Intellectual Property

Pete Wishart Excerpts

Tuesday 7th February 2012 Westminster Hall

[Pete Wishart (Perth and North Perthshire) (SNP)]

Good morning, Mr Caton. I welcome you to the Chair and the Minister to his place. I know that hasty rearrangements have been made to allow him to plug a few gaps this morning. I am grateful to you and the Minister for coming along, and I hope that our little chit-chat about intellectual property will be intellectually stimulating. I refer to my entry in the Register of Members’ Financial Interests.

I thought that it would be interesting and opportune to examine intellectual property issues and economic growth, because there is so much stuff going on. It has been several months since publication of the Hargreaves review, which made several recommendations, and the Government’s response. In the past few weeks, the Intellectual Property Office has embarked on consultation on how those recommendations can be implemented, as well as doing us the favour of introducing a few new recommendations of its own, which I will touch on. Also in the past few weeks, the Government have appointed Richard Hooper to lead the new digital copyright exchange. He is consulting on the best way to take the new body forward, and I want to encourage as many people as possible to give evidence to both consultations to ensure that we get both issues right as far as possible.

We are getting into the awards season when the cream of the intellectual property-supported industry and artists will be celebrating at events such as the British Academy of Film and Television Arts awards and the BRITs. I have a ticket for the BRIT awards ceremony. I do not know whether you have, Mr Caton, but I would be happy to tell you about it the following morning. I know that some of my colleagues here today are looking forward to that great event.

[Kevin Brennan (Cardiff West) (Lab)]

Is the hon. Gentleman being rather remiss in not mentioning the BBC Radio 2 folk awards, which take place this week, and which both he and I will be attending together in Salford?

[Pete Wishart]

I am grateful to the hon. Gentleman for reminding me of that. I must ensure that I book accommodation for my trip to Salford, which I am looking forward to.

It is worth reminding the Chamber of the contribution that the intellectual property-supported industry makes to the general economy. It is massive. Around 8% of our gross domestic product is predicated on the intellectual property-supported industry, and it is responsible for around 2.8 million jobs. As the hon. Gentleman’s intervention cleverly but not discreetly emphasised, my major interest is music. As well as the fantastic folk awards, the BRIT awards will take place in the next couple of weeks, when we will celebrate again that, outwith the United States, the United Kingdom is the second largest exporter of music worldwide. It is a huge, successful and fantastic industry, which has gone from strength to strength. Last year, we saw incredible success for UK artists, particularly in the US market.

Not just music is involved; every part of the creative range and everything that we do in this country produces a fantastic conveyor belt of imagination and talent, and we have been able to ensure that it has been successful. We have been able to do that mainly because we have fantastic imagination, talent and creativity within the UK. Moreover, we have built up a world-class infrastructure—the sector or the industry—that has been able to ensure that emerging talent has been identified, supported and mentored. We have ensured that that talent has been able to come through, and that is predicated on the real and important issue that those who have been prepared to invest in their talent have been rewarded for their contribution in bringing that talent through.

We must do nothing to threaten that incredible conveyor belt of talent, support and nurturing. However, we are beginning to observe a few danger signs. There are a few clouds on the horizon that are worth examining, because the threat comes from an unusual place. That threat and the clouds in the distance are being brought forward by the Government in the drift of some of their thinking and some of their policies. We must ensure that the industry continues to be supported. I have spoken in such debates for 10 years. I think that I have managed to speak in all debates on intellectual property and creative industries. I have never known a time when those who speak on behalf of the sector and all the different disciplines in the creative economy have felt that they have been undervalued and misunderstood and that their voice is not being heard.

There is a feeling in the sector of being under siege because of the tone and drift of the Government’s thinking about how we look at our creative economy. There is an emerging view that the Government might even be devaluing our whole attitude towards intellectual property. There is a sneaking suspicion—I have heard this from people throughout Europe—that the Government might be approaching something that could be described as anti-copyright. That is not a good place to be. It is not where we want to be if we want to grow this remarkable sector. The Government must hand out an olive branch to those who speak on behalf of the industry and the sector and try to get some of the issues resolved now.

