Data (Use and Access) Bill [Lords]

Debate between Caroline Dinenage and Chris Bryant

Wednesday 14th May 2025 Commons Chamber

[Chris Bryant]

As I am sure my hon. Friend is aware, the US system of fair use is different from the UK’s—ours goes back to 1709, with the first of our copyright Acts, and it has been very solid. When we introduced this Bill, I said that this country should be proud of the fact that a succession of different generations have ensured that rights holders can protect their copyright. Interestingly, one of Charles Dickens’ big battles was being able to protect his copyright not only in the UK but in the United States of America, where he felt he had fewer protections. It is for us to develop our own copyright law in our own country, and I say to my hon. Friend that the law as it is will not change one jot as a result of what we are intending to do in the Bill.

[Dame Caroline Dinenage (Gosport) (Con)]

rose—

[Pete Wishart (Perth and Kinross-shire) (SNP)]

rose—

[Chris Bryant]

I probably ought to give way first to the Chair of the Culture, Media and Sport Committee, and then to the hon. Gentleman.

[Dame Caroline Dinenage]

Yesterday the Minister appeared before our Select Committee and said, “The best kind of AI is the kind of AI that is built on premium content, and you can’t get premium content without paying for premium content.” Now, as well as being concerned about the overuse of the expression “premium content” in that sentence, I am also concerned about the fact that, as we speak, there are copyright works out there being scraped underhandedly by AI developers, some of whom are feigning licensing negotiations with the very rights holders whose works they are scraping. Surely now is the time to require developers to tell us what copyright works are being used to train their models and what their web-scraping bots are up to. Surely he agrees that Lords amendment 49 is a very good way to move this forward to see what works are being used to train AI models.

[Chris Bryant]

The first thing to say to the right hon. Lady is that I completely stand by everything I said to the Select Committee yesterday. I do believe that the best form of AI will be intelligent artificial intelligence. And just like any pipe, what comes out of it depends on what goes into it. If we have high-quality data going into AI, then it will produce high-quality data at the other end. I have spoken to quite a lot of publishing houses in the UK, including Taylor & Francis in particular—

--- Later in debate ---

[Chris Bryant]

I completely agree with everything my hon. Friend said, and I can give that guarantee. Interestingly, when we started this process after the general election, the first consultation meetings that the Under-Secretary of State for Science, Innovation and Technology, my hon. Friend the Member for Enfield North (Feryal Clark), and I had were with the creative industries in one room and the AI companies in another. Perhaps it would have been better to mix them up in the way my hon. Friend has suggested, and that is precisely the job of work that I want to get on with.

We are determined that wherever we can, we will take creative industries with us, and we will be transparent about the work that we do. I want to lay to rest the idea that there are two Departments at war with one another. That simply is not the case. The two Departments are trying to work together to achieve good outcomes for everybody.

[Dame Caroline Dinenage]

The Minister is being unbelievably generous in taking interventions, but before he moves on, I wanted to say that it is really important to have those involved in AI and in the creative industries in the same room at the same time. He must not forget that the reason the creative industries are in such a state of panic and despair about this is because a hare was set running a few months ago by the Department for Science, Innovation and Technology, when it published an AI strategy that said that the copyright opt-out was a way to grow the AI industry. The Government then published their consultation, in which they indicated that the opt-out was their preferred mechanism, despite the fact that the document also mentioned prioritising transparency. I understand that, but the Minister must understand that panic has set in. Words matter; what we say matters. He needs to do everything that he can to bring this issue to a close.

[Chris Bryant]

As the hon. Lady knows, I am sympathetic to the direction of travel that she is trying to take me in. Some people will think that I am splitting hairs, and that is not my intention, but I have been keen to avoid the term “opt-out”. As I said, we have brought forward a package of measures. They were reliant on our being able to deliver greater control, through technical measures, for the creative industries and others who had rights to protect. That is why we referred to “rights reservation”, rather than “opt-out”. I take her point, and I am sure that we will be debating it for some considerable time. She is a Select Committee Chair, as is my hon. Friend the Member for Newcastle upon Tyne Central and West (Chi Onwurah). I should have said earlier that when I was Chair of the Committee of Privileges, we produced a report, which has yet to be implemented or even discussed in the House, about how we could ensure that witnesses appeared before Parliament when Select Committee Chairs wanted them to.

