(3 years, 4 months ago)
Lords ChamberTo ask Her Majesty’s Government what plans they have for the future (1) funding, and (2) governance, of Channel 4.
My Lords, I am tempted to invite the noble Lord, Lord Watson, to respond. As part of their ongoing strategic review of the UK system of public service broadcasting, the Government will be consulting on the future of Channel 4, including its ownership model and remit. A fast-evolving media landscape, increasing competition and changing audience habits pose imminent challenges. Moving Channel 4 into private ownership and changing its remit could help secure its future as a successful and sustainable public service broadcaster.
Does the Minister accept that for the sale of Channel 4 to bring in the amount of money that the Government are talking about, the remit will have to change? At the very least it would have to be watered down, with disastrous consequences for our public service broadcasting sector and the wider creative economy. No change to the remit means no real profit for the Government, so why do it? Could this be ideologically driven rather than economically—something to do with a melting ice sculpture?
I do not think it is anything to do with a melting ice sculpture. The Government are committed to having a thriving PSB sector. I know the noble Baroness understands full well what the trends are in advertising revenues for linear television. We are trying to address that and make sure that Channel 4 has a secure, sustainable and thriving future.
(3 years, 4 months ago)
Lords ChamberMy Lords, I think the Minister agrees that FoI exemptions are afforded to the BBC and other PSBs so that they can correctly maintain editorial control. Does she also agree that nothing should be done that might prejudice journalistic integrity, and that BBC journalists should have exactly the same protection of their sources as those working, for instance, for the Daily Mail?
I hear the noble Baroness’s point. What is perhaps behind the Question from the noble Baroness, Lady Hoey, is perceptions of impartiality concerning the BBC. The noble Baroness will be aware that both the new chairman and the new director-general have made addressing those perceptions a priority.
(3 years, 5 months ago)
Lords ChamberIt is obviously up to the board of the BBC to determine the scope of the review. I am sure the noble Baroness has seen the letter today from the chief executive of Ofcom about its work in this area. It is all part of an effort to rebuild trust in the BBC after the dreadful events revealed by the Dyson report.
My Lords, we welcome the fact that the Government agree that, in an era of fake news, public service broadcasting has never been more important. The Bashir story is truly shocking, but I worked as a journalist at the BBC for many years and know that the vast majority abide by the values and principles that make it such a respected institution at home and abroad. This is not a time, as the Secretary of State said, for knee-jerk reactions. While I wholeheartedly condemn these events, does the Minister not agree that they must not be used as an opportunity to undermine the BBC’s independence or the principles of universality that so importantly underpin it?
We absolutely agree—we want a strong and successful public broadcasting system, and that needs the BBC to be a central part of it. As my right honourable friend the Secretary of State made clear in his recent article in the Times, there will be no knee-jerk reaction.
(3 years, 6 months ago)
Lords ChamberMy noble friend is right that the issue of indemnity cover cuts across a range of sectors. The Government have supported the sports sector both by allowing events to take place behind closed doors and through the £600 million sport survival fund.
My Lords, in response to my Question yesterday, as the noble Lord, Lord Stevenson mentioned, the Minister said that the Government were
“aware of the wider concerns around indemnity for live events and are trying to understand the market failure and how it impacts on different forms of live events.”—[Official Report, 26/4/21; col. 2074.]
Is it not simple? Does not this admission of market failure mean that intervention can be justified and should be acted upon?
I am sure the noble Baroness would agree that before taking that decision we need to understand the impact on infection rates of removing or amending social distancing, not using masks, the role of certification and the impact of allowing global travel, which all have a bearing on the viability of these events.
(3 years, 6 months ago)
Lords ChamberTo ask Her Majesty’s Government what assessment they have made of the impact of COVID-19 on the levelling up agenda in relation to the creative industries sector.
My Lords, our creative industries are a global success story, growing at four times the UK average before the pandemic struck. While the pandemic has had a heavy impact, particularly on audience-facing subsectors, the Government have provided them with unprecedented levels of support through the £1.57 billion cultural recovery fund and the £500 million TV and film production restart scheme. Both these schemes have supported businesses across the UK and will help to ensure that the sector can return to growth as soon as public health conditions permit.
I thank the Minister for her reply. The Budget included the levelling-up fund, which drew attention to the importance of the creative sector in this endeavour, so why are the Government so resistant to working with the industry to create a scheme for insurance cover for festivals and live events? Without this, and as long as the threat of the pandemic continues, events that are so important to local economies and local jobs will not happen this summer. Does the Minister agree that in preventing such an insurance scheme the Government are taking a backwards step in their bid to level up the country?
The Government absolutely do not accept that we are taking any backwards step, either in support of the creative industries or in relation to levelling up. We have offered substantial practical help through setting out a very clear road map and identifying an events research programme to get those events going. We are aware of the wider concerns about securing indemnity for live events and are continuing to explore what further support we can offer.
