Knife Crime: Children and Young People

Neil Hudson Excerpts

Thursday 20th March 2025 Commons Chamber

[Ben Obese-Jecty]

That is a very valid point. The social media companies themselves know full well that this content is there and could easily create an ability to moderate it. These are billion dollar companies and if they wanted to take down this stuff, they could. It is about willpower. It is part of our responsibility in this House to make sure that that happens.

Fear of being stabbed or killed far outweighs any fear of the police. We only need to watch one of the videos I mentioned to see how an endless immersion into this world can cloud people’s judgment.

When I asked a Justice Minister whether such videos could be used as evidence to prosecute the Government’s new law of possession of a knife with violent intent, I did not receive an answer, and I am not sure whether the Minister quite understood what I was making reference to. I ask the Minister for Crime, Policing and Fire whether she could address that specific point in her summing up at the end of the debate.

[Dr Neil Hudson (Epping Forest) (Con)]

I congratulate my hon. Friend on securing this important debate and on making an impassioned speech. He is talking about the dangers of social media influencing boys and young men. One of the key aspects of that is their role in society and the lack of clear role models. Will he join me in paying tribute to the former England football manager, Sir Gareth Southgate, who, in his Richard Dimbleby lecture this week, articulated the importance of role models and of boys and young men getting involved in active sports, so that they then become normalised in that setting and are not drawn into this dreadfully violent world?

[Ben Obese-Jecty]

I agree, and I will mention later the interventions to try to get people in a more collegiate and embracing atmosphere. Role models are a valid issue. Sadly, my speech is already long, but I would have loved to cover that in more detail, because it is a huge part of the reason why young men are drawn into this type of violent world.

Scoreboard videos are inextricably linked to drill music, which is a genre but also the medium by which various groups-cum-gangs are able to taunt their “opps”—the catalyst for multiple stabbings, often fatal. The line between gang and group is blurred to the point of irrelevance. Meanwhile, the media either does not know or does not care. Inner-city black youths are, consciously or unconsciously, expendable and interchangeable, overrepresented in statistics as both victim and perpetrator. The soft bigotry of low expectations makes black culture ripe for exploitation as a cheap way to appear edgy, irrespective of the upstream impact. Large media corporations, even the BBC, play their part in the creation of this milieu, leaning into it and giving it validation. The cynical valorisation of the most detrimental aspects of urban black culture and the celebration of criminality via musicians is one of the most toxic overarching influences in pushing this issue into the mainstream.

Irving Adjei, aka Headie One, went to prison three times as a teenager, including for dealing crack cocaine and heroin. In June 2019, Adjei was arrested for possession of a knife following a stop and search. While on bail, Adjei completed his UK tour, released his album, which reached No. 5 in the UK charts, appeared on Stormzy’s album “Heavy Is the Head”, played Glastonbury and was featured on BBC Radio 1. He was used in an advertising campaign for JD Sports alongside heavyweight champion Anthony Joshua, and fronted an advertising campaign for Adidas that December. That is the same Adidas that ran its “No More Red” knife crime awareness campaign alongside Arsenal FC just a couple of miles down the road shortly after that, but it is also happy to run an advertising campaign with a rapper on bail for possession of a knife. The hypocrisy of brands such as Adidas is off the scale.

Less than a month after launching the Adidas promo, Adjei was sentenced to six months for possession of that knife and went to prison for a fourth time. He was released that April. Six months later, his single was No. 2 in the charts, he had praise lavished upon him by The Times, and he has never looked back. How does that convince anyone that there is any penalty whatsoever for carrying a knife? If anything, it has been an asset for someone like him because of the edginess that I referred to.

In September 2019, The Guardian published a piece about UK drill rappers OFB, who hail from the same Broadwater Farm estate in Tottenham as Irving Adjei. It stated that the drill group OFB is

“trying to move the genre beyond the violence for which it has been demonised”.

The interview was with two of the three in the group: Bandokay aka Kemani Duggan—the son of Mark Duggan —and Double Lz. It casually mentions that the third, 17-year-old SJ, is “not around today”. Several months later it transpired that SJ, aka Jayden O’Neill-Crichlow, was “not around today” because he was on remand for his part in the murder of Kamali Gabbidon-Lynck seven months previously.

O’Neill-Crichlow was one of five young men, four of whom were teenagers, who received lengthy sentences of 20 years-plus after they arrived on Wood Green High Street on a Friday night armed with machetes, a handgun and a shotgun. They shot at Gabbidon-Lynck, missed and hit a packed Nando’s restaurant, and chased him down the street, eventually cornering him in a hair salon where he was shot and brutally hacked to death. For his part in the murder, O’Neill-Crichlow was sentenced to 21 years. I remember this because it happened 300 metres from my home.

I challenged the author of the piece about why it was appropriate to write a puff piece about a group who had one member on remand for murder. He cited that it was an editorial decision by The Guardian. Last year, Kemani Duggan was sentenced to five years in prison for possession of a Tokarev pistol and .22 calibre ammunition, with intent to cause fear of violence—the violence for which drill music has been “demonised”. That is precisely the type of irresponsible media valorisation that illustrates my point.