Data (Use and Access) Bill [HL]

Earl of Dundee Excerpts
Lord Rooker Portrait Lord Rooker (Lab)
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My Lords, this is my first contribution on this Bill, although I have sat in every debate on this issue going back to Committee. I do not have a creative nerve in my body—I have nothing to declare—but my life and those of hundreds of millions of others have been enhanced by writers, actors and music-makers across the world.

It is sad in a way—and this is not a criticism of anybody personally who is around at the present time—that the nature of Labour in Parliament has changed. When I arrived in the Commons 51 years ago, on the Labour Benches was Maurice Edelman, 30 years there from 1945, a writer of fiction and non-fiction of note. My near neighbour, parliamentary-wise, was Andrew Faulds, who was already in; he played Jet Morgan in “Journey into Space” and Carver Doon in the series of “Lorna Doon”. In fact, I have been wondering in the last couple of days, knowing I was going to refer to him, how the little people—the little helpers for the Prime Minister in the Whips’ Office in the other place—would cope with Andrew today. He was a formidable character who could scare the life out of his friends.

Thirty years after that, I joined this place. Ruth Rendell was on the Benches. David Puttnam, the world-renowned producer, joined some years later, and we have my noble friend Lord Cashman. I make this personal. I do not speak for any of them and have not spoken to anybody about what I was going to say, although I indicated my view to the noble Baroness, Lady Kidron, at the weekend. But I am being asked to deliver wholesale—I have to say that I have a bit of criticism about delivery—the work of these people to big tech. I am not doing it. I have not the slightest intention of doing it, which is why I shall vote for this amendment.

Earl of Dundee Portrait The Earl of Dundee (Con)
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I too support the noble Baroness.

As I said at the previous stage of this Bill, it surely goes without saying that our United Kingdom copyright law has to counter the increasing theft of intellectual property by artificial intelligence companies.

As the noble Baroness’s present amendment illustrates, we should provide transparency criteria that would allow copyright holders to identify when and from where their work has been taken. I am sure that all your Lordships will agree with that aim, as well as being well aware of the strong human rights back-up support to us from the 46 states’ affiliation of the Council of Europe, of which the United Kingdom remains a prominent member and of whose education committee I am a recent chairman.

As many of your Lordships know, first and foremost, Article 8 of the European Convention on Human Rights protects the right to privacy, including of personal data. Article 1 of its initial protocol protects property rights, including intellectual property rights and copyright.

Secondly, Article 5 of the Council of Europe Convention on Cybercrime prohibits system interference by, for example, the transmission of computer data, while its Article 10 stipulates

“Offences related to infringements of copyright and related rights”.

Thirdly, Article 11 of the 2024 Council of Europe Framework Convention on Artificial Intelligence and Human Rights, Democracy and the Rule of Law safeguards privacy and personal data.

Regarding copyright protection in recent centuries, and as emphasised at an earlier stage of our discussions on this Bill, we can be justly proud of our own United Kingdom record, beginning, as is well known, with the Statute of Anne 1710, which granted legal protection to publishers of books.

In the interests of those both here and abroad, we must now uphold the high standards of that tradition. The United Kingdom should guide the good practice. Here, today, supporting the noble Baroness’s amendment is a clear example of our ability so to do.

Baroness Freeman of Steventon Portrait Baroness Freeman of Steventon (CB)
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My Lords, I will speak briefly on the amendment from the noble Baroness, Lady Kidron. I will be brief partly because it is such a simple amendment: it would just put the principle of the transparency of these models in the Bill. We need to know what goes into these models for two reasons. The first is so that any form of copyright can be prosecuted. At the moment, how can we know that even our current copyright rules have been broken if we do not know what goes into these models? It does not matter whether the Government are thinking about changing the copyright rules. Whatever copyright rules we have, we need to know what is being used in the models.

The second reason is the outputs of these models. We need to know on what they were trained in order to know their strengths and weaknesses. The noble Lord, Lord Vallance, himself said this in answer to a question from my noble friend Lady Coussins during Oral Questions on Tuesday: if the data that has gone into the model is not transparent, we cannot ascertain its strengths and weaknesses without extensive proxy measurements and probing.

On these two principles, it is vital that this simple amendment goes through today. That it has some added benefits from being able to legislate separately for small and medium-sized enterprises, micro-businesses and UK businesses just adds to the fact that this amendment has been carefully crafted to give us exactly what we need in the Bill today.