There is also a feeling that that is happening because of the work of the Intellectual Property Office. Its very name suggests that it is about enabling and supporting intellectual property. One would think that that is what it is for, and that that would be its sole and exclusive responsibility. Some of the new thinking about devaluing intellectual property, and the drift and concern about copyright seem to come from within the IPO. We must be wary of that, because we might be creating an office that is supposed to support a particular sector, but instead is becoming a bureaucratic front to devalue the people whom it is supposed to support. We must get to grips with that.

The emerging view is that the Government are more interested in pursuing the rights of those who live off the content of others, and who perhaps abuse it, rather than those who produce it in the first place. That view contends that the artist, the creator and those who are prepared to invest in a talent have become a massive inconvenience and that they are an afterthought and must be grudgingly accommodated and managed. The idea that the inventor or creator is the owner of important intellectual property rights is barely recognised. Whatever links they want to assert must be collectivised for the greater good.

I appeal to the Government to get a grip on the issue, to take charge of it and to prevent the drift because it is not helpful. They must exercise and demonstrate effective political control. They have allowed us to drift over the past few years, and there has not been the leadership that this important sector—8% of GDP—requires. We have a haphazard arrangement, which is not in the interest of the whole sector. The IPO resides in the Department for Business, Innovation and Skills. The creative industries, the artists and the inventors are managed by the Department for Culture, Media and Sport.

We have a Minister who is not accountable to the elected House of Commons; she is a member of the House of Lords. This is my second debate on intellectual property and these issues. I gave evidence to the Select Committee on Business, Innovation and Skills, but I have not even had a meeting with that Minister, such is her accountability to elected Members of Parliament. I respectfully suggest how to resolve the matter. We need one dedicated Minister of State in the Department for Culture, Media and Sport, where we could have the IPO and the artists, creators and the whole sector. Putting the IPO within that Department might lead to better understanding and more sympathy for the people whom it is nominally and notionally there to serve. A Minister of State who oversees the whole digital economy could pick up issues such as intellectual property, supporting artists and major legislation such as the Digital Economy Act 2010.

What we have now is totally unsatisfactory. There is no effective political control, and no leadership is given to the IPO, so it has started to develop its own agenda and come up with the notion that copyright and intellectual property must be constrained for the benefit of users. Close attention at ministerial level has not been paid to such issues over the past few years, and that has created a vacuum that has been occupied—possibly rightly—by the IPO, which has come on board and decided that such matters are its concern. The Minister is relatively new to these issues, but I urge him to get a grip and take control. Government agencies advise; Ministers decide. The Intellectual Property Office may sound like a grand organisation, but it is an instrument of government and should be subject to ministerial control and guidance.

When industries supported by intellectual property rights and those who speak for the sector come to Whitehall to put their case to Ministers, they are dismissed almost arrogantly. Their evidence, which at times the Government have charged them to produce, is dismissed as what Ian Hargreaves called “lobbynomics.” What a ridiculous thing to say to an industry and sector that try to produce work on behalf of the Government so that it is better understood. People are also told, in a patronising and sneering manner, that they do not understand the business environment in which they are working.

Those who now have the Government’s ear are not particularly helpful. Some have become self-serving protectionists and are telling the Government their views. Self-appointed digital rights champions seem to rule the roost when informing Government opinion, and everything that the Government do is predicated on the support for and desire to please massive multi-billion dollar west-coast United States companies such as Google.

I do not know why Google has the Government’s ear, but I do not contend that it has a particular lobbying influence inside No. 10. I do not even suggest that Steve Hilton, the special policy adviser, has a special relationship with Google. I do not suggest such things or contend them today. For some reason, however, Google has the ear of the Government, and it was no surprise that, when Ian Hargreaves initiated his review, many people called it the Google review.

[Jim Dowd (Lewisham West and Penge) (Lab)]

If the hon. Gentleman is not prepared to allege such things today, may I volunteer to do it for him?

[Pete Wishart]

I would never suggest that there is a special relationship between No. 10 and certain key individuals in a company called Google, and I am grateful to the hon. Gentleman for reasserting the fact that I do not allege that today.