If it is all right with the rest of the House, I will move on to further subjects. The issues around scientific research—I can never work out where the emphasis lies when I say the word “research”—are embodied in Lords amendment 43B. Some people have suggested that the Bill will somehow create a wild west for research, but that is simply not true. The Bill does not change the threshold for what constitutes scientific research; we are sticking with what has been and is a fair, clear and proportionate measure, using the “reasonableness test” that is common in other legislation and well known by the courts.

As Lord Vallance said in the House of Lords earlier this week, this amendment would go against the good work done by the previous Government on avoiding unnecessary red tape for researchers. We have a world-class research sector in the UK. We want to empower it, not tie it up in red tape. We believe that documents such as the Frascati manual, which are useful and interesting in other settings, are not designed to contain legally binding requirements, so the amendment is misplaced.

If the amendment were carried forward, researchers would need to be able to demonstrate their work’s creativity to a legal standard. If someone’s work is aimed at testing or reproducing another researcher’s results, is it truly creative? That is a legitimate question, but it takes on a whole new meaning, and brings a whole new layer of bureaucracy, when enforced to a new legal standard, as the Bill insists, backed up by the potential for huge regulatory fines.

Similar issues arise in relation to requirements for research to be “systematic” and “ethical”. Those words are not necessarily well known in the courts when it comes to this legislation. As Lord Winston argued powerfully on Monday, if the amendment had been law 50 years ago, we may never have had in vitro fertilisation and the benefits spinning off from that, including valuable cancer research. Those are the issues caused by putting such a test in a legally binding setting that it was never designed for.

Data (Use and Access) Bill [Lords]

Debate between Caroline Dinenage and Chris Bryant

Wednesday 7th May 2025 Commons Chamber

[Dame Caroline Dinenage (Gosport) (Con)]

I rise to support new clauses 2 to 5 in the name of the hon. Member for Harpenden and Berkhamsted (Victoria Collins); to pay tribute to Baroness Kidron, who has driven forward these amendments in the other place; and to speak in favour of new clause 20 in the name of the official Opposition.

I am beginning to sound a bit like a broken record on this matter, but our creative industries are such a phenomenal UK success story. They are our economic superpower and are worth more than automotive, aerospace and life sciences added together, comprising almost 10% of UK registered businesses and creating nearly 2.5 million jobs. More than that, our creative industries have so much intrinsic value; they underpin our culture and our sense of community. Intellectual property showcases our nation around the world and supports our tourism sector. As a form of soft power, there is simply nothing like it—yet these social and economic benefits are all being put at risk by the suggested wholesale transfer of copyright to AI companies.

The choice presented to us always seems, wittingly or unwittingly, to pit our innovative AI sector against our world-class creative industries and, indeed, our media sector. It is worth noting that news media is often overlooked in these debates, but newspapers, magazines and news websites license print and content online. In turn, that helps to support high-quality and independent journalism, which is so vital to underpinning our democratic life. That is essential considering recent news that the global average press freedom score has fallen to an all-time low.

I want to push back against the false choice that we always seem to be presented with that, somehow, our creative industries are Luddites and are not in favour of AI. I have seen time and again how our creators have been characterised by big tech and its lobbyists as somehow resistant to technological progress, which is of course nonsensical.

[Chris Bryant]

I want to knock on the head the idea that any Government Minister thinks that the creative industries are Luddites. As I said in the debate in Westminster Hall—I know that the hon. Lady was not able to be there—many creative industries use all sorts of technical innovations every single day of the week. They are not Luddites at all; they are the greatest innovators in the country.

[Dame Caroline Dinenage]

I thank the Minister for that reassurance. I did take part in a Westminster Hall debate on this matter a couple of weeks ago, but one of his colleagues was responding. I made the same point then. Quite often in the media or more generally, AI seems to be pitted against our creative industries, which should not be the case, because we know that our creative industries embrace technology virtually more than any other sector. They want to use AI responsibly. They do not want to be replaced by it. The question before us is how lawmakers can ensure that AI is used ethically without this large-scale theft of IP. We are today discussing amendments that go somewhere towards providing an answer to that question.

