Covid-19: Support for Entertainment and Music Industry Freelancers

Baroness Bonham-Carter of Yarnbury Excerpts

Monday 9th November 2020 Lords Chamber

[Baroness Barran (Con)]

I am happy to have as many goes as it takes. I understand the noble Baroness’s persistence on this point. To reiterate: we have the Self-employment Income Support Scheme; I acknowledge that not everyone is eligible for it. We have a major funding package for the sector, which we hope will restart work as quickly as possible. It not quite fair for the noble Baroness to speak of “no support at all”; we have adapted the welfare system so that the self-employed can access universal credit in full to get support as quickly as possible.

[Baroness Bonham-Carter of Yarnbury (LD)]

As the Minister has heard so often, many people who work in the creative industries are self-employed. While the government support is welcome, many cannot access it, and potentially, greater problems are coming down the line. Does the Minister not accept that unless we get a good EU-UK deal, the creative industries face another crisis imminently? With the talks restarting today, will she confirm that a priority for the Government is an easy-to-obtain creative visa for freelancers to enable the movement of talent and skills in the sector? We have very little time. Can the Minister give us an update?

[Baroness Barran (Con)]

The Government absolutely recognise the importance of touring for musicians and other creative talent from this country. We continue to seek a reciprocal agreement with the EU, which would allow UK citizens to undertake some business activities in the EU without a work permit on a short-term basis. Unfortunately, however, I cannot comment on the detail of these arrangements.

Covid-19: Cultural and Creative Industries

Baroness Bonham-Carter of Yarnbury Excerpts

Monday 26th October 2020 Lords Chamber

[Baroness Barran (Con)]

The noble Lord is right that culture and the arts play an important part in our mental health and sense of well-being. That is why we have worked so hard with the sector, providing guidance on reopening; we are now permitting indoor performances with socially distanced audiences. We continue to look at a variety of ways, including wider use of testing and better ventilation so that we can achieve exactly what the noble Lord hopes for.

[Baroness Bonham-Carter of Yarnbury (LD) [V]]

I join the noble Lord, Lord Colgrain, in thanking the noble Baroness’s department, Arts Council England and others for the grants and funding given during this crisis. However, a major stumbling block for those wanting to put on live events or planning them for the future is the availability of affordable contingency insurance. I know the noble Baroness has been asked this before, but please could she and her department work with theatres, venues and insurers to get a solution in place? A precedent exists in the form of cover that was needed for terrorism acts insurance in the 1990s and early 2000s, when the Government stepped in and intervened.

[Baroness Barran (Con)]

Again, I thank the noble Baroness for her kind words regarding the Cultural Recovery Fund. With regard to government-backed insurance, particularly for theatres, the same applies across the arts. There is a very high bar for intervention in the insurance market, and the Government would need to be absolutely clear that access to insurance is the remaining obstacle to reopening if they were to intervene. However, we continue to work with UK Theatre and colleagues in the Treasury and others so that we leave no stone unturned.

Covid-19: Creative Industries

Baroness Bonham-Carter of Yarnbury Excerpts

Tuesday 22nd September 2020 Lords Chamber

Asked by

[Baroness Bonham-Carter of Yarnbury]

To ask Her Majesty’s Government what steps they are taking during the COVID-19 pandemic to support diversity in the creative industries.

[The Parliamentary Under-Secretary of State, Department for Digital, Culture, Media and Sport (Baroness Barran) (Con)]

My Lords, the Government are committed to supporting diversity in the creative industries throughout the Covid-19 pandemic and beyond. The £1.57 billion culture recovery fund announced in July provides support for cultural and creative organisations, with funding decisions informed by work that delivers social benefits and encourages diversity in both the workforce and audiences.

[Baroness Bonham-Carter of Yarnbury (LD) [V]]

I thank the Minister for her Answer. As she knows, many freelancers in the creative industries are still having a problem accessing support. There is talent everywhere in this area, but that cannot be said for opportunity. Those from diverse ethnic and economic backgrounds, and the disabled, are being particularly hard hit. The Minister mentioned the Government’s commitment to impacting on diversity and equal opportunity through the recovery package. However, considering the Government’s commitment to levelling up, can she inform the House of the department’s specific assessment in this area?

[Baroness Barran (Con)]

I share the noble Baroness’s view that there is talent everywhere and that our creative industries have been an extraordinary success. On the cultural recovery fund, there is within it a priority of focusing on projects that help deliver on levelling up and on organisations that have a track record of social benefit.

Covid-19: Performing Arts

Baroness Bonham-Carter of Yarnbury Excerpts

Monday 13th July 2020 Lords Chamber

[Baroness Barran]

I am happy to take the noble Baroness’s suggestion back to the department.

