Kirsty Blackman Portrait Kirsty Blackman
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It is a pleasure to take part in this Committee stage of the Media Bill today. I will not talk for too long on these amendments, which I tabled after conversations, particularly with Radiocentre, about how in-car entertainment systems work. These days, the reality is that an awful lot of people are using those in-car systems by navigating through screens or pressing on their mobile phone, in advance of actually driving the car. I myself tend to use the buttons on my screen when I am listening to stuff in the car.

Nine out of 10 UK adults—a significant proportion—listen to commercial radio or BBC radio every week. That is where a massive number of people get their local news, hear updates on what is going on, and listen to all sorts of genres of music. It is incredibly important for people. Even though in a lot of places we are moving away from cars and taking more public transport, people who use cars generally have some sort of sound on when they are driving. An awful lot of the time that is either commercial radio or BBC radio.

Commercial radio is already highly regulated. The adverts available on commercial radio that can be heard over DAB, for example, are checked. They have to meet high standards, not have false claims in them, and be pre-checked in advance of being broadcast. Radio stations have to ensure that they cover certain genres, although that is set to change as a consequence of this Bill. That makes a huge amount of sense, given the increase in the availability of services and the fact that there are not just one or two radio stations available to listen to and get signal for on AM or FM. There is the whole gamut of digital or internet radio.

We spoke last week about resilience and public reliance on hearing public sector broadcasts. The Minister himself made the point that radio is a good way for people to get updates on things happening in the local area, particularly if there is some sort of emergency. When we were talking about terrestrial television, the Minister made that point clear, and I absolutely agree with him. In the event that there is flooding in a local area, people often tune in to their local stations. In Aberdeen, that is Northsound 1, Original 106, or shmuFM—Station House Media Unit, an excellent community-run radio station. Those are all things people will use to they increase their resilience and ensure that they are aware of any emergencies.

To ensure that this is future-proofed and that the Bill makes sense and works in the way that the Government intend, I have tabled the amendments 42, 43 and 44 in relation to radio selection services, specifically to include non-voice-activated in-car entertainment systems. Not all cars rely on voice activation, and lots of people do not like voice activation; even though 53% of people now have smart speakers, a proportion are still not keen. As someone pointed out to me recently, the level of tolerance in relation to these things is pretty low. When someone says, “Alexa, please could you do this,” and it does not do it, they get frustrated fairly quickly, because the technology does not necessarily behave itself. For various reasons, some people choose to use the physical buttons or the screen selection services. Radiocentre and I believe that those people should also get the service that they are looking for, and that when they press those buttons in the car, they should get whichever radio station they want on whichever player they are looking for. It is important, therefore, that the Government consider this matter and whether something else could be done, particularly in this clause, to ensure that in-car entertainment systems are accessible to the public; to ensure that they are able to find the BBC, or BBC iPlayer if they are streaming through an internet service; and to ensure that they are able to listen to digital radio and to Northsound, if that is what they want to listen to on that morning.

I hope Minister will be able to give me a significant degree of comfort on this and convince me that this is something that the Government are considering and taking account of, something that they recognise is important and that they do expect people to be able to find the radio stations they want.

Andy Carter Portrait Andy Carter (Warrington South) (Con)
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A not insignificant amount of listening—around a quarter of all radio listening—still takes place in the car, so it is a really important area for voice activation. It is really important that the Government look closely at this.

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John Whittingdale Portrait Sir John Whittingdale
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I understand the intention behind the amendments, but the purpose of the Bill is to protect the public value of live licensed radio, as secured within the regulatory framework. The effect of the measure proposed by the hon. Member for Barnsley East would extend the scope of the regime to content that, notwithstanding its source, is unregulated. That would significantly broaden the scope of the legislation and risk placing disproportionate burdens on the platforms, as well as potentially delaying the implementation of the regime by Ofcom. It would also exclude similar content produced by independent producers and distributed as podcasts.

The hon. Lady raised the issue that Nick Ferrari’s show on LBC might fall within the regulatory framework, but that Jon Sopel and Emily Maitlis might fall outside it. The effect of the hon. Lady’s proposal would be to bring “The News Agents” within the scope of the framework, because it is produced by Global, but “The Rest is Politics” with Rory Stewart and Mr Campbell would be outside the regulatory framework because it is produced by Goalhanger and is therefore not captured by the measure.

Andy Carter Portrait Andy Carter
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I want to set out where I think there may be problems. Historically, many radio stations have created what is called “split content”. That could be during ad breaks, for example—if someone is listening on FM, they would hear one set of adverts, but if they are listening on AM, they would hear a different set of adverts. In the situation where a radio station decides to broadcast a set of adverts on FM—perhaps a local set of adverts aimed at Warrington—but decides to put national adverts on its internet streaming platform, because it is heard all over the UK, there would be two very different programmes going out for two or three minutes. That is where there is some concern about different content for a period of time; while it is being broadcast live, different content is inserted into the stream. That is somewhere where there is slight confusion.