United States Film Tariff

Debate between Caroline Dinenage and Chris Bryant

Wednesday 7th May 2025 Commons Chamber

[Dame Caroline Dinenage (Gosport) (Con)]

There is no doubt that this speculation will cause huge worry to those working in British film production, but, as the Minister says, it highlights once again the importance of bolstering the British screen sector. We recommended steps to deliver that in a recent Select Committee report, yet within days of publishing it, his Department had already asked for an extension to the time in which it would respond. This weekend we heard rumours that the whole Department is up for the chop under his Government—I am not sure if that is before or after he has sacrificed our creative industries on the altar of AI. The Minister is a brilliant communicator, and I know that deep in his heart he cares passionately about this issue, but when will he show some grit and action on behalf of our world-leading creative industries, in particular our screen sector?

[Chris Bryant]

I hope the hon. Lady accepts that there are areas where I have taken very deliberate action on the back of recommendations from her Committee, not least in relation to a levy on gig and arena tickets to fund support for small music venues—but I take her point. I was not aware that we had asked for an extension. We will get on with providing a response to her as fast as possible. It was an excellent report; I have read it. It contains lots of good things that I want to take forward, but we probably will not be able to do everything in it.

It is really important that we focus on skills in the UK screen industry; that has been raised repeatedly with me. I want every kid in the country to have a chance to work in the creative industries, including in film and high-end television. Many would not even think that that was a possibility, so we need to transform the whole pathway into those industry skills; I know that that is one of the things that the hon. Lady’s Committee has raised.

Intellectual Property: Artificial Intelligence

Debate between Caroline Dinenage and Chris Bryant

Wednesday 23rd April 2025 Westminster Hall

[Chris Bryant]

I am very reluctant to give way, if only because I have quite a lot of things to get through. I am really sorry. We will have another debate on this issue very soon, I am sure.

Sixthly, several Members referred to people wanting a “legal peace of mind”. I am not reiterating the line about whether or not there is legal certainty; that is not the point I am making. Many individual creators have been in touch with me directly—I am sure that they have been in touch with other hon. Members—to say, “I don’t know where I stand now under the existing law. I understand how Getty Images can go to court and enforce their rights, sometimes on behalf of themselves but also on behalf of the people they represent, but how do I do that for myself when I’ve just posted some of my works online, because I’m advertising my works? I don’t want to disappear from the internet, so the robots.txt system doesn’t work.”

That is a really important area where we need to do work. We have a framework of civil enforcement of copyright in the UK. It is robust and it meets the Berne convention issues that my hon. Friend the Member for Bury North referred to, but it is still easier for those who have lawyers and cash to use it. That is why we have collecting societies, which can be more effective in many areas, but the different segments of the creative industries that we are talking about have to be dealt with differently, because a musician, an artist, a photographer, somebody who writes or somebody whose words or voice are being used are all treated differently, or their rights are enforced differently at present, and we need to make sure that there is that legal peace of mind for all those people into the future.

My hon. Friend said that a technical solution for rights reservation does not yet exist and he is absolutely right. I think a couple of other Members made that point, and I know that the Culture, Media and Sport Committee, which is admirably chaired, has referred to some of these matters, including in a letter to Secretaries of State. But why do we not make it happen? I am determined to make it happen. Surely, it cannot be beyond the wit of the clever people who are developing all this technology to develop something. If we could get to a place where it was very easy for any individual, or everybody—

[Dame Caroline Dinenage]

Will the Minister give way?

[Chris Bryant]

I only have 45 seconds left, so I am afraid that I cannot; I am sorry.

If we were able to deliver that over the next 12 to 18 months in the UK, then we genuinely would be leading the world and we would be answering the problems of transparency and provenance, and making sure that people were genuinely remunerated. That is one of the things I am determined to do.

My hon. Friend the Member for Slough (Mr Dhesi), who is no longer in his place, said that we must listen to the creative industries before any legislation is introduced. He is 100% correct. I absolutely commit that that is what we will do. Somebody else said that technology is not good or bad; I think they were almost quoting “Hamlet”. I will make the point that artificial intelligence was made for humanity by humanity, not humanity made for artificial intelligence, and we need to make sure that we get the balance right.