[Baroness Bonham-Carter of Yarnbury (LD) [V]]

My Lords, I declare my interests as laid out in the register. Does the Minister accept that, despite the generous and much-appreciated cash injection for the sector announced last week, unless we get the EU-UK deal right post Brexit—and now, post the possibility of an extension—and in particular the right deal on movement of talent and skills, the creative industry faces another crisis and imminently? Are the Government working on a creative freelance visa to maintain access to EU talent and reduce red tape and costs for performers and creatives?

[Baroness Barran]

The noble Baroness is right that travel and working within the EU have been important for freelancers in many artistic disciplines. I remind her that we have been clear that we are not asking for anything special in relation to freelancers, but to replicate some of the deals that have been struck with other countries.

Arts, Culture and Heritage: Support Package

Baroness Bonham-Carter of Yarnbury Excerpts

Wednesday 8th July 2020 Lords Chamber

[The Parliamentary Under-Secretary of State, Department for Digital, Culture, Media and Sport (Baroness Barran) (Con)]

I am grateful to the noble Lord for welcoming the package of £1.57 billion of new money for the arts and culture that has been announced. I can reassure him that the plan for the package is not just to prioritise the largest institutions, although they are very important and £100 million is set aside for them, but to nurture the ecosystem of arts and culture organisations, which will also have important implications for freelancers in the sector and for the whole supply chain. As regards getting the funds out quickly, I can reassure the noble Lord that colleagues are working tirelessly to do that as fast as possible.

[Baroness Bonham-Carter of Yarnbury (LD) [V]]

I welcome this excellent news and thank the Secretary of State and his team, including the noble Baroness, at the DCMS. It is a generous package, and it shows a listening department. Can the Minister confirm that funding decisions will reflect existing priorities within the arts—she just mentioned in her Answer that it was understood that funding for creatives in the regions was important—but also the encouragement of inclusivity and diversity in both the workforce and audiences?

[Baroness Barran]

To clarify in response to the noble Baroness’s question on priorities, there are three priorities that we need to balance in deciding where this funding goes. We want to protect our nationally and internationally significant institutions but we also know that there are important institutions which are critical for our levelling- up agenda in places and communities all round the country, and we also want to prioritise those that are key drivers of economic growth. Therefore, there will be some balancing and some choices to make. On inclusivity, the noble Baroness is right that we will aim to support a diverse range of organisations; funding decisions will look at organisations’ track record of inclusivity as regards audiences and those delivering the arts.

Television Licences

Baroness Bonham-Carter of Yarnbury Excerpts

Monday 6th July 2020 Lords Chamber

[The Deputy Speaker (Lord Lexden) (Con)]

Lord Caine. No? Then I call Baroness Bonham-Carter of Yarnbury.

[Baroness Bonham-Carter of Yarnbury (LD) [V]]

I am sure that the Minister agrees that the BBC has proved its gold-dust weight during this crisis of the Covid pandemic and lockdown, providing a reliable source of national and local news for all, an essential aid to those home-schooling, and solace and entertainment for the lonely and elderly. In which case, why do the Government not take back responsibility for the licence fee concession for the over-75s, introduced by a Labour Government in which the noble Lord, Lord Foulkes, served, as something to be paid for by the Government, not by the licence fee payer, and which the BBC was, frankly, forced to take on? Does she not agree that not doing so means that the BBC will inevitably have to cut back on the essential services I have referred to?

[Baroness Barran]

The noble Baroness is right to say that over the past few months, the BBC has certainly provided high-quality information, education and entertainment, and has shown great agility in its response. However, I do not accept the second part of her question. The framework for negotiating the next stage in terms of the licence fee with the BBC will be settled by the end of next year, and I am sure that a number of these issues will be taken into consideration.

Covid-19: Orchestras and Cultural Venues

Baroness Bonham-Carter of Yarnbury Excerpts

Wednesday 1st July 2020 Lords Chamber

[Baroness Barran]

The Government understand the hybrid nature of the way the arts sector is funded in this country and are keen to encourage funding from many different directions. The noble Lord asked about the scale of ambition. He will be aware that the Secretary of State has set up the Cultural Renewal Taskforce, which includes a range of leading thinkers and experts in this field. Its report will be very important to influencing the scale of our ambition.

[Baroness Bonham-Carter of Yarnbury (LD) [V]]

I declare my interests as a trustee of The Lowry and One Dance UK. The situation in which cultural venues find themselves is dire, especially without specific dates in the recovery plan. However, does the Minister accept that this goes further? Many organisations do not have a permanent home and rely on touring, such as dance troupes, theatre companies, festivals and so on. They should not be overlooked and need to be supported as well. Will the Minister commit to ensuring that the Government do not conflate the two? Also, if we do not get the EU-UK deal right, does she not accept that these organisations will face another catastrophe in a few months’ time?

[Baroness Barran]

The noble Baroness has raised an important point about clarity of timing. The Secretary of State recently revealed a five-stage road map that will allow the performing arts sector to get back up and running, and more detailed guidance will be published shortly. She has also raised a question about organisations that do not have a permanent home and are touring. First, we will obviously endeavour to ensure that they do not, in her words, fall through the cracks. We are also working with organisations to be innovative, including being able to perform out of doors.

