves that policy; whereas the expediency of a private bill is founded upon allegations of fact which have not yet been proved, so that the House, in agreeing to its second reading, affirms the principle of the bill conditionally, subject to the proof of such allegations before the committee.”
I am sure the Committee stage will be interesting, as the right hon. Member for Daventry (Stuart Andrew) said, because these allegations of fact will have to be proven. That takes us to the several points made by my hon. Friend the Member for Washington and Gateshead South (Mrs Hodgson), who is one of the most redoubtable experts on the issue of ticket sales in this country. I very much hope that we will be able to put the biggest smile on her face later in this Parliament when we come up with legislation to tackle the issues around the secondary ticketing market, which we are determined to do.
I take issue slightly with something that the right hon. Member for Maldon said. He said, “Private property is private property and we never want to interfere with it.” In one sense I agree with him, of course, but when it comes to the sale of tickets, I am not sure that that quite applies as cleanly as it might in other forms. If the value returns to the artists or the venue, I do not have a problem, but when the value from the secondary ticketing market simply disappears into the trousers of online touts and bots, many of which are not even based in this country, I think that that is a problem.
The Minister and I will undoubtedly debate the Government’s proposals for secondary ticketing at a future date, but I want to make it clear that what we are talking about here is not touts or bots, but people who own a seat and the right to sit in that seat and who choose to sell it to somebody else, which is a very different prospect from the one that he outlines.
Of course. I was merely responding to the points made by my hon. Friend the Member for Washington and Gateshead South. If we had a debate in which there was a venue mentioned and she were not to stand up and make a speech about ticket touts, we would think that something was wrong; we would go and search all the A&Es in the country to find out what had happened to her. She said that she supports clauses 4 and 5. I think that the right hon. Gentleman supports clause 4, but he is not quite so keen on clause 5 because it was inserted in the House of Lords. As he knows, we are doing a very simple thing tonight: deciding whether to give the Bill its Second Reading. For a private Bill, it is traditional for the Government—as for the Opposition—not to stand in the way, nor to urge people one way or the other.
I repeat a point made in the House of Lords by my noble Friend Baroness Twycross, however: we are disappointed that some concerns about the potential conflict of interest between the hall’s charitable objectives and the private financial interests of individuals have yet to be met. The right hon. Gentleman will know that the Charity Commission has taken a view in this space. I think that some of those issues still need to be addressed more fervently; whether it happens through this Bill or through other means, at some point we will have to address them.
The right hon. Member for Daventry said that the Bill had been hovering around for some time, but it was interesting to hear the right hon. Member for Maldon say that people at the Royal Albert Hall are wondering what other constitutional changes should be brought about. One would hope that if we are to have a private Bill on the Royal Albert Hall, we can do it just once in a Parliament, or in a decade—or in a lifetime, frankly. It would be good if we could address all the issues in a single Bill.
Nevertheless, as is the tradition with all private Bills, the Government neither support nor oppose this Bill. That sounds like a strange moment in British politics, doesn’t it? But the last time I went to the Royal Albert Hall was for Emeli Sandé. I think one of her songs might be apposite at this point. [Hon. Members: “Don’t sing!”] No, I am not going to sing. What’s wrong with Emeli Sandé?
I think I will make sure that gets into Hansard now. The right hon. Gentleman is taking objection to me personally. Well, there we are.
I am not going to sing. Do behave! The right hon. Gentleman is almost as bad as I used to be when I sat where he is sitting now.
And the former Minister for common sense has now completely abandoned common sense, clearly.
Anyway, Emeli Sandé sang:
“You’ve got the words to change a nation
But you’re biting your tongue,
You’ve spent a lifetime stuck in silence
Afraid you’ll say something wrong.”
Since the Government do not have anything to say on this business, that is where I shall end.
Question put and agreed to.
Bill accordingly read a Second time and committed.