UK Town of Culture

Tony Vaughan Excerpts

Wednesday 7th January 2026 Westminster Hall

[Vikki Slade (Mid Dorset and North Poole) (LD)]

I thank the hon. Member for Halesowen (Alex Ballinger) for his passionate pitch for his area.

I welcome the Government’s announcement of the competition for the town of culture 2028. The nature of a community is defined by three things: its landscape and architecture, its hospitality and retail sector, and—mostly—its culture. Dorset is the home of the Jurassic coast, but it is also home to some incredible culture: from the literature of Thomas Hardy and Enid Blyton to the Arts by the Sea festival in Bournemouth, Christchurch and Poole, and the Inside Out festival, which pops up in the smaller towns and villages—not to mention Purbeck film festival, which is the oldest rural film festival in the UK, so lovingly curated by volunteers.

I agree with the hon. Member for Redditch (Chris Bloore), who talked about the future as well as the past. I celebrate both. The three towns of Bournemouth, Christchurch and Poole, which are looking to bid together, offer a great story of togetherness. Christchurch has a history that dates back to AD 650, with its younger sibling Poole—with its fantastic links to Canada and fishing—receiving the first of its two charters in 1248.

Poole also draws on its local culture with the Folk on the Quay festival, which is the smaller sibling of the annual Wimborne minster folk festival. The harbour is also the setting for the amazing Poole harbour festival, which I am excited to confirm is being headlined this year by the Kaiser Chiefs, and will also feature my favourite band, Scouting for Girls, as well as many home-grown talents, such as Chris Payn, the Wonky Donkeys and the Mother Ukers.

Our incredible landscape also inspires visual arts. Our lord lieutenant even has an inspiring artist in residence, the lovely Dave Roberts, who pens everything that the lord lieutenant does throughout all the towns.

People often bemoan how our town centres have become identikit. As we move to online shopping, and as the high cost of trading makes it far more difficult, our towns and cities will become defined more by what we can do and experience than by what we can buy. That is why it is so important that councils continue to fund culture; it must not become something that only the wealthy can afford.

[Tony Vaughan (Folkestone and Hythe) (Lab)]

Does the hon. Member agree that economic regeneration through the arts and culture is a powerful way of showing the link between the past and the future in our national story? If so, would she agree that Folkestone is a prime example of that? Having been a port from which our troops went to the frontline in world war one, it became a commercial port, has been regenerated through the arts and is now the best place to live in south-east England.

[Vikki Slade]

I thank the hon. and learned Gentleman for raising that. Speaking of towns with incredible historical ports, much of the training for the D-day landings took place from Poole harbour. We now have the incredible Lighthouse cultural venue in Poole, where residents have mapped the town’s history, its links to Canada and its future in an incredible community play, showing how the town grew up.

The Bournemouth Symphony Orchestra, which is based in Poole, could not open up to the National Theatre schools programme without public funding. It could not send musicians into hospices, run its annual schools concert, which this year is based on the elements, or visit Exeter and Portsmouth without that local funding. It is absolutely crucial that we maintain that, so that grassroots groups can continue to meet in our draughty community centres to create the next generation of actors, musicians, authors and artists. They simply will not exist if we do not maintain funding for culture.

I am really pleased that the Minister is to confirm that the town of culture competition will come with £60,000 of funding; when looking into the city of culture scheme, I found that it can be incredibly expensive to enter these competitions; if a city does not get through to the final, they end up then having to cut the very services that they were trying to develop through the competition. It is a great decision to make sure that shortlisted places get a bite of the cherry.

I know that Bournemouth, Christchurch and Poole will submit their own very vibrant and energising application, which will deserve support, but I must mention smaller groups too. Besides the UK town of culture, Dorset has its own town of culture competition, and I am thrilled that this year Wimborne, the heart of my beautiful constituency, has been announced as the town of culture 2026, with its incredible Museum of East Dorset—complete with a mummified cat—a chained library in Wimborne minster, the Tivoli theatre, the Allendale Centre, the annual Queen Elizabeth’s school show, which this year is “Legally Blonde: The Musical”, the Walford Mill Gallery, the annual folk festival and the Kingston Lacy stately home, which features incredible art celebrating its LGBT owner, who had to hide away in Spain when it was not safe to be gay in this country.

Wimborne really is the place to be in 2026 and can show other places how culture can be inclusive, relevant and fun even on a small scale. I would love to welcome the Minister and other hon. Members to come to Wimborne during 2026; I can assure them they will receive a warm welcome and leave enriched by a flavour of Dorset in our food and our culture.