Planning and Infrastructure Bill

Debate between Olivia Blake and Caroline Dinenage

Report stage
Monday 9th June 2025 Commons Chamber

[Olivia Blake]

The hon. Lady makes an interesting point and I am sure the Minister is listening.

In a time of ecological crisis, every action must contribute to halting and reversing nature loss, because nature is not just part of the solution; it is the solution. I hope the Minister will sit down with me to discuss these points further, as the Bill enters the other House.

[Dame Caroline Dinenage (Gosport) (Con)]

I rise to speak to new clause 59, in my name, which considers the impact of our planning system on our creative and cultural industries and infrastructure. These spaces are the foundation of our world-beating creative industries and are also very important for our local communities. They are the engine of an industry which is growing at twice the rate of the rest of the economy. They are the R&D labs of a sector that is bigger than our automotive, aerospace and life sciences industries combined. Yet the creatives industries are under threat, including from our disruptive planning system and onerous licensing regime.

My Culture, Media and Sport Committee has heard that live music venues will be back to shutting at the rate of two a week by the end of the year. That is in addition to electronic music venues and clubs, which have been shutting at the rate of three a week. My amendment seeks to help prevent those closures by putting a duty on planning decision makers to apply the agent of change principles, which have existed since the national planning policy framework in 2018. They require developers to ensure that their developments do not disrupt existing businesses in future, as well as places of worship, schools, transport infrastructure and so on.

First, the new clause would be good for venues. Of the 86 grassroots music venues that closed in 2024, one in four shut for operational reasons, including noise abatement orders, neighbour disputes and interventions by the local councils. In the previous Parliament, the Committee I chair held a roundtable in Manchester at the Night and Day Café, an iconic venue. We were there to meet representatives of live music venues from across the north, yet the operators could not attend their own roundtable because they were instead attending a court hearing with Manchester city council to settle a three-year noise abatement dispute—a costly and pointless legal dispute at that, as it started due to a single complaint by a tenant who had moved out long before the issue was resolved.

Secondly, the new clause would be good for developers and new neighbours. Consistent application of the agent of change principle will de-risk and speed up planning and development. It will ensure that the needs of an existing cultural venue are considered from the start and save developers from late-stage objections and lengthy, expensive legal disputes down the line. It will require developers and decision makers to think about the presence of existing venues and will benefit future tenants and homeowners, who should be less impacted overall.

Finally, the new clause would help local authorities. It is councils that have the duties to detect statutory nuisance and investigate noise complaints; it is councils that serve noise abatement orders; and it is councils that get dragged into expensive and often pointless bun fights with local venues, as the Night and Day Café example illustrates. Encouraging councils to consider at the planning stage how developers and venues can find a nice equilibrium in their interests can only help to save them time and money, which is surely more efficient than settling matters in court.

The new clause has widespread support. It takes forward the recommendation of the CMS Committee in the previous Parliament and is supported by the whole live music sector, from the operators of our smallest clubs, pubs and venues to the biggest arenas and stadiums. It will benefit the breadth of our cultural infrastructure, from our historic theatres to our pulsating nightclubs. It is built on evidence given by LIVE, UK Music Creative UK, the Music Venue Trust, the Night Time Industries Association and the National Arenas Association.

The new clause is not about venues versus developers; instead, it is about ensuring we have the balance right between building enough good homes and making sure the places we are building keep the things that make life worth living. Everyone in Westminster and our constituencies agrees that our high streets have been in decline, so it is vital that we protect the places that are special to us, our constituents and our communities—the places that provide a platform for our creators and our world-beating creative industries, where we can make memories, celebrate and have fun.

I hope the Government will support my new clause and, if not today, commit to making this law as soon as possible. Live music is in crisis. The Government need to listen.