Thursday 10th May 2018

(6 years, 7 months ago)

Westminster Hall
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Paul Sweeney Portrait Mr Paul Sweeney (Glasgow North East) (Lab/Co-op)
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Thank you for your robust chairmanship and discipline so far in ensuring a geographical spread of speakers, Sir Graham. I congratulate my Glaswegian colleague and friend, the hon. Member for Glasgow South (Stewart Malcolm McDonald), on bringing the debate. He made a marvellous, erudite case for Glasgow, which I hope to embellish on somewhat.

When considering Channel 4’s new “Location, Location, Location”, where better than where that magnificent programme, which is a great standard bearer for Channel 4’s publishing capability, is produced—in Glasgow? It is an independent production by IWC Media and is one example of the great pedigree that Glasgow already has in broadcast media. Where better for Channel 4 to relocate than Glasgow?

Glasgow’s relationship with public service broadcasting goes back to the very father of public service broadcasting, John Reith, who was educated in Glasgow and cut his teeth as an apprentice at the North British Locomotive Company in my constituency before traveling to London to set up the BBC in 1922. Glasgow’s relationship with the spirit of public service broadcasting is as old as public service broadcasting itself, and is embellished both by the grit of the city’s industries and the glamour of its creative capacity.

Bound up in the spirit of Channel 4 is its ability to take risks and to be radical. Who was more radical than John Logie Baird himself, one of the pioneers of television, who pioneered his craft at what became the University of Strathclyde and transmitted the world’s first long-distance television pictures to Glasgow’s Grand Central Hotel in 1927?

Glasgow today hosts two of the main broadcasters in the United Kingdom, including the ITV franchise Scottish Television, which started in 1957 and was born out of Glasgow’s music hall and theatre tradition, based at the Theatre Royal in the city. That tradition continues today. Think of “Mrs Brown’s Boys”, one of the greatest productions on the BBC and one of its greatest comedy shows. It was born out of the risk taken by Iain Gordon, the proprietor of the Pavilion Theatre—the only independent theatre in Scotland—in bringing the stage show to Glasgow. As a result, it spun off and had such roaring success that it became an amazing BBC production. That shows the risks taken by our city’s cultural champions at every level, from theatre through to broadcast media itself.

BBC Scotland, the mainstay of Glasgow’s broadcast media capability—launched formally in 1968 but based in the city since 1957—broadcasts 15,000 hours of radio and television productions per year. That is one of the striking things about Glasgow’s capacity: its broadcast media production capability. When I went down to Channel 4 last month, when it launched its call for places in the UK to bid for the relocation of its headquarters, one thing that struck me about its building in Victoria was that it has no studios. Channel 4 does not produce; it is a publisher. Critical to Channel 4’s criteria for its location is its desire to be at the centre of a major hub and a major ecosystem of production capability.

That is where Glasgow has great strengths. It is already at the centre of an unrivalled capacity for delivering broadcast media production, ranging from massive global hits such as “Outlander”, which is filmed and produced at studios in Cumbernauld in the greater Glasgow city region, through to “Question Time”, which I am sure many Members are familiar with and which is produced by Mentorn Media, based in Glasgow. An old university colleague is an assistant producer on “Question Time”; I know many people who are highly involved in broadcast media production in Glasgow. There is a great talent base in the city to draw on.

Stewart Malcolm McDonald Portrait Stewart Malcolm McDonald
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Does the hon. Gentleman know that a Glasgow MP—one of my predecessors, the late Sir Teddy Taylor—appeared on the first ever edition of “Question Time”?

Paul Sweeney Portrait Mr Sweeney
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There we go. We have a fine tradition, from creative comedy to drama, including political drama. Glasgow has a fantastic pedigree across the full spectrum of broadcast media production.

My experience of working in industry showed me that Glasgow always has that creative potential, with the interface of engineering, creativity and innovation working with Glasgow’s creative sector.

Chris Stephens Portrait Chris Stephens (Glasgow South West) (SNP)
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The hon. Gentleman makes an important point: would it not be wonderful for STV and BBC Scotland to be joined on the Clyde by Channel 4, just next to the shipyards for which he and I have a great passion?

Paul Sweeney Portrait Mr Sweeney
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I share the hon. Gentleman’s sentiments. That great creative media hub at the heart of Glasgow, at Pacific Quay, would be a magnificent centre for Glasgow to host Channel 4. There is so much opportunity there. It is a former industrial site that can be easily developed to meet the needs of Channel 4. There are also lots of other options, from CityPark in Dennistoun in my constituency, for which Stuart Cosgrove—a constituent of mine—is leading a bid, down to Film City in Govan, which is the old Govan town hall and has been converted into the most fantastic media hub for Glasgow and for Scotland.

My experience of working with Glasgow’s creative sector was as a shipbuilder. We were looking at creating a museum of Glasgow’s shipbuilding heritage. Sir Alex Ferguson, as a son of Glasgow, proudly sponsored the creation of a digital, virtual-reality reconstruction of Glasgow’s shipbuilding industries. I share the sentiments wishing him all the best in his recovery from his recent illness.

I was involved in helping to create that reconstruction with the Digital Design Studio—now the School of Simulation and Visualisation—which is part of the Glasgow School of Art. After we created it, it was so impressive that BAE Systems decided that it wanted to utilise it for modern shipbuilding. That is an example of how Glasgow’s creativity and media production could actually help to generate innovation, even in the old industries, as we have seen; we created new innovations in engineering. That is exactly the sort of dynamism and creativity that Glasgow is all about.