Finally, my hon. Friend the Member for Bury North started the debate by saying—because he had to—that we have “considered” the impact of AI on intellectual property. We have not adequately considered it yet. We have to consider it more. We were not intending to legislate in the data Bill, and there is no clause in it, on opt-out. There is no such clause. There is no need to take it out, because it does not exist. I am determined to get us to a place where people are properly remunerated, where they are able to enforce their rights, and where AI can flourish in this country and be used by the creative industries and the creative industries are not left by the wayside. In short, to quote the Bible, we will not sell our birthright for a mess of pottage.

Creative Industries

Debate between Caroline Dinenage and Chris Bryant

Monday 27th January 2025 Commons Chamber

[Dame Caroline Dinenage (Gosport) (Con)]

I am delighted to have the opportunity to talk about our world-leading creative industries. I listened very carefully to everything the Minister said, and there was a lot of it. I love his undoubted passion for these sectors, and I love the understanding he has for them and the really strong rhetoric he puts into his support for them. I just hope and pray that it is contagious, and that he has the energy to ensure that it delivers a real, meaningful and robust commitment from the Government that turns into action on behalf of these sectors.

There is so much we can be proud of. In the past couple of weeks we have seen Oscar nominations for Felicity Jones, Cynthia Erivo, Ralph Fiennes and everyone’s favourite, “Wallace and Gromit”. I am sure the Minister was not impervious to the brat summer that we all went through last year, reflected in Charli XCX’s five Brit award nominations. This year, we will have the inaugural South by Southwest London event and the World Design Congress, which will be taking place here for the first time in more than 50 years.

Our creative industries are remarkable and they have an immense soft power value. I welcome the Department for Culture, Media and Sport and the Foreign, Commonwealth and Development Office working together to increase the UK’s influence abroad. As ever, the Culture, Media and Sport Committee is a trailblazer, working with the Foreign Affairs Committee and the International Development Committee last year to look at the BBC World Service and its future. Ministers can expect to see the results very soon.

The launch of the Soft Power Council, as a collaboration between DCMS and the FCDO, has been welcomed by the creative industries. I say welcomed, but I should say tentatively welcomed. Alongside warm words, the sector also needs to see the Government walk the walk if they are really to harness the global super power of our creative industries, whether by cutting red tape, establishing bilateral cultural agreements that enable our creatives to tour the world, or looking at how we pitch Government intervention to ensure the world continues to invest here. With that in mind, I am concerned that the breadth of the creative industries is under-represented on the council. Fashion, design, video games and, apart from music, most of the performing arts are missing, despite their immense popularity and international influence. I wonder whether the Minister could look at that.

[Chris Bryant]

It might be easier to answer that immediately. I have been very keen to try to make the council a bit smaller, but it will have lots of separate working groups that will include all the creative industries the hon. Lady talked about. In the end it is about deliverables—it is not just about having another talking shop—and that is what I am very keen to deliver.

[Dame Caroline Dinenage]

We may be here for a long time if the Minister answers every question that I am going to ask over the next few minutes, but let us have a go.

We in the Select Committee are very excited, because tomorrow the Minister will be appearing before us for the final episode of a very long-running inquiry into film and high-end television. I do not want to give away too much—no spoilers, Madam Deputy Speaker—but I would like to share with the House evidence that we received recently. Everyone will have had a different TV highlight over Christmas, but two massive hits were undoubtedly “The Mirror and the Light” on the BBC and “Black Doves” on Netflix. Peter Kosminsky, the director of “The Mirror and the Light”, told us that every streamer turned down the option to take up the show, despite the awards, the critical success and the acclaim for that first series of “Wolf Hall”. In fact, the only possible way to make it was for the producer, the writer, the director and the leading star to give up a significant proportion of their fees. It is unimaginable—is it not?—but it is not unique.

