Edinburgh Festivals: Cultural and Economic Contribution

Debate between Max Wilkinson and Chris Bryant

Tuesday 8th October 2024 Westminster Hall

[Max Wilkinson (Cheltenham) (LD)]

It is a pleasure, Mr Efford, to serve under your chairmanship and I congratulate the hon. Member for Edinburgh East and Musselburgh (Chris Murray) on securing this important debate.

We have heard many inspiring stories today about Edinburgh. I regret that my most recent cultural experience in Edinburgh was bellowing out Proclaimers songs in Fingers piano bar at my stag party. That was a great day out, but it does not match up to some of the other stories that we have heard—

[The Minister for Creative Industries, Arts and Tourism (Chris Bryant)]

It does not sound like it would. [Laughter.]

[Max Wilkinson]

It was a lovely evening out as well, Minister.

Our challenge is that we must build a creative environment that showcases the best of British talent—bringing together British culture and creativity, and showcasing it for the world—and that we use that to foster a thriving and informed democracy. The impact of cultural festivals in achieving those aims is substantial.

In the case of the Edinburgh festival, we have already heard that it benefits Edinburgh itself by more than £400 million; the wider impacts on the rest of Scotland and the UK are much, much bigger. The festival opens the door to tourism for the rest of our nation, which is a really important aspect that we must not miss out when speaking about cultural events.

That is why it is very worrying to hear the concerns of festival organisers, which have been highlighted in recent news coverage. Regardless of funding pressures, it is our opinion that it is extremely important that the Scottish Government do what they can to meet their past funding pledges. For appropriate balance, I will add that such responsibility extends to other public funders of cultural activities across the rest of the UK, whether those are devolved nations or local government.

Festivals, such as the festivals in Edinburgh that we are debating today or the Cheltenham festivals in my own constituency, play a key role in our cultural life. It is vital that they receive the support necessary to continue to flourish. This week, my constituency is celebrating the 75th anniversary of the Cheltenham Literature Festival, which continues to flourish. However, despite large ticket sales, reductions in funding and in-kind support mean that the organisers of the Cheltenham Literature Festival have had to make some really tough choices in the past few years. Nevertheless, they still engage youngsters in reading to the tune of around 23,000 children every year. Of course, reading for pleasure is one of the single biggest indicators of a child’s future success.

At the launch event for the Cheltenham Literature Festival last Friday evening, supporters—including me—were reminded that the UK spends just 0.46% of its GDP on culture; that is based on the latest figures, which are from 2022. According to the University of Warwick’s “The State of the Arts” report, the UK is not alone in Europe in cutting its cultural budgets in recent years, but that does not make it right and we remain towards the bottom of the European league table, lagging behind our neighbours. If we are to remain a cultural superpower, that situation needs to be addressed.

Cultural funding extends to local festivals, theatres, cinemas, museums, art galleries, music and dance venues, libraries and public spaces. These are all vital to communities the length and breadth of our country. They are spaces devoted to creative endeavour. They not only fuel local economies; they also stimulate community participation across a whole range of creative activities.



In addition, we must not ignore the positive impact of the cultural sector on another great challenge facing our nation: deteriorating mental health. As we seek to reduce pressure on the NHS, we should look to the arts and culture as part of the non-medical therapy available. While few in the Chamber would dispute the difficult economic inheritance of this Government, we cannot look past the positive economic and social impact of investment in culture. It generates incomes and helps communities to thrive in non-monetary measures, too, as the hon. Member for Strangford (Jim Shannon) pointed out.

What can we do to help our cultural sector boost the economy and increase happiness and wellbeing? Central Government can make a difference in many ways, although at heart it often comes down to money. However, Westminster and devolved Governments can make other important contributions. The promise made by the new Government for the restoration of multi-year funding settlements for local government will provide an important route to that. The hon. Member for Mid Derbyshire (Jonathan Davies) mentioned creative subjects, and we agree on that.

Planning reform offers another opportunity. Engaging the cultural sector in that will be important. We can beef up powers for local areas to protect cherished cultural venues. The cultural sector, too, would benefit from the abolition of business rates and the introduction of a commercial landowner levy.

A more sensitive subject is freedom of expression in the cultural sector. We all need to remember that sometimes we will see and hear things that we do not agree with. If art is not there to stimulate debate, it is nothing.

Finally, Chair—