Lindisfarne Gospels

Debate between Mary Glindon and Roberta Blackman-Woods

Wednesday 26th June 2013 Commons Chamber

[Roberta Blackman-Woods (City of Durham) (Lab)]

I thank Mr Speaker for granting this debate, which is particularly time-sensitive. It is good to be able to have the debate in advance of the Lindisfarne Gospels’ return to Durham.

Let me start by explaining why there is so much excitement in the north-east and Durham, where the Gospels are to be exhibited, about the temporary return of the Lindisfarne Gospels to our region. The book is simply a stunning masterpiece of early mediaeval European book painting and the beautifully illustrated manuscript represents the pinnacle of achievement of Anglo-Saxon Northumbrian art at the end of the seventh century.

The Gospels book was made on the holy island of Lindisfarne and was probably written between St Cuthbert’s death in 687 AD and the death of Eadfrith, Bishop of Lindisfarne, who was identified as the artist and scribe of the book by Aldred, the provost of the monastic community of St Cuthbert at Chester-le-Street. A recent study suggested a date for the Gospels of between 710 and 720 AD.

The making of the book required time, dedication and the invention of new tools and materials. With no modern technology at his disposal, Eadfrith is credited with inventing some of his own gadgets to help. Professor Michelle Brown, an expert in mediaeval manuscript studies at the University of London’s schools of advanced study, stated that Eadfrith

“was a technical innovator who invented the pencil and the light box in order to achieve his complex artistic and social vision”.

The book is the oldest surviving translation of the gospels into the English language, but it is worth recognising that the Lindisfarne Gospels’ intricate and symbolic artwork helped convey its message to those who could not read. The Gospels were created at a time of great change when Britain was a land of many cultures that were coming together into an emerging national identity. The manuscript is inspired by all the different peoples who lived in these islands at the time: Britons, Picts, Celts and Anglo-Saxons, along with those of Mediterranean and middle-eastern cultures.

Another extraordinary aspect of the Gospels is that unlike most early mediaeval books this one has come to us in almost perfect condition. That is, frankly, remarkable, considering that it was written about 1,300 years ago and the eventful journey it has been on ever since.

The first Viking raid on Britain struck Lindisfarne in 793 AD. After nearly 100 years of continuing raids, the monastic community abandoned Lindisfarne in 875, taking with them the body of St Cuthbert, the Gospels and other important relics. The Lindisfarne community is believed to have travelled around for seven years before eventually settling at the priory at Chester-le-Street, where they stayed until 995. They then moved to Durham priory with the relics of St Cuthbert, after the dead saint revealed to one of the monks where he wanted his new resting place to be.

In 1069, the Lindisfarne Gospels spent a short time back at Lindisfarne to escape the devastating raid on the north by William the Conqueror. The book was then returned to Durham. In 1104, St Cuthbert’s body and other monastic treasures from Lindisfarne were moved to the splendid new cathedral at Durham. However, in 1536 the dissolution of the monasteries was ordered by Henry VIII. The priories of Lindisfarne and Durham were broken up and the Gospels were believed to have been seized by the King’s commissioners.

By the early 17th century, the Lindisfarne Gospels were owned by Sir Robert Cotton. Cotton’s heirs presented the book to the nation and it became part of the founding collections of the British Museum in 1753. In 1973, the Lindisfarne Gospels became part of the British Library, their current permanent resting place.

This is only the fifth time the Gospels have been loaned since coming into the hands of the British Museum and later the British Library. Except for a museum evacuation during world war two, all the loans were for major library and museum tours undertaken within the past 50 years: at the Royal Academy in 1961, in Durham cathedral in 1987, and at the Laing art gallery in Newcastle in 1996 and 2000. It took nearly two years of negotiations, planning, organisation and effort to bring the Gospels to the region on the last two visits. On the first day of the exhibition, almost 3,000 people came along to see the Gospels, which demonstrates huge interest from the region.

What has happened since the last visit? A condition survey by the British Library in 2004 suggested that it might be difficult to move the Gospels again, but the findings of the survey were far from conclusive. There followed a fervent campaign, led first by the Northumbrian Association—I take the opportunity to thank the late John Danby for his work; he is much missed—and by my hon. Friends the