The Producers Alliance for Cinema and Television, charmingly known as PACT, has warned that 15 green-lit dramas are stuck unmade because the financial contribution that a public service broadcaster can offer, together with sales advance and UK tax breaks, simply is not enough to compete with the current inflated cost environment. Jane Featherstone, the producer of “Black Doves” and other massive hits such as “Broadchurch” and “Chernobyl”, told our Committee that the PSBs were being “priced out” of making high-end drama, which means that British stories for British audiences are at risk, as are the training grounds for the next generation of talent. We talk so much about the importance of creative education, but if we do not have the jobs for those young people to come into when they leave school, we are selling the next generation a dream. I know that the Minister and the Secretary of State value the telling of British stories, so the Minister can expect us to press him on that tomorrow.

When it comes to British stories from across our isles, we cannot overlook the value of our PSBs and the challenges that they face owing to competition from international streamers and changing audience behaviour. The uniquely British flavour of PSB productions such as “Fleabag”, “Derry Girls” and “Peaky Blinders” makes them some of our most popular and enduring exports, but it is no exaggeration to say that they are facing an existential challenge. Over the coming months we will hear from the leadership of the BBC, Channel 4 and Ofcom about the BBC charter review, the implementation of the Media Act 2024, and the wider challenges that they face. We will also want to discuss advertising with them and with other broadcasters. The shift from broadcast to online advertising is not new, but we must ensure that broadcasters are not left disadvantaged by outdated competition rules.

I want to make sure that the creative industries are delivering for their employers and contractors. CIISA, the Creative Industries Independent Standards Authority, under the brilliant stewardship of Jen Smith and Baroness Kennedy, is at a critical point as it concludes its consultation on standards today. It concerns me that while some parts of the creative industries make positive noises about CIISA, in reality they do not lean in, and other organisations —especially those with headquarters abroad—are reluctant to engage at all. I know that the Minister cares about this, but if we are to recruit and, critically, retain talented people, there must be no hiding place for bad behaviour.

I am delighted by the Minister’s commitment to our grassroots music venues levy, and for the signal that he will be willing to act if a voluntary solution is not working out. The establishment of the LIVE Trust is a step in the right direction, and I hope that more will be done to include artists and independent promoters in the conversations about where the money will go and how it is distributed. May I ask the Minister to give us an update in his closing speech?

Let me continue my whistlestop tour of the creative industries and the performing arts. Last week, the National Theatre launched its “Scene Change” report, which highlights the willingness of the performing arts to innovate in their business models. I am sure that the Minister will look carefully at its recommendations, but I want to pull out two key points. First, as he said, our creative industries generate more for our economy than aerospace, oil and gas and renewables combined, and they need a robust industrial strategy to match their firepower. Without investment, there is no innovation. The National Theatre, for example, is as much a totemic British export as BAE or Rolls-Royce. “National Theatre at Home” has brought productions to new audiences across the United Kingdom and, indeed, the world. However, few in the sector have the funds for such projects, and I hope that the Minister will consider the report’s recommendation of an innovation fund, which could drive growth. Secondly, UK Research and Innovation, which the Minister also mentioned, exists to foster research and innovation, yet the creative arts are wildly under-represented, given their gross valued added.

I know that the Minister enjoys a bit of theatrics, so while I was at the National Theatre, I wondered which of its productions reflected him best. There is “The Importance of Being Earnest”; one review of the current production noted

“just the right amount of delightful mischief.”

There is “Nye”, the story of a hugely influential Welsh politician taking policies through against enormous opposition. But then I realised that we needed to go back a bit further, to the smash hit “One Man, Two Guvnors”, because the Minister finds himself working for both the Science Secretary and the Culture Secretary. Our story begins as he tries to justify the Government’s proposals on artificial intelligence and copyright.

The Secretary of State for Science, Innovation and Technology has claimed that I do not understand the idea of consultations, and the Minister has claimed that I do not understand the detail of this consultation. I am beginning to feel a bit gaslit by it all, but I know that the Science Secretary is not saying the same thing to the creative industries, because I am told that he is refusing to meet them at all. I wonder whether the Minister is telling the creative industries that they do not understand the detail—because everyone I have spoken to in the sector seems to understand the detail perfectly, and they do not like it.