John Whittingdale Portrait Sir John Whittingdale
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I understand the point that my hon. Friend is getting at, but the provisions of the Bill are about live radio, and I think that the example he gave would be captured, because it is still live radio. The provision relates to non-live radio in the form of podcasts. I take the point that my hon. Friend makes, and I am happy to follow it up with a bit more detail, if that would be helpful.

As I said, the purpose of the Bill is about live radio, which remains the main way in which audio content is consumed. The Government committed, in their response to the digital radio and audio review, to revisiting those issues.

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Kirsty Blackman Portrait Kirsty Blackman
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To be fair, the third category that the Minister mentioned is not something that I brought up. It is something that he has included as a category—not me. I am still clear that there is asymmetry between the on-demand services. I understand that he is trying to protect access to live radio, and I get that. Surely the Bill is also trying to protect access to live TV? It is trying to protect access to public service broadcast.

The Minister and the Government have agreed and understood that people are watching live TV on catch-up. They are saying that a broadcaster’s public service obligations can include on-demand services because of the number of people that are watching television on catch-up. It is exactly the same with radio. I do not understand how he can suggest that the line be drawn where it has been. To me, protecting live radio and live television means protecting access to those on-demand and catch-up services for the same programmes that someone would be listening to on demand.

Andy Carter Portrait Andy Carter
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I am fairly sympathetic to what the hon. Lady is saying, although I have to say that there is a slight difference, as there is no provision in the Bill for public service elements of a licence to be delivered through on-demand services. There is a difference, I am afraid, and I think the Minister is right in that respect.

Kirsty Blackman Portrait Kirsty Blackman
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There is provision for public service elements of television to be delivered through on-demand services in the Bill. I do not see why people would not understand that there is the same benefit in accessing this stuff on demand. On radio programming, whether I listen to “Wake Up to Money” at 5 am or 3 pm, I am still getting the same public service benefit from listening to that. I can understand why the BBC, when it is having charter negotiations, might be saying, “We produce this programme, however many people listen to it at the time. Many people listen to it on catch-up, so this is part of the public service benefit and public service good that we provide for the licence fee as part of our charter obligations and as part of our relationship with the Government and with the general public.”

Turning to the amendments that I have tabled, there possibly are different amendments that could have a similar effect on on-demand services and catch-up. I would appreciate some flexibility from the Minister. I understand that the Government are trying to legislate for live radio, but they have chosen to draw an arbitrary line. It would be better if the line were slightly further over than it is. We will have to disagree, so I would like to press amendment 45 to a vote.

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Andy Carter Portrait Andy Carter
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There is something really interesting around data sharing, particularly for a commercial station’s audience. Commercial stations sell advertising based on the number of ears listening. If all of the data is controlled by the platforms and there is no way for radio stations to access that data, the ability for a commercial operator to continue to sell advertising is significantly limited. Where we have operated previously in a linear environment, diaries placed in people’s homes provide a certain level of data. But the ability for online services to provide much more transparency around the audiences that they deliver is controlled by a third party, and that becomes incredibly dangerous and difficult. So I think there is something in data sharing that we should perhaps consider. The issue also exists for many other forms of media as well. It is similar for TV, for example—it is not just limited to radio.

Kirsty Blackman Portrait Kirsty Blackman
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The hon. Gentleman is absolutely correct. It is not just limited to radio, but the BBC has control over iPlayer and can see how many people are viewing it, whereas it has much less control and understanding in relation to things streamed through tech platforms. We cannot stream BBC programmes other than through the iPlayer, but its radio programmes can be streamed other than through BBC Sounds.

To give a level of reassurance on the data sharing, it is not about sharing personal data that people do not consent to being shared. If we set up a new mobile phone, for example, it asks if we are willing to share data and information. I would ask for data sharing to happen only for people who have consented to their data being shared, which a lot of people do.

Lastly, I want to touch on amendment 52, which is about pre-roll advertising. The amendment would clarify that pre-roll advertising would be allowed only if it is something that the radio provider had requested. I think that is the direction that the Minister and the Government are going in, anyway, but we need clarification about pre-roll advertising because I would like the provider of the selected service to agree to it.

We have mentioned already the basis on which commercial radio is run, how advertising pays for commercial radio and how it is able to produce its services and sell them because it can provide adverts that are relevant to people. If every time we listen to Classic FM, we get an advertisement that Classic FM has not consented to, we might end up in a situation where people say, “I don’t want to listen to 30 seconds of adverts. I will just listen to something else.” It should be Classic FM that is making that choice, not the tech services through which it is being streamed. Radio providers should be the ones making the decisions, because it should be their judgment whether it is worth playing those 30 seconds of advertising, whether that will turn people off, and whether it is the right commercial choice to include it in their service. It should be the providers’ choice, rather than that of the tech platforms. Amendment 52 relates specifically to that.