Lotteries: Good Causes

Debate between Lord Ashton of Hyde and Earl of Clancarty

Thursday 18th July 2019 Lords Chamber

[Lord Ashton of Hyde]

There is of course already a difference between the National Lottery and society lotteries on that. The National Lottery has no minimum amount going to good causes and no limits. As a result, over the 25 years it has been in existence, it has had an average return of 25% and £40 billion has gone to good causes. Society lotteries already have a statutory minimum limit. They have to give 20% to good causes. The average is 44%, so the system is working well. On increased transparency, suggested by the right reverend Prelate, the Gambling Commission is looking at increased transparency requirements for society lotteries and will be consulting on that.

[The Earl of Clancarty (CB)]

My Lords, I wonder whether more can be done to publicise the good causes that the National Lottery funds. I am thinking in particular of telling the public at points of sale what has been done at local and regional level.

[Lord Ashton of Hyde]

I am sure that more could be done. I will certainly take that suggestion away. The interesting statistic is that 55% of people who buy society lottery tickets are motivated by supporting a specific charity. On the National Lottery, however, only 15% buy a ticket to support good causes; people want to win large jackpots and life-changing amounts of money.

Sackler Trust: Donations

Debate between Lord Ashton of Hyde and Earl of Clancarty

Wednesday 27th March 2019 Lords Chamber

[The Earl of Clancarty]

To ask Her Majesty’s Government what assessment they have made of the wider implications of the decisions by the National Portrait Gallery and Tate to forgo the intended donations from the Sackler Trust.

[The Parliamentary Under-Secretary of State, Department for Digital, Culture, Media and Sport (Lord Ashton of Hyde) (Con)]

My Lords, the DCMS-sponsored museums operate independently, at arm’s length from government. Therefore, decisions on philanthropic giving and other donations are a matter for the trustees of the respective institutions. Individual sponsored museums and galleries operate their own procedures relating to propriety and ethics, fundraising and charitable objectives.

[The Earl of Clancarty (CB)]

My Lords, first, looking forward, does the Minister not recognise that there needs to be some manner of formal public vetting of donors to our national museums and other institutions in the light of growing public awareness about where the money comes from, particularly with regard to sizeable donations? Secondly, does he not feel that it is high time that government reaffirmed a commitment to the proper public funding of our museums, so that private donations are the icing on the cake rather than something on which museums are now clearly over- dependent?

Theatre Tickets: London

Debate between Lord Ashton of Hyde and Earl of Clancarty

Thursday 28th February 2019 Lords Chamber

[Lord Ashton of Hyde]

My Lords, I completely agree with my noble friend. That is why the Arts Council spends so much money—an increasing proportion in fact—outside London. We are trying to promote the arts in general outside London and the Arts Council is taking very proactive steps to do that.

[The Earl of Clancarty (CB)]

My Lords, has the Minister seen the study by the National Campaign for the Arts which shows that ticket prices in all areas of the arts are rising at a rate well above inflation because of the reliance on earning money from the public through ticket prices? The result is that the demographic has narrowed and attendance overall falls, while regional inequalities are exacerbated. Will the Government now seriously consider increasing public funding to address these concerns?

[Lord Ashton of Hyde]

The Government spend just under £0.5 billion a year on the arts, along with providing £860 million of tax relief for the creative industries, so we are doing a fairly large amount already. My figures are slightly different. UK Theatre has advised that in real terms—thus taking inflation into account—the overall average price being paid for a ticket has risen by 2% since 2013.

Libraries: Closures

Debate between Lord Ashton of Hyde and Earl of Clancarty

Tuesday 19th February 2019 Lords Chamber

[Lord Tope (LD)]

My Lords—

[The Earl of Clancarty (CB)]

My Lords, libraries are not the only public cultural assets suffering from the Government’s continuing cuts to local councils. Is the Minister aware of the intended sale next month by Hertfordshire County Council of 428 artworks, including work by Barbara Hepworth, Julian Trevelyan and other well-known British artists, despite a petition signed by local people to stop the sale? What is the department’s response to this sad and still avoidable selling off of publicly owned work?

[Lord Ashton of Hyde]

I was not aware of that, but I will ensure that the Minister for Arts, Heritage and Tourism is made aware, if he is not already. It is sad when local authorities sell public artworks, but I accept that they have difficult decisions to make, and that is what local authorities are for. The important thing is that decisions that affect local communities should be taken locally.