[Rehman Chishti (Gillingham and Rainham) (Con)]

I congratulate the hon. Gentleman on securing this important debate. Let me declare an interest at the outset. I have spoken to Allison Coleman, my former law tutor at the university of Wales, Aberystwyth, who advises the Welsh Government, the National Library of Wales, the National Museum Wales, the Royal Commission on the Ancient and Historical Monuments of Wales and the People’s Collection Wales on access to orphan works. Her concern is that it is possible that national institutions with vast collections of works whose copyright owners are unknown will be charged a licence fee when they digitise those items and publish them on the web. As Hargreaves argues and almost everyone accepts, it is in the national interest that tremendous resources are held by our libraries, archives, museums and galleries. If those public institutions have to pay a fee to digitise each item—

[Rehman Chishti]

I will finish on that point, Mr Caton.

[Pete Wishart]

I am grateful to the hon. Gentleman; he had a lot to say, and he said it eloquently and concisely. He is right, although unfortunately I do not have much time to discuss orphan works. He will know, however, about the great concern that exists. It is an issue that emerged in the Hargreaves report and seemed sensible and the right thing to do, although as soon as we started to unravel some of its complexities, we noticed difficulties such as the one that he described. He will also know about the great unhappiness about orphan works that currently exists, especially among photographers. The Government must consider such issues seriously, and I thank the hon. Gentleman for bringing the matter to the attention of the House.

[Kevin Brennan]

Is the hon. Gentleman disappointed at the attitude taken by Consumer Focus on such issues? It is a Government-funded organisation that exists to defend the consumer, although it seems more interested in defending things such as illegal downloading than in genuinely protecting consumers and dealing with rip-offs.

[Pete Wishart]

Once again, the hon. Gentleman is spot on. I saw the report by Consumer Focus, and disappointing is hardly the word that I would use to describe it. We are talking about illegal activity, which is what happens when people pirate the work of others and try to give it away for nothing.

[David Simpson (Upper Bann) (DUP)]

I congratulate the hon. Gentleman on securing the debate, and I speak today in support of Ulster Scots music. When getting UK intellectual property accepted in other countries, especially the US, there is a large differential when it comes to patents because they cost between three and five times more than in any other country.

[Pete Wishart]

The hon. Gentleman makes an important point about the value of patents to the UK economy. Hargreaves described patents in several choice words and phrases, and I am sure that the hon. Gentleman has paid close attention to the drift of Government policy. The attitude and policy towards patents that we are beginning to observe are alarming.

Let me say a little about why I have called this debate. I remember turning on the BBC news and thinking that it was great that the Prime Minister was taking an interest in intellectual property—I do not think that I had ever heard a Prime Minister hold a press conference on the issue. He was alleging that restrictive practices in our intellectual property laws would stop the emergence of something similar to Google in the United Kingdom, and he tasked Ian Hargreaves to look at intellectual property laws and our copyright regime to see if something could be done to amend the laws and regulations.

Ian Hargreaves was notionally in charge of that process, but having observed evidence being taken, and the report and recommendations be delivered, I suggest that the hand of the Intellectual Property Office was all over it. I believe that Ian Hargreaves was perhaps a figurehead, because the IPO seems to have driven the agenda. We will discuss some of the exceptions to copyright that the IPO proposed as part of its consultation, but it has been steering the process all the way through.

What is that predicated on? It is predicated on the belief that economic evidence should be at the heart of every initiative and everything that we do concerning intellectual property law. Ian Hargreaves has been perhaps a little cavalier when it comes to intellectual property, and we could say that he has made heroic assumptions about the value of some of the proposed recommendations and exceptions. Perhaps his most heroic statement claimed that if the Government implemented all the recommendations, GDP would increase by 0.6%. That is a huge figure.

I do not know whether the Minister thinks that such assumptions are based on reality. I think—I am not absolutely sure—that the Business Secretary described such figures as “ballpark.” If that is ballpark, the ball has not only been hit for six but has gone right out of the stadium, such is the relationship to reality of some of the economic assumptions and analyses made by Professor Hargreaves.