Covid-19: Television Licences

Baroness Bonham-Carter of Yarnbury Excerpts

Tuesday 2nd June 2020 Lords Chamber

[Baroness Barran]

I can only repeat that it is the responsibility of the BBC to decide whether or not to extend the concession. This point was debated extensively in both Houses under the Digital Economy Act, and that responsibility remains with the BBC. As I said earlier, we hope that it will remain flexible on this point.

[Baroness Bonham-Carter of Yarnbury (LD)]

I am sure the Minister agrees that the BBC has once again proved invaluable at a time of crisis. Does she not accept that when jobs in the creative sector are in such severe jeopardy, allowing the continued loss of funds for the BBC will severely harm any recovery there? Does she accept that this policy actually penalises the licence fee payer twice over, both in paying the concession and in putting the existence of the programmes that they value—and indeed rely on—at risk?

[Baroness Barran]

The noble Baroness is absolutely right that the BBC has played a vital role in informing, entertaining and particularly, most recently, educating the nation during this pandemic. However, I do not accept that we are putting the creative industries at risk. As she knows, this Government have really prioritised the growth of the creative industries. We work extremely closely with them and unquestionably see their value to this country.

Covid-19: Museums, Galleries and Historic Buildings

Baroness Bonham-Carter of Yarnbury Excerpts

Thursday 21st May 2020 Lords Chamber

[Baroness Bonham-Carter of Yarnbury (LD)]

I declare an interest as trustee of the Lowry and of One Dance UK. The subjects of this debate are important because of their essential contributions not just to the economy but to the healing process following this crisis. I welcome the Cultural Renewal Taskforce, but will the Government give clarity as to when museums and galleries will be able to open? Uncertainty makes planning almost impossible. Does the Minister appreciate the knock-on effects on artists who rely on these institutions, as well as on others who work for them? The majority are freelancers and many are unable to furlough; will the Government look at targeted support? Further, will the Minister put the case to the Treasury for a contribution of the self-employed income support scheme in line with the extension of the job retention scheme?

Venues such as the Lowry play a significant role in using the arts as a tool to support the vulnerable and successfully break cycles of deprivation. Does the Minister agree that this outreach and support is all the more essential today? For so many reasons, these institutions must be supported. They must survive.

Cairncross Review

Baroness Bonham-Carter of Yarnbury Excerpts

Thursday 6th February 2020 Lords Chamber

[Baroness Bonham-Carter of Yarnbury (LD)]

My Lords, I join the noble Lord in thanking the noble Baroness, Lady Kidron, for this debate. Its popularity means that we will have to do speed debating, as the noble Lord, Lord Birt, once suggested. We welcome the Government’s positive response to supporting Nesta’s pilot innovation fund, focused on improving the supply of public interest news, and we welcome that the Government are considering removing VAT on digital news publications. We on these Benches would like VAT to be removed from all digital publications. Please include e-books as well. Does the Secretary of State not agree?

We welcome the initiative to develop an online media literacy strategy and that the Government accept that social media and news aggregation platforms and companies have a duty of care to co-operate in creating a sustainable environment for news in the digital age. The online harms White Paper is referred to as the vehicle, but where is the Bill? Will the Secretary of State enlighten us on that?

The Cairncross Review is concerned about the sustainability of good journalism. Since the Government are intent on getting rid of suggested mechanisms to expose and punish unethical and illegal conduct, and establish incentives for news publishers to produce quality journalism, how do they intend to go forward? The Secretary of State says in her response that:

“At the heart of any thriving democracy is a free and vibrant press.”


None of us here would disagree with that—nor, I am afraid, with her when she continues:

“in this country its future is under threat.”

However, we might disagree about exactly how and why.

This is a turbulent time for the press. Quite apart from the backdrop to the Cairncross Review of unprecedented challenges to the future of news provision, buffeted by internet competition that represents on the one hand a financial pincer movement and on the other competitive and often fake news, the cornerstone of our “free and vibrant press” that is public service broadcasting is under attack from the Government. The PM’s communications team has banned Ministers from appearing on BBC’s “Today” programme, although I noted that the Secretary of State was allowed to take part this morning, if only, in her characteristically gentle way, to threaten the BBC. The Government have boycotted ITV’s “Good Morning Britain”, and declined to appear on Channel 4 since before the election. How does that behaviour allow journalists to do what she correctly states is their “vital” purpose; namely, of

“holding power to account and keeping the public informed of local, national and international issues”?

Returning to the BBC, which is under attack when it is needed more than ever, the Secretary of State uttered supportive words, but it is actions that matter. Will she confirm that the BBC’s scope and mission will not be changed by the Government before the next charter review, and that she will listen to her noble friend Lord Grade about decriminalisation of the licence fee? The other day, the noble Lord, Lord Puttnam, told us to beware of the slippery slope. Will she listen to him?