Data Protection and Privacy

Debate between Lord Ashton of Hyde and Earl of Clancarty

Monday 5th February 2018 Lords Chamber

[Lord Ashton of Hyde]

The noble Lord is right to mention the Kidron amendment—I think it is called that now, by universal approval—which the Government are pleased to support. It is early days, to the extent that the Data Protection Bill has not even had its Second Reading in the other place. However, the ICO is aware of what it will be required to do if this amendment remains in place and is working on that. In the meantime, it is concentrating on the GDPR coming into effect on 25 May, and the work that has to be done to get people up to speed before that date.

[The Earl of Clancarty (CB)]

My Lords, following the question of the noble Lord, Lord Clement-Jones, does the Minister believe that the best place to start is in schools, with personal data taught as part of a statutory PSHE course?

[Lord Ashton of Hyde]

It is very important that all young people are aware of both the opportunities and the dangers associated with the internet and data-driven technologies. To that extent, I agree with the noble Lord.

Youth Orchestras

Debate between Lord Ashton of Hyde and Earl of Clancarty

Thursday 7th December 2017 Lords Chamber

[Lord Ashton of Hyde]

I think the orchestra should check with its insurance broker because I am not sure whether that is a critical factor for travelling orchestras. Much more important is the visa requirements that will be needed after Brexit, and we are working hard with the Home Office to ensure that they are acceptable. The other measure that we are taking is the orchestra tax relief, which allows orchestras to travel.

[The Earl of Clancarty (CB)]

My Lords, is the Minister concerned at the continuing fall in income from the National Lottery—the lottery benefiting youth orchestras alongside other areas of the art—and, if so, what measures might be taken to reverse this trend?

[Lord Ashton of Hyde]

The noble Earl is a doughty champion of the arts, for which I pay tribute to him. Of course we are concerned that lottery receipts are reducing. I believe work is under way to look at that. I do not have the information to hand but the Minister responsible in my department is looking at it very closely.

Brexit: Creative Industries

Debate between Lord Ashton of Hyde and Earl of Clancarty

Wednesday 18th October 2017 Lords Chamber

[Lord Ashton of Hyde]

I absolutely agree with the noble Baroness that the creative industries have been not only European leaders but world leaders. As far as Europe is concerned, we absolutely want them to go on contributing in that way. That will be part of the negotiations. We want them to continue to be part of things such as the European creative fund. With regard to other EU funds, if various industries apply for grants the Chancellor has agreed to guarantee to continue paying those after we leave, until the project’s expiration.

[The Earl of Clancarty (CB)]

My Lords, for many working in the creative industries the most pressing concern is whether they will be able to travel to other countries in Europe at short notice to work. Some UK musicians travel within Europe more than 40 times a year. Surely in that and many other instances—the Minister will be aware that the advertising industry raised this concern yesterday—the implementation of visas will be unrealistic and detrimental to the sector.

[Lord Ashton of Hyde]

The noble Earl makes a good point and we are only too well aware of it. One of my department’s roles is to make sure that the aspects raised by the creative industries are known throughout government, in particular to the Department for Exiting the EU and the Home Office. My department is working closely with the Home Office and the Migration Advisory Committee.

Brexit: Creative Industries

Debate between Lord Ashton of Hyde and Earl of Clancarty

Monday 30th January 2017 Lords Chamber

[Lord Ashton of Hyde]

I do not want to put words into the noble Baroness’s mouth, but I think she was assuming that Parliament would listen to the will of the British people.

[The Earl of Clancarty (CB)]

My Lords, is the Minister aware that the overriding concern for many artists, musicians and performers is the possible loss of free movement both ways, and that the grass-roots co-operation and cultural exchange that are such major factors in the success of the arts might be much diminished as a result?

[Lord Ashton of Hyde]

It would of course be much diminished if people were not allowed to move in connection with the arts, but I do not think that is what the Government are trying to achieve. We want free movement of all people connected with the arts. We want to make that a priority of the negotiations with the EU.

New Art Gallery

Debate between Lord Ashton of Hyde and Earl of Clancarty

Monday 16th January 2017 Lords Chamber

[The Earl of Clancarty]

To ask Her Majesty’s Government whether they will take steps to ensure the future of the New Art Gallery, Walsall.

[The Parliamentary Under-Secretary of State, Department for Culture, Media and Sport (Lord Ashton of Hyde) (Con)]

My Lords, the Government support arts and culture in Walsall through investment by Arts Council England, which is currently working closely with Walsall Council and local cultural organisations on the New Art Gallery’s future, helping culture to continue to flourish in Walsall. Arts Council England met the council in December and awaits the gallery’s application to the national portfolio. Arts Council England has agreed in principle up to £12,000 match funding to explore potential new fundraising and philanthropy opportunities and governance and management models.

