Public Service Broadcasting (North-East)

Roberta Blackman-Woods Excerpts

Wednesday 23rd November 2011 Westminster Hall

[Chi Onwurah (Newcastle upon Tyne Central) (Lab)]

It is a pleasure and an honour to serve under your chairmanship, Mr Gray. I am pleased to have secured this debate, and I have a significant interest to declare. I recall Mike Neville explaining to me personally, or so it seemed at the time, what the posh word for a Geordie was: a Novocastrian. I remember learning the points of the compass—north, east, west and south—from the “Look North” weather map, before I was old enough to own a compass of my own.

Clearly, however, public service broadcasting in the north-east is about more than the memories of one Member of Parliament; it is an important part of the identity, culture and economy of the region. In its 2009 review, Ofcom set out the purpose of public service broadcasting, which included:

“To reflect and strengthen our cultural identity through original programming at UK, national and regional level.”

It characterised public service broadcasting:

“High quality—well-funded and well-produced; original—new UK content rather than repeats or acquisitions; innovative—breaking new ideas or re-inventing exciting approaches; challenging—making viewers think; engaging—remaining accessible; and widely available,”

so that a large majority of citizens have the chance to watch it. Will the Minister clarify whether he stands by those purposes and characteristics of public service broadcasting? If he does, will they continue to apply to public service broadcasting in the north-east after the current round of BBC cost cutting?

The purpose and characteristics of public service broadcasting are also enshrined in the BBC’s duties, and include:

“To reflect and strengthen cultural identities.”

The BBC, however, is not the only public service broadcaster; ITV, Channel 4 and Channel Five must also meet public service broadcasting requirements. My concerns about the future of public service broadcasting in the north-east therefore apply to private sector broadcasters as well as to the BBC. In addition, all broadcasters are subject to the broadcasting code, which also recognises the importance of regional and local identity.

In his reply to my letter expressing the dismay of my constituents at the portrayal of Newcastle in “Geordie Shore,” Chris Woolard, group director of Ofcom, explained that cities could complain about how they were portrayed and that their individual identity should be recognised. However, despite long-standing lip service to the importance of regional identity and public service broadcasting, we have seen a steady diminution in its quality and availability in the north-east. The BBC now proposes further cuts in its “Delivering Quality First” consultation, and it is not an exaggeration to say that such cuts threaten the existence of public service broadcasting in the north-east.

In the past, commercial companies such as Tyne Tees Television were often the greatest champions of local culture and regional identity, by giving a platform to local music and drama, holding local politicians to account, and providing children’s programmes, educational, artistic or comedy programmes—indeed, programmes of every genre. Local BBC stations would cover news, sport, politics and documentaries, and support locally produced drama, resulting in a wide and diverse range of programming. I remember watching “When the Boat Comes in”, “The Tube”, “The Likely Lads”, “Razamatazz”, “Northern Life”, “Auf Wiedersehen, Pet” and many other great examples of local content, as well as listening to a wide range of local radio programming. As well as reflecting regional culture back on ourselves, such diversity helped build local skills, thereby supporting a regional industry that provided high-quality jobs, and train the next generation of broadcasters.

Unfortunately, following consolidation in the television and broadcasting industry, and in the face of rising competition and falling revenues, regional commercial broadcasting has been much weakened. In 2009, Ofcom further reduced regional broadcasting requirements on commercial public service broadcasters. Some support for local television used to be available through Northern Film and Media, funded by the Film Council and the regional development agency, but the Government have now cut that support.

It is not therefore surprising that this summer, in Ofcom’s latest assessment of the state of public service broadcasting, the criterion

“reflecting and strengthening our cultural identity”

scored the lowest marks ever. Only a third of viewers think that public service broadcasting channels do well in

“portraying my region well to the rest of the UK,”

and in providing

“programmes about my region or nation.”

[Roberta Blackman-Woods (City of Durham) (Lab)]

I pay tribute to my hon. Friend for securing this important debate; she is making an excellent speech. Does she agree that at a time when the north-east is suffering dreadfully from the economic downturn, it is particularly important that regional broadcasting is able to produce documentaries to show people, both in the region and elsewhere, what is happening? Regional broadcasting can also help to build on a lot of the good that exists in an area, and provide a good and balanced picture. Simply lumping the north-east with other northern areas will not do.

[Chi Onwurah]

My hon. Friend makes an excellent point. One great strength of regional broadcasting is that local broadcasters understand what is happening in a region such as the north-east, and can go further in identifying issues that are relevant to local people. That is especially true in the north-east at this difficult time. Media outside the north-east have a tendency to portray the area in negative terms—perhaps rightly given the disproportionate cuts that the area is experiencing—but that does not reflect the strengths and the entrepreneurial spirit that is a feature of north-eastern culture.

Against that background, the BBC has proposed the implementation of further drastic cuts to regional provision. The Secretary of State for Culture, Media and Sport has said that he is keen to support local television, but his proposals are—to be kind—not yet viable and not without controversy. There are major gaps in coverage—the city of Durham, for example, will have no local television coverage—and even in the best possible scenario, local services will not be running until after 2015. Does the Minister think that those local TV services will be complementary to regional public service broadcasting, or is he happy to weaken regional broadcasting on the basis that local TV will replace it?

If we accept the purposes and characteristics of public sector broadcasting as set out by Ofcom and if we consider the reductions in commercial regional broadcasting, the cuts to public support for local talent and the limitations of the local TV proposals, there can be no doubt that the existence of regional public sector broadcasting depends on BBC funding. However, the BBC cuts include, among other things, a 40% cut in investigative programming.