Let me give the Minister a couple of examples that I find funny—one cannot look at Hargreaves’s economic assumptions and analyses without needing a good sense of humour, and I will get on to parody later in the debate. The first assumption that we should consider—perhaps the Minister can write to me if he thinks that it comes anywhere close to reality—relates to an exception for private copying for format shifting. It is incredible. We are told that implementing the recommendation for an exception for format shifting for private use would bring some £2 billion per annum to the UK economy by 2020. That extraordinary figure is arrived at by assuming that the absence of a private copying exception has been responsible for restraining lots of UK technology firms that have been bursting with ideas for new pieces of hardware. I think the contention is that the iPod could have been invented in this country if it were not for that pesky copyright rule, which everyone ignores anyway. Seemingly, if format shifting were dealt with, the UK would be flooded with innovations. Lots of brand-new and fantastic products would materialise; the iPod would be reinvented; and millions and millions of pounds would flow into the economy. That is evidence and economic analysis Hargreaves and IPO-style.

Then there is the real rib-tickling one—parody. It is said that an exception for parody would be worth £600,000. Do you want to know what that figure was predicated on, Mr Caton? This is quite funny. The figure is arrived at by first taking the total value of the global entertainment market, which I think the IPO reckoned was $2 trillion. It estimated that, with a parody exception, the UK’s share of that market could grow by up to 0.05%, translating into annual growth of £130 million to £650 million.

[Eric Joyce (Falkirk) (Lab)]

Has the hon. Gentleman considered the fact that parody is supposed to be rib-tickling?

[Pete Wishart]

I am glad that the hon. Gentleman has mentioned that, because I intend to give an example of something that is really rib-tickling. I will explain how things work without an exception. Say that you wanted to parody the work of some famous group, Mr Caton. Let us take one at random. Let me see. How about the world’s only parliamentary rock band, the fantastic MP4? Say that you wanted to parody one of its fantastic works—perhaps even one penned by the hon. Member for Cardiff West (Kevin Brennan). If you were intending to do that parody, you would come to me and the hon. Gentleman and ask us, and we, being reasonable folks, would agree to you doing that. If it became a worldwide hit—with your involvement, Mr Caton, there would be a very good chance of that—we would get our share and you would get your share. It would be absolutely fair. That is what professional parodists do now, and it works. Any suggestion that somehow our parody industry, our comedy industry, is being restrained and constrained by the lack of an exception is utter nonsense.

The IPO tells us that an exception will be worth £600,000. That is what the whole of the UK television industry reckons is the value of new parody each year. Again, it is a nonsensical figure. That seems to be the case through the whole of the Hargreaves review when we look at the economic assumptions. Those economic assumptions disappear as quickly as snaw off a dyke when put under any sort of challenge or assertion. For the benefit of my good friends in Hansard, that is what we say in Perthshire for snow off a wall.

[Lorely Burt (Solihull) (LD)]

I am greatly enjoying the hon. Gentleman’s speech. He obviously has great knowledge, so it is with some trepidation that I ask him this question. I understand the points that he is making about the financially driven aspects of some of the Hargreaves report, but would he not welcome other aspects of it, such as the digital copyright exchange, minimum standards for transparency, and extensive collective licensing?

[Pete Wishart]

I am grateful to the hon. Lady for her intervention. I did not mean to come across as being so hard on the good professor. Yes, the hon. Lady is right: of course there are things in the Hargreaves review that have to be welcomed. She is right to mention the digital copyright exchange. Under the leadership of Richard Hooper, we now have an opportunity to make that a fit-for-purpose exchange, but that will have to come through hard work. It will have to come through proper discussion and consultation with the sector and the industry.

There are things in the review that could be made to work, but I am not going to resist considering some of the bonkers economics behind the creation of a DCE. What figure was given for the value of a DCE? Was it £4 billion? That is based on one report from Copenhagen Economics, which assumes a number of things coming together—European directives and European institutions. Once again, we are talking about something that could be useful, but the economic analysis is woeful.

[Rehman Chishti]

With regard to digitisation and access to orphan works, does the hon. Gentleman agree with this point? If public institutions must pay a fee to digitise each item, not many public institutions will be doing that, and therefore we have to review that overall aspect and say that if there is to be a fee, it must be minimal; otherwise it will be a case of no fee.

