Local Museums

Wera Hobhouse Excerpts

Thursday 5th March 2026 Westminster Hall

[Wera Hobhouse (Bath) (LD)]

It is a pleasure to serve with you in the Chair, Ms Lewell. What a wonderful debate we have had this afternoon. From Egyptian mummies and vampires to castles and royal pump houses, from the history of textiles and shipbuilding to Captain Cook and the Cutty Sark, the whole colourful history of our country has passed through our mind’s eye this afternoon.

We all agree that local museums are cultural anchors that connect people, place and history. Museums support our local economy by driving tourism, creating jobs and encouraging visitors, but foremost they are there for the enjoyment of the people who live near them. In 2023, the independent museum sector alone contributed nearly £900 million to the UK economy and attracted almost 20 million visitors.

The sector supports thousands of jobs, alongside more than half a million volunteer days. It is important to dwell on the volunteers; of course they provide an important local service for all of us, but they also love what they do, and they are so connected to their local place. In Bath, we are so fortunate to have a plethora of museums—large, such as the Roman baths, and small, such as the Museum of Bath Stone. Together, they celebrate our rich heritage and tell the story of our people.

The Museum of Bath at Work is a particular standout. That independent, self-funded museum is housed in a grade II listed real tennis court. It operates with just one permanent member of staff, but is supported by over 40 volunteers, including working trustees and friends. Last year, it staged an exhibition on tennis in Bath, which won a national sporting heritage award for research. This year, it is planning exhibitions on cinema and film. All that is done without a single penny of financial support from the Government.

The Roman baths are so popular that they received a 93% enjoyment score—whatever that is, and however it is measured—which is the highest ever. Victoria Art Gallery celebrated its 125th anniversary this year and made major investments, including the launch of a dedicated community engagement and school room. Bath council is in the process of bringing together £54 million for a new fashion museum in Bath—I am particularly excited about that, because I like fashion. It will hopefully open in 2030 and will be a fabulous place to show the transformative power of fashion, stimulate the local and regional economy, and inspire citizens like me. I am sure I will be one of the first through the doors. We have to remember that fashion is not just for the people with money, but what do every day—we wear clothes and we create fashion.

We also have the American Museum, which is set within 125 acres of outstanding natural beauty. Apart from telling the history of America in a very engaging way, it showcases colourful and beautiful American decorative arts to UK audiences and helps to reduce the perception that we have of America as a bang-bang culture of cowboys—I blame Hollywood for that. That mission is all the more important today.

In Bath we are so lucky, but the picture nationally is far more sober. Decades of local authority funding cuts leave local museums unable to open their doors or plan for the future. As non-statutory services, museums are too often the first to go. Councils face impossible funding choices. Spending on museums fell by 27% between 2009 and 2020—a shocking legacy of the last Conservative Government. A study published by the Mapping Museums Lab documented that, across the UK, over 500 museums have closed in the last 25 years.

When such valuable cultural assets vanish, it affects some of the most disadvantaged in our society. Children from more deprived backgrounds are already significantly less likely to visit museums. They are less likely to have parents who take them, to attend a school with the budget for trips, and to live near a major national museum, so the small local museum might be the only point of cultural contact available to them. If such museums are forced to close, we are not just losing buildings; we are pulling up the ladder and telling whole communities that their history does not merit preservation, that culture is something that happens elsewhere and that heritage is only for those with money.

The economic case for keeping our museums open is compelling, and the social case is equally strong. Museums improve wellbeing, reduce social isolation and strengthen community cohesion, and volunteers find community and purpose in them—but I want to dwell on education. Local museums offer something that national institutions cannot: proximity. A child visiting a local museum is not learning about history in the abstract; they are learning about the people who lived in their own town or city, worked their land and built their streets. That sense of belonging to a story that stretches back centuries matters enormously for how young people understand themselves and their place in the world. Many schools build museum visits into their curriculum because they are fun and different from what happens in a classroom. Many schools’ trips are now under enormous pressure, but trips to the local museum are inexpensive. It may be the only cultural institution that a child visits all year, and for some children it will be the first time they have been to a museum.

In this country, culture is not equally distributed. Access to museums, galleries, theatres and heritage sites is closely linked to income and social background. We need a fair deal for funding local authorities that properly reflects the value of cultural services. The Government must place far greater emphasis on heritage and local history as a public good. Every community deserves a museum. Every child deserves access to their heritage. That should not depend on where they live, how much money their family has or whether enough volunteers can hold things together for just one more year. I urge the Government to act before more of our local museum treasures are lost for good.

