Regional Arts and Culture
Debate between Paul Blomfield and Chi Onwurah(10 years, 10 months ago)
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Paul Blomfield
My hon. Friend makes an important point. I am well aware of the importance of the cultural offering in Newcastle, and I will return to the point about incubating young talent.
Sheffield can report great success for our museums. Museums Sheffield, which is one of our two successful museum trusts, welcomed 1 million visitors across three sites last year, 96% of whom rated the museums good or excellent—but Museums Sheffield has lost 40% of its staff since 2012. It becomes more and more of a challenge to maintain standards against that background, with a declining core grant year on year resulting from central Government cuts to local authorities.
Chi Onwurah (Newcastle upon Tyne Central) (Lab)
I congratulate my hon. Friend on securing this debate. This morning, I had a meeting at the National Portrait Gallery to discuss, among other things, its work with Tyne and Wear museums which led to the excellent Trailblazers exhibition at the Discovery museum last year and the current Laura Knight exhibition at the Laing. Does he agree that, although it is great to see such working together between London and regional institutions, we need strong, regional institutions with continued funding to foster regional talent and create exhibitions that can perhaps travel to London?
Paul Blomfield
I agree with my hon. Friend, and I will return to the point she makes in the context of my experience of some of our institutions in Sheffield.
There is also under-investment in the visual arts sector in Sheffield. I am told that Sheffield has the largest number of practising artists per capita outside London, but we have limited provision for the exhibition of contemporary and visual art and do not have the resources to take advantage or to make the most of the opportunities they provide. We need to invest to reap the rewards. Our core cities provide a platform for artists on the way up: three of the four Turner prize nominees for 2013 had exhibited at Sheffield’s Site gallery in the past six years.
The Arts Council is at pains to point out that 70% of lottery funding is spent outside London, but that does not take us back even to the 2009-10 level of spend outside London, which was at 76%, and lottery funding is one-off funding. The lottery has supported some excellent capital developments, not least the stunning Persistence Works in Sheffield, but Arts Council funding has not matched that ambition with programme funding, which would enable us to animate these spaces to fulfil their potential.
Oral Answers to Questions
Debate between Paul Blomfield and Chi Onwurah
Chi Onwurah (Newcastle upon Tyne Central) (Lab)
4. What his assessment is of the potential effect on the UK wind industry of not setting a target to decarbonise the power sector by 2030.
Paul Blomfield (Sheffield Central) (Lab)
7. What representations he has received on setting a target to decarbonise the power sector by 2030.
BBC (Proposed Cuts)
Debate between Paul Blomfield and Chi Onwurah
Paul Blomfield
I agree with the hon. Lady about the variety and local roots of those different strands of the local radio offer.
It is important not only to consider the aggregate total of people who listen to local radio but to take note that one third—2.5 million people—of those people do not listen to any other BBC station and that, as the right hon. Member for Bath (Mr Foster) pointed out, almost one fifth listen to no other radio station at all. Yet while the Radio 4 budget is being protected, local radio across Yorkshire is facing cuts of about 18%. What does that mean for Radio Sheffield? The current 16 hours a day of local content will be almost halved, to nine hours. From broadcasting local content every weekday from 5 am to 10 pm, we will have two local slots, one in the morning and one in the early evening. The afternoon will be filled with regional programming—joint shows with Radio York and Radio Leeds—and from 7 pm, evening local radio will effectively become, as was pointed our earlier, “Radio England”, which is complete nonsense when it comes to local radio. The loss of medium wave will bring an end to language programmes for ethnic minority communities, which are highly valued and attract a significant local listenership. We are also facing shared sports commentary, an issue to which I want to return in a moment.
Chi Onwurah (Newcastle upon Tyne Central) (Lab)
Let me say how much I support the case that my hon. Friend is making for local content from Radio Sheffield, a case that I would also make for Radio Newcastle. Does he think that the cuts to local radio are consistent with the BBC’s duty to reflect and strengthen cultural identities at the local and regional levels?
Paul Blomfield
My hon. Friend makes an important point, because I think the cuts conflict with that duty. The BBC has done a lot of great work over recent years in seeking to meet that aspiration and won a popular following from our minority communities in Sheffield. That is now at risk as a result of these cuts.
My concern is not only about the immediate impact, but that the transformation of the local radio offer—a significant change—will lead to a spiral of decline. Reduced budgets will lead to falling listener numbers, which would challenge local radio’s legitimacy further and leave the London-based management in no doubt in future. Smaller audiences for local radio would lead to further cuts, reducing listeners again. That spiral of decline will ultimately bring into question the future of local radio. That must be a worry for us all, because BBC local radio is unique. No one else, in either the BBC or the commercial sector, has a similar offer. As other Members have said, research suggests that many people—particularly older people—tune in to local radio for a sense of connection with their communities. A MORI study for Ofcom indicates that older people are more likely to listen to the radio at least five days a week, with 87% of those over 55 doing so. That is certainly true of Radio Sheffield, whose audience’s average age is 54. Those people listen to it because it is local: it is of the community and reflects that community identity.