[Pete Wishart]

Again, I am grateful to the hon. Gentleman. I can tell that he is passionate about the issues to do with orphan works, and he makes that point well. However, we must be careful about how we progress this agenda.

I want to touch on the exceptions that were not dealt with in the Hargreaves report. Some exceptions have just emerged as part of the IPO’s consultation and have caused immense concern, anxiety and grief. Those exceptions have to do with educational copying. This is a fundamental and very difficult issue. I am almost having to address this point to the IPO, because there is a sense that there is very little ministerial control when it comes to these things, but will the Minister please get in touch with these guys and get them to have a look at what they are doing with educational exceptions, because they are very dangerous? We could see no money whatever going to the people who provide educational materials, whether they are published works or programming—no money being collected on behalf of the people who produce that work for schools and other places of education. If there were to be no reward for people supplying that material to schools and colleges, why on earth would they do that? They will not do it for nothing. We are in real danger here. It is not only the authors and the people who make those programmes who will lose out. The schoolchildren and students will lose out, too, unless we resolve the issue, so will the Minister please examine that?

[Mr Don Foster (Bath) (LD)]

I apologise to you, Mr Caton, and to the other hon. Members, but as the hon. Member for Perth and North Perthshire (Pete Wishart) knows, I have to leave the Chamber in a few minutes. I am slightly disappointed that in an excellent speech, the hon. Gentleman has not made it absolutely clear what option 5 from the IPO with regard to educational exceptions means. It means in effect that an author could write a textbook, one copy could be printed and thereafter multiple copies could be made in schools throughout the land for children in those schools to use, with no reward going to the author and therefore not a cat in hell’s chance of that author ever bothering to write again.

[Pete Wishart]

I am grateful to the right hon. Gentleman for his intervention. That is why I did not make that point. I just knew that he was bursting to make it on my behalf, and he made it so much better than I ever could have, so I am grateful to him.

Nowhere in the Hargreaves report is there a real economic impact assessment. No assessment is made of the threat to existing businesses and existing business models from the recommendations. I am conscious that I have been speaking for almost half an hour. I want other hon. Members to be able to speak, so I will just say a couple more things.

What are we doing about the Digital Economy Act 2010? When will the recommendations be implemented? We need to get a move on. I know that it is not this Minister’s responsibility; it is down to the DCMS. That goes back to the problem that I was trying to explain earlier of the responsibility being split being Departments. That is of no use or value whatever. However, we need now to address the Digital Economy Act. We need to implement the recommendations. I am sure that the Minister saw the fantastic report done by the film industry that said that we are losing out by not tackling piracy effectively. We have seen the example of France. We know that measures similar to those in the DEA work. France has been able to direct traffic towards legal downloading sites, and there has been a decrease in pirated works, so we know that that works. The UK is falling behind countries such as New Zealand, France and Italy. We need to get on with implementing the recommendations in relation to the DEA.

I know that there is still work to be done with regard to Ofcom’s assessment, but the Minister should be on the phone to Ofcom daily, saying, “What’s going on? Come on, Ofcom. Get a move on. Make sure you put this code of practice in place.” We are still in the appalling situation in which very powerful internet service providers are, through various court actions, thwarting and frustrating the implementation of the DEA recommendations. Let us get on and ensure that we fix that.

This is an important sector. We need to fix or resolve a number of things. We need effective political control. We need to ensure that the IPO is properly managed, with ministerial authority and control over what is going on. We should remember that there is no content without the creator, the artist or the inventor. If we predicate our whole approach to the digital economy on the idea that those who abuse or use that content are of more concern and interest to the Government than those who create it, we will be in serious trouble, and we will cause serious damage.

We are at a crossroads with some of the consultations I mentioned. We could still have world-class creative industries; we have the greatest creative sector in the world, and we export more content per head of population than any other nation, so let us do absolutely nothing that threatens that. I trust that the Minister will take these points away with him and ensure that we continue to do everything we can in the best interests of our creative industries and our creative sector.