[The Earl of Clancarty (CB)]

My Lords, when are the Government going to allow councils enough money to do their job properly? The threat of closure of our regional museums is the direct result of continuing cuts to local government funding. Would the Minister agree that if the New Art Gallery Walsall, a museum of international stature, were to close, it would be a terrible waste of a significant public investment, not least for a region which in these times needs as much support as possible?

Artists: Workspaces in Cities

Debate between Lord Ashton of Hyde and Earl of Clancarty

Monday 19th December 2016 Lords Chamber

[Lord Ashton of Hyde]

My Lords, the Government believe that funding decisions are best made at the local level. We think that local authorities are best placed to decide how to prioritise their spending. However, many local authorities do recognise the value of culture and are still prepared to invest in it because they realise that it brings huge gains. Arts Council England and DCMS are committed to working with local authorities and other partners to encourage the development of affordable workspaces, including through bodies such as creative arts trusts. For example, Arts Council England gives regular funding to Bow Arts Trust which is a GLA example of best practice and partnered by the London Borough of Newham. As well as providing affordable artists’ workspace, it provides learning and participation programmes.

[The Earl of Clancarty (CB)]

My Lords, is the Minister aware that what is new is that artists are being forced out of London altogether which is surely not good for the cultural or communal health of the city? This is in contrast to Berlin, for example, where rent capping encourages artists and others to live and work within the city.

[Lord Ashton of Hyde]

My Lords, we do not want artists to have to move anywhere if they do not want to. That is why I mentioned an example of where we are partnering and using Arts Council England money. But actually it is an ambition of the Government to move more away from London so more Arts Council England money is going to be spent outside London—the Great Exhibition of the North is an example.

Brexit: Creative Industries

Debate between Lord Ashton of Hyde and Earl of Clancarty

Thursday 27th October 2016 Lords Chamber

[Lord Ashton of Hyde]

I am happy to agree with the noble Baroness that the creative industries are one of the great success stories of Britain. They have expanded by 34% since 2010 and now contribute 5.3% of GVA, so they are economically important, quite apart from the important cultural and aesthetic areas of promoting Britain abroad. They are at the top table—Ministers have had many meetings about the creative industries—and even if it was not for the cultural aspects, the fact that they are so important economically means that they are very much at the top table when Brexit is discussed. To show that in some way, the Secretary of State for DCMS is a member of the Cabinet’s economy and industrial strategy sub-committee, which met yesterday.

[The Earl of Clancarty (CB)]

My Lords, does the Minister agree that the free movement of artists and performers on our continent is a cornerstone of the creative industries? This is not just because of an international labour market but because of an established co-operation, meaning movement in both directions. If the right to work, travel and study abroad freely is removed, it will be hugely damaging.

[Lord Ashton of Hyde]

I think it is very important that people who are involved in the cultural aspects of life can move freely and exchange ideas. I agree with the noble Earl. Interestingly, only 6.2% of people who work in the creative industries come from the EU.

Cultural Property (Armed Conflicts) Bill [HL]

Debate between Lord Ashton of Hyde and Earl of Clancarty

Tuesday 6th September 2016 Lords Chamber

[The Parliamentary Under-Secretary of State, Department for Culture, Media and Sport (Lord Ashton of Hyde) (Con)]

My Lords, it is a great pleasure to respond for the Government to the noble Earl’s amendment, especially as I hope to give him an answer that he will approve of. I am very conscious that I have come late to this Bill and that many noble Lords did sterling work at Second Reading and in Committee, not least my noble friends Lady Neville-Rolfe and Lord Courtown, to whom I am very grateful for getting us this far. And now, before the Deputy Chief Whip intervenes to say that I am breaking the rules for Report, I shall return to the noble Earl’s amendment.

I recognise that there are concerns in some quarters about the differences in terminology between the titles of this Bill, the convention and the Second Protocol, and the potential for confusion that this may cause. My noble friend Lady Neville-Rolfe explained in Committee that we have used the term “breach” in the titles of Part 2 and Clause 3 because that is the more widely recognised term in English law and the meaning in this context is the same. However, we have listened to the points made in debate by noble Lords, and I am pleased to inform your Lordships that the Government have agreed to change the word “breach” to “violation” in the titles of Part 2 and Clause 3 when the Bill is next reprinted, which, I believe, will be before it goes to the other place. Therefore, it will now say, “Offence of serious violation of Second Protocol”.

I hope this will fully address the concerns that the noble Earl and the noble Lord, Lord Stevenson, have raised. In the light of this commitment from the Government to change the titles, I hope the noble Earl will withdraw his amendment.

[The Earl of Clancarty]

My Lords, I thank the Minister for agreeing to make the changes to the headings. This is a small amendment but one that strengthens the Bill. On the understanding that the headings of Part 2 and Clause 3 will be amended as has been promised, I beg leave to withdraw Amendment 1.