That is just one example of how I have interfaced with that, and it shows why Glasgow offers such a good opportunity to be the heart of Channel 4’s production capability—by plugging into that great ecosystem at the heart of the city. I have every confidence that Glasgow will present a robust bid that will be looked upon very favourably by Channel 4, and which will plug into the best traditions of Glasgow—innovation, creativity and dynamism.

--- Later in debate ---
Brendan O'Hara Portrait Brendan O'Hara
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I could not agree more. It does not happen often—let us call it a red-letter day—but I believe I am in agreement with the hon. Gentleman. As the leader of Glasgow City Council, Susan Aitken said, our city has

“a high concentration of skills, academic excellence and a highly qualified workforce.”

Although I am the proud representative of Argyll and Bute, I am a proud Glaswegian to my bootstraps. I absolutely agree with both Susan and Stuart. As someone who has spent the majority of their working life making television programmes for the Scottish, UK and international markets from Glasgow, I cannot think of a better place for a vibrant, exciting, innovative and daring broadcaster to set up its headquarters than Glasgow.

Although this is a bid for and on behalf of the city of Glasgow, it is in many ways Scotland’s bid. Scotland’s First Minister gave it her unequivocal backing, when she said:

“the unique character of Glasgow, multicultural, welcoming, hugely creative, and irreverent, is a great fit for Channel 4.”

In an almost unprecedented move, the leaders of all of Scotland’s political parties are united in support of this bid. If that were not enough to persuade Channel 4 to move to Glasgow, the fact that the city of Edinburgh is prepared to set aside ancient rivalries to support Glasgow’s bid should tell Channel 4 that there are now no limits to what it can achieve by setting up its national headquarters on the banks of the Clyde.

Glasgow fits all the criteria like a glove. It ticks all the boxes: population size, proximity to centres, and the level of physical and digital connectivity. Glasgow is already home to BBC Scotland and STV. It boasts of having the National Film and Television School hub, based at Pacific Quay. Channel 4 itself has had a presence in the city for many years.

Paul Sweeney Portrait Mr Sweeney
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When it comes to journey times, there is a three-hour target. I can get from my flat in Glasgow to the door of my office in Westminster in three hours. Not only that, but we have a commitment from the Department for Transport that HS2 will deliver three-hour journey times by rail as well. Does the hon. Gentleman agree?

Brendan O'Hara Portrait Brendan O'Hara
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Anything that can speed up journey times to Glasgow has a beneficial effect for the whole of the United Kingdom. I am certain that Glasgow City Council would make the transition for Channel 4 as painless as it could possibly be for the company, its employees and their families—more painless than Phil and Kirstie could ever do. We have heard welcome contributions from the hon. Members for Birmingham, Northfield (Richard Burden), for Liverpool, Riverside (Mrs Ellman), for Barnsley Central (Dan Jarvis), for Leeds North West (Alex Sobel), for Cardiff South and Penarth (Stephen Doughty), for Batley and Spen (Tracy Brabin), for Keighley (John Grogan)—the Mayor of Sheffield just learned the old adage that the opposition may be in front of you, but you your enemies are most certainly behind you—for Glasgow North East and for York Central (Rachael Maskell). I imagine that if some enterprising producer is watching this debate, there is a fantastic new Phil and Kirstie series to be made, based on that list of people trying to get relocation, relocation, relocation to their town or city.

For me, the most important contributions have come from my hon. Friends the Members for Glasgow Central and for Glasgow South. My hon. Friend the Member for Glasgow Central was absolutely right when she said that Glasgow is indeed “pure gallus”. I believe it is that gallusness that sets it apart from any other bid. She was right to highlight the welcoming nature and cultural diversity of Glasgow. As the mover of the motion, my hon. Friend the Member for Glasgow South, said, we have Chinese, Pakistani, Indian and Caribbean communities, as well as an array of African communities and a multitude of our highly valued EU citizens, including—I just found this out today—our Lord Provost, who is Swedish-born. Glasgow has always had worldwide appeal, and that is reflected in the cultural diversity of our city. It is a major attraction to a broadcaster such as Channel 4.

In conclusion, I thank my hon. Friend for securing this debate and I thank all who took part. It has been well informed and hugely entertaining, a bit like “Channel 4 News”. As my SNP colleagues have said, we very much welcome Channel 4’s decision to move its national headquarters out of London. It is something that I have wanted to happen for a long time, both in my career as a television producer and latterly as a politician. Indeed, I raised the matter with David Abraham, the Channel 4 CEO, at his final appearance before the Digital, Culture, Media and Sport Committee last year. I spoke of the frustration that producers felt about having to come to London from Scotland, Wales, Northern Ireland, the north-west of England or wherever to pitch an idea to a London-based commissioner, who they just knew did not quite get it because he or she did not live in the same world. To move out of London can only be a good thing for Channel 4, for creative sectors across the UK and for those communities whose voices and stories are rarely heard.

Whichever city Channel 4 decides to move to, I guarantee that it will find no warmer welcome and no greater support from local and national Governments than it will receive in Glasgow, and it will not meet a more creative and multicultural community ready to make an outstanding success of the move than that of Glasgow.