This is not about pitting the creative industries against Al. This is not a luddite sector; the creative industries use Al to great effect, and are always at the forefront of embracing innovation. The Minister said so himself: he said that they never abide by the straitjacket of conformity. The aim is a system that is transparent, as he said, but with licensing arrangements that protect intellectual property. The Government’s consultation paper says there is a “lack of clarity” in the regime, but the people I speak to tell me that the situation is perfectly clear, and that the large Al developers cannot legally use it to their advantage. Instead, the Government’s proposals move the onus on to creators to protect their work, rather than Al developers having to seek permission to use it. This is known as the opt-out. We have the opt-in, the opt-out, the opt-in, the opt-out—it is the legislative equivalent of the hokey-cokey.

The fact that unscrupulous developers are not seeking permission from rights holders does not mean that we should bend the system in their favour. Our world-leading creative industries have made it clear that the European Union’s opt-out model, which the Government’s consultation favours, does not work. They say that there is no existing technical protection measure that allows rights holders to easily protect their content from scraping, and web bots take advantage of that unworkable system to copy protected works, bypassing inadequate technology and the unclear copyright exception. Put simply, the EU opt-out system creates an even greyer area.

I know the Minister does not agree with me on that, but may I ask him to agree with me on just two points? First, if the Government are determined to go down the opt-out route, any opt-out must be tightly defined and enforced, so that developers cannot wilfully disapply it or plead ignorance. Secondly, any technical solution that protects rights must be adequately future-proofed, so that creators and developers do not simply end up in an arms race to find new ways to stop those who are hoovering up copyrighted works.

May I also ask the Minister to address two questions? I have always said that AI should provide the solution to AI, and that is what we all hope will happen, but what if a suitable technical solution that protects rights is not found? Do we stick to the status quo, and keep the onus on AI developers to follow the law? It is notable that the creative industries are not represented on the Science and Technology Cabinet Committee. Can the Minister confirm that they will have a voice when the final decisions are made? If they are not, as he says, to be the cherry on the cake, they will need that seat at the table.

I do not want to end my speech on a pessimistic note. There is much to be optimistic about for our creative industries; they are the envy of the world on virtually every front. The Minister loves a song quotation, and it is almost as if the top three songs of all time, according to Rolling Stone magazine, could provide the backdrop for him and his role right now. Do you know what they are, Madam Deputy Speaker? “A Change is Gonna Come”, but the Minister needs to “Fight the Power” and give our creative industries what they deserve: “Respect”.

Oral Answers to Questions

Debate between Caroline Dinenage and Chris Bryant

Thursday 16th January 2025 Commons Chamber

[Dame Caroline Dinenage (Gosport) (Con)]

I am grateful for the Minister’s commitment to the issue. He will know that it was the cornerstone of the Select Committee’s work on grassroots music venues, and he also knows that our music ecosystem is very finely balanced. Grassroots venues are still shutting at an alarming rate, and not one of the top 10 best-selling songs of 2024 was from a British artist. Will the Minister look again at another of our report’s recommendations: the recommendation for a fan-led review of music? Will he ensure that we include the voices of artists and managers, as well as venues and promoters, in discussions on funding for grassroots music venues from, for example, the new LIVE—Live music Industry Venues and Entertainment—Trust?

[Chris Bryant]

That was four questions, and the answer is yes to nearly all of them, other than the one about the fan-led review. The Secretary of State has charged me with coming up with a 10-point plan for music this year, and I have turned it into a 12-point plan. I very much hope to work with the Select Committee on delivering that plan. Music is an important part of the UK’s soft power around the world. There is nothing better than seeing a band that we first saw in a tiny venue many years ago playing in a massive arena. We want that success for all our musicians in the UK, and it starts with creative education.

Live Events Ticketing: Resale and Pricing Practices

Debate between Caroline Dinenage and Chris Bryant

Monday 13th January 2025 Commons Chamber

[Dame Caroline Dinenage (Gosport) (Con)]

I welcome the Government’s putting music fans at the forefront of these consultations, although the Minister will know that I would like him to go further and have a full fan-led review of music. Meanwhile, looking at the details of these consultations, it is telling that while Ticketmaster welcomed the resale consultations, it is silent on the dynamic pricing issue. The Minister will recall that Oasis told their fans that dynamic pricing was a

“tool to combat ticket touting”.

Does he agree that if the Government act decisively to stop large-scale touting from inflating ticket prices, there will be less need for promoters such as Live Nation to have to use dynamic pricing?

