Employment Rights Bill

Debate between Lord Katz and Lord Freyberg

Committee stage
Monday 16th June 2025 Lords Chamber

[Lord Katz (Lab)]

I am always happy to meet with noble Lords on these important matters.

[Lord Freyberg (CB)]

My Lords, I thank the Minister for his very helpful answer and all noble Lords who have taken part in today’s very interesting and in-depth discussion that I think we have all valued and benefited from.

I will make a couple of observations. The noble Earl, Lord Clancarty, made a very powerful point about the lack of government representation from freelancers when he said there was not then and there is not now any clear channel between freelancers and government. I do agree with the points made by many noble Lords about this. The noble Lord, Lord Clement-Jones, talked about having a freelance commissioner for advocacy and driving change. We need more work on this, because it is not clear that freelancers are getting the type of direction that the Government need to give on this.

I was struck by the very powerful speech by the noble Baroness, Lady Caine, on the concerns about health and safety in the film industry. Again, a freelance commissioner would be able to look at this in more detail and drive that through. There does not seem to be the same powerful advocate without that, so I hope the Minister will consider how to strengthen that. The noble Lord, Lord Londesborough, made a powerful speech about the number of freelancers who are going to come into this area; therefore, not to have them represented in this Bill is an oversight.

When I was anticipating what the Minister would say, I had various things down: asking for a carve-out, asking for special treatment for one sector, phased implementation is a slippery slope, oversight already exists through Arts Council England and DCMS, there is not enough evidence to justify these changes and we already have a Minister for Culture. However, as others have rightly said, this is not about a carve-out or an exemption, it is about adaption. The creative workforce is structurally different, highly freelance, project-based and often dependent on public and charitable funding. Our amendments aim to ensure that employment rights can be applied fairly and effectively in this context.