(3 years, 7 months ago)
Lords ChamberAs I am sure the noble Lord is aware, the issue is more complex than simply visas; work permits also play an important part. As I mentioned, our original offer worked for our creative professionals and we will continue to try to streamline their ability to tour.
My Lords, post-Brexit mobility regulations are a problem not just for students but for those who teach them, many of whom come from the EU. What is being done to make teaching in the UK cost effective for them, and less of an administrative and financial burden for British institutions? Without access to such culturally diverse teachers and training, our future talent pipeline will be seriously disadvantaged.
The noble Baroness asks a very specific question. As I mentioned, our rules around visiting this country for creative professionals, which would include teachers, are more generous than in the vast majority of EU member states. If there is further to add on that, I will write to the noble Baroness.
(3 years, 8 months ago)
Lords ChamberAs I said to other noble Lords, we are considering all the elements in detail and all the barriers to taking up the support offered. A further announcement on this will be made by the Treasury in the Budget.
Happy birthday to all as well, and for once I suspect that the noble Baronesses wish they were a bit older so that they could get the jab. Last week we saw British talent triumph in the nominations for the Golden Globes. We cannot risk losing this vibrant sector, which contributes so much to our economy and world standing, but that is what we are heading towards. As my honourable friend Jamie Stone has repeatedly highlighted in his campaign “Gaps in Support”, so many of those facing this plight are from the creative industries. Does the Minister recognise that there should be more targeted financial help for this group? Can she say what exactly the Government are doing about this?
I feel as though I should have birthday cake on the Dispatch Box. Of course our understanding and our approach needs to evolve as our understanding of the pandemic and its impact evolves. We have aimed to tackle this from all directions by supporting our institutions with a major funding package, having a very broad job support and self-employed support scheme, and giving targeted support to individuals—particularly from the Arts Council, which has distributed £47 million in England alone.
(3 years, 9 months ago)
Lords ChamberAs the noble Baroness has heard me say at the Dispatch Box on several occasions, we are exploring individual options to try to ease the process for our musicians and creative artists, but there are no current plans such as the one that she suggests.
My Lords, I welcome the dialogue between the Minister’s department and the industry. Not just musicians but professionals from other creative industries rely on touring and now face this extra bureaucracy when moving between the EU and the UK. Can the Minister say whether moving equipment—whether musical instruments, scenery, merchandise or artefacts—by truck or cargo will require carnets between Great Britain and Northern Ireland? The Northern Ireland protocol makes no mention of temporary import/export.
Given the sensitivities around arrangements with Northern Ireland at the moment, if I may, I will double-check and confirm to the noble Baroness. My understanding is that artists and organisations based in Northern Ireland will not be required to obtain ATA carnets or musical instrument certificates when touring in the EU, because the protocol means that Northern Ireland is part of that regulatory environment.
(3 years, 10 months ago)
Lords ChamberWe are making slow progress on this Question. I call the noble Baroness, Lady Bonham-Carter of Yarnbury.
My Lords, the allocation last week of more from the culture recovery fund was received with relief by many venues, but performing arts production is not a tap that you can just turn on and off. The news yesterday that London is going into tier 3, as mentioned by the noble Lord, Lord Flight, has caused great anxiety. Can the Minister confirm that cultural venues will be eligible to receive tier 3 local restrictions support grant compensation?
My understanding is that that is the case, but I will write and confirm to the noble Baroness if that is incorrect.
(3 years, 11 months ago)
Lords ChamberTo ask Her Majesty’s Government, further to the report by Ofcom Review of prominence for public service broadcasting: Recommendations to Government for a new framework to keep PSB TV prominent in an online world, published on 4 July 2019, what plans they have to introduce legislation to ensure the prominence of public service broadcasting online.
My Lords, the Government have engaged with industry to understand fully the impact of Ofcom’s proposals. The Government remain committed to acting on Ofcom’s prominence recommendations, including through legislation. It is important to ensure that prominence and the balance of benefits and obligations support a sustainable future for PSBs. These issues will be considered as part of the Government’s strategic review of PSBs, where we will set out the next steps next year.
I thank the Minister as usual for her response. As stated in the Ofcom report published yesterday on the future of PSBs, viewers of all ages and backgrounds value PSBs. The pandemic has highlighted their importance as trusted sources of information, and they will be equally important going forward into a vaccine phase. Does the Minister agree that for viewers to continue to be able to find them across the many connected, ever-changing devices that now exist, they must be kept prominent? Otherwise, what we watch will be dictated by the interests of global tech giants, not the interests of our society. Can the Minister reassure the House that this Government are committed to public service broadcasting, that they recognise that introducing this long overdue—
I am afraid that the noble Baroness has been asking for far too long. Can we please keep questions short to give everybody a chance to ask their question?
Introducing this long-overdue legislation is urgent, and can the Government say when they will do so?
I will reiterate briefly what I have already said. Of course, the Government have always supported public service broadcasting and continue to do so. We are conducting a wide-ranging review but remain committed to legislation in relation to prominence.