[Chris Bryant]

The hon. Member makes a good point, and it is a delight to be able to agree with her on something in this area at the moment. We might yet have a little bit of a disagreement over copyright and artificial intelligence, but I think that is only because she has misunderstood what we are trying to do. I hope to be able to sit down with her and talk it all through.

We want to ensure that we get the legislation right, and that is why we are doing a consultation rather than just storming ahead with a piece of legislation. As my hon. Friend the Member for Washington and Gateshead South (Mrs Hodgson) said, there is no point in carrying out any of these measures unless we have a proper system of enforcement.

Acquired Brain Injury

Debate between Caroline Dinenage and Chris Bryant

Thursday 6th February 2020 Westminster Hall

[The Minister for Care (Caroline Dinenage)]

It is a great pleasure to serve under your chairmanship, Mr Robertson. I add my congratulations to the hon. Member for Rhondda (Chris Bryant) on again securing a really important debate on this issue. He is such a brilliant and effective champion of people with acquired brain injuries. His passion is incredibly infectious and set the tone for the rest of the debate, which I think everybody would agree has been incredibly constructive and thoughtful; there have been excellent contributions from everybody. The hon. Gentleman leads the all-party parliamentary group on acquired brain injury, about which all its members are very passionate. They have done superb work.

I thank everybody who took part in the debate: my right hon. Friends the Members for South Holland and The Deepings (Sir John Hayes) and for Hemel Hempstead (Sir Mike Penning) and the hon. Members for Airdrie and Shotts (Neil Gray), for Mitcham and Morden (Siobhain McDonagh) and for Washington and Sunderland West (Mrs Hodgson).

As hon. Members will know, it is estimated that the total cost of brain injury in the UK is at least £1 billion per annum and that the number of people living with ABI is more than half a million and could be as high as 1 million. Many hon. Members have explained that, as with many long-term conditions, the impact of ABI is not limited to an individual’s health but is felt across many aspects of their life, including family, work, relationships and finances. Of course, such an injury could happen to any one of us. My right hon. Friend the Member for Hemel Hempstead spoke about traffic incidents and collisions. That could happen to any one of us on our way home today.

I join the hon. Member for Rhondda in taking this opportunity to recognise, first, the outstanding work done by professionals in this field and, secondly, the wonderful work undertaken by charitable organisations such as Headway, the United Kingdom Acquired Brain Injury Forum and the Children’s Trust, which he mentioned. They are incredibly highly valued by those affected. They do invaluable work in raising not only money but awareness and by providing incredible support to those with the condition, as well as to their families and carers.

I have had quite a long-standing involvement with Headway in my region of Portsmouth and Gosport, since before I became an MP; as an MP, I have met my local team on a number of occasions. They are remarkable and offer the most fantastic support to people in my area. They certainly make a difference to people’s lives and they are so inspiring. On one occasion, I visited them with a member of my team, and she was so buoyed up by the visit that she decided to go off and do the Great South Run to raise funds for the Headway charity. I am not going to follow her example: literally nothing apart from someone chasing me would make me run 13 miles, but people can see how—

[Chris Bryant]

It could be arranged.

[Caroline Dinenage]

Thank you; that is a very generous offer. People can see what an inspiring group Headway is.

We have heard a lot about the excellent and wide-ranging APPG report from 2018. As the hon. Member for Rhondda said, the Department of Health and Social Care co-ordinated with officials from across Whitehall to deliver the response, which was a truly cross-Government response, but I certainly feel his frustration at how silo working across Whitehall can be an impediment to getting the change that he wants. A number of right hon. and hon. Members have mentioned that today, and I will certainly take forward the idea of a real, collaborative cross-Whitehall group to discuss this. Even from the issues raised today, the Department of Health and Social Care, the Department for Work and Pensions, the Department for Digital, Culture, Media and Sport, the Department for Transport, the Department for Education, the Ministry of Defence and the Cabinet Office—I am sure there will be others—all need to be involved in the conversation.