--- Later in debate ---

[Wera Hobhouse]

Since we have a little time, we should congratulate the whole sector for making museums so much more engaging and fun. I remember being dragged to museums when I was young. They were boring places to be, and I could just about survive for half an hour. These days, museums are places where people really want to stay, because the whole sector has been transformed into something with which everybody can engage. We should take this opportunity to congratulate the museum sector for all it has done in the last generation.

[Ian Murray]

We should congratulate everyone involved. The way that we curate and develop museums is renowned across the world. Many countries look to the UK for the expertise to build their own capability, because we do the best museums and exhibitions in the world and have the best skills. Congratulations to all of them.

My hon. Friend the Member for Stoke-on-Trent South wants to talk about the Lunar Gardens project. Baroness Twycross will be delighted to talk to her about that, and we will make sure my hon. Friend has an appropriate meeting in place as soon as possible.

My hon. Friend the Member for Derby North (Catherine Atkinson) talked about her three children, and how museums are a key component of the local community and education. She also talked about entertainment and telling the stories of the past that shaped future generations. I have a five-year-old and a one-year-old, and my five-year-old loves being in museums. He loves looking at the exhibitions, but he loves just being in big spaces he can enjoy and run around in. I do not know if Dracula is a son of Derby, but it is something that we should perhaps debate further, maybe in an Adjournment debate with the lights out.

My hon. Friend the Member for West Dunbartonshire (Douglas McAllister) is absolutely right that Denny’s shipyard built the Cutty Sark, and it celebrates the proud innovation and heritage of shipbuilding on the Clyde. It might not be an entirely accurate statistic, but I think I am right in saying that, 150 years ago, 90% of the ships sailing anywhere in the world were built either on the Clyde or somewhere near the Clyde. That innovation and heritage has to be respected and celebrated. He rightly talked about the local pride of maintaining and developing local museums that tell local stories. I think the statistics show that 89% of adults say that museums are important to their local pride and local culture.

My hon. Friend the Member for Middlesbrough South and East Cleveland (Luke Myer) said that Captain Cook would probably have been a constituent 300 years ago. I would probably describe him as an L5Y—only half the Chamber will know what I am talking about. Again, Baroness Twycross will be delighted to meet my hon. Friend to talk about some of the issues he has with museums in his constituency. He said something important that sums up the whole debate: “Some museums are small in scale but enormous in impact.” That is great for telling local stories. It is the impact on young people, schools and heritage that he is talking about. He also talked about the Land of Iron getting a national title. Arts Council England, via accreditation, will consider all requests from museums to become nationally styled where they have a strong story and strong case to make.

On the Captain Cook Museum, Middlesbrough council museums were awarded £240,000 from the museum renewal fund last year, and the Land of Iron was awarded a MEND grant worth £650,000 in February last year, so we are supporting those museums. For the hon. Member for Bath, we had 93% satisfaction for her speech as well. She talked about what is happening with the Bath museums, and she talked about museums closing and the delicate position that many local museums, particularly smaller ones, are in.

I do not want to diminish the seriousness of a lot of the stories we have heard about our local museums, but an independent academic study has found that since 2000 the number of museums in the UK has risen. Despite the 500 closures since 2000, there have been more new museums in the UK, although it has plateaued since about 2015-16. There is a lot of work to do, but it is not all bad news in our museum sector. Arts Council England supports the museums and schools programme with £1.2 million a year to make sure it happens.

It is wonderful that the shadow Minister has some Dracula jokes, but they are so old that perhaps they should be in a museum themselves. However, museums need local authority funding. We should not turn this into a political debate, as it has been so collegiate today, but the last Government, during their 14 years in power, completely and utterly decimated local authority funding right across the country. That was the starting point for culture and arts to be diminished—they are not statutory, so they fall away.

On the Hodge review, Arts Council England has been looking not only at how local authorities can be better supported but at how they can be better held to account for what they do on arts and culture. Hopefully, the review will come through and we can respond very soon.

The shadow Minister, the hon. Member for Farnham and Bordon (Gregory Stafford), made a strange point about freedom of speech and editorial freedom. I do not think it is for the Government or the Opposition, or indeed any politician, to tell museums how they should celebrate our heritage. Many of the political issues we are dealing with today relate to the past. Some of the best museums in the world that I have visited address political issues such as slavery, and we should make sure that we maintain that approach. Actually, a lot of the stories we tell in politics today are not new—they are stories of the past—and I hope the public engage with them, and the public will determine whether they are good things to reflect.