Oral Answers to Questions

Debate between Caroline Dinenage and Chris Bryant

Tuesday 15th January 2019 Commons Chamber

[Chris Bryant (Rhondda) (Lab)]

What are the Government going to do about people who have suffered acquired brain injury? One in four major trauma centres have no neurorehabilitation consultant, meaning that such people all too often fall between the cracks and do not get proper support. Will the Government change that?

[Caroline Dinenage]

The hon. Gentleman chairs the all-party group on acquired brain injury, and we are working on the recommendations of his report. This is such an important issue, and we want to make sure that nobody falls through the gaps.

Oral Answers to Questions

Debate between Caroline Dinenage and Chris Bryant

Thursday 23rd March 2017 Commons Chamber

[Caroline Dinenage]

My hon. Friend is absolutely right to draw attention to that scheme and others that make such a difference up and down the country. She should also be aware that we are investing an additional half a billion pounds in developing technical skills for 16 to 19-year-olds via the new T-level certificate. We are encouraging girls to take advantage of that scheme to gain valuable industry skills and experience.

[Chris Bryant (Rhondda) (Lab)]

All the evidence suggests that one of the best ways of getting girls and young women to go into STEM careers is to change STEM to STEAM—that is to ensure that every young person in this country, and particularly girls, has a really strong arts education in their school. What will the Government do to ensure that schools do not cut music teaching and drama education, and ensure that every youngster gets a good arts education?

[Caroline Dinenage]

The Government have taken unprecedented steps to ensure that we continue to invest in those subjects, and that they continue to have massive focus in our schools. We are also publishing online guidance—“Your daughter’s future”—that helps parents to support their daughters in careers choices, so that they ensure that they include all those important subjects when making decisions about their future.

Police Reform and Social Responsibility Bill

Debate between Caroline Dinenage and Chris Bryant

Monday 13th December 2010 Commons Chamber

[Caroline Dinenage]

My hon. Friend makes a good point. It is important that the levies are imposed only on venues that supply alcohol between midnight and 6 am. That means the responsible pubs and clubs that shut earlier and are managed well, are able to go about their business without any such levies. The funds generated by the levy will be payable to the police and crime commissioners to help to fund the necessary policing, as well as to other organs of local government that address the effects of alcohol-related crime and disorder.

Another positive outcome of the Bill is the reduction in centrally set targets and in bureaucracy. The mass data collection prescribed by the previous Government is one of the biggest frustrations for our police. In Hampshire, it amounts to 130 weeks’ worth of extra work per year—two full-time members of staff—just to satisfy the demands of the Home Office. And I have no idea who reads all that stuff. The plea from local police is that this great advance towards common-sense policing needs to be reflected in changes to the criminal justice system. At the moment, our police spend thousands of hours preparing court cases in which the perpetrator says nothing on arrest or at interview but pleads guilty in the Crown court. All the preparation work was therefore an utter bureaucratic waste of time. There has to be some way of mitigating that.

Hampshire has the sixth biggest force in the country, policing about 2 million people, and substantially more during the summer.

[Chris Bryant]

Is the hon. Lady really suggesting that police officers should not do any preparation because they think that someone might plead guilty? What then happens when the person does not plead guilty?

[Caroline Dinenage]

I suggest that far too much police time is spent preparing for an inevitable guilty plea.

[Chris Bryant]

Why is it inevitable?

[Caroline Dinenage]

Well, in some cases it is an inevitable guilty plea. It is thousands of police hours—not in every case, but in many.

There are clear benefits from increased collaboration between forces, not least improved efficiency, the driving down of costs and the avoidance of reinventing the wheel. Police forces can do a lot by sharing back-office functions and procurement. In Hampshire constabulary there will be collaboration with the neighbouring Thames Valley force on facilities such as dog teams, firearms response, IT and surveillance aircraft.

We also need to ensure that the collegiate approach is backed up with shared local information. So many times, the police talk of the frustrations of the record management system, with local criminal information not being available across county borders, which the bad guys are happy to exploit.

There is a tendency for people to view the police as “them and us,” but the police are us; the us that is prepared to deal with humanity at its worst. As both Robert Peel and the Home Secretary have said,

“The police are the public and the public are the police.”

In Gosport, our local police work hard to build up trust in traditionally wary neighbourhoods. The Bill starts to recognise that work and build on it, and is joined up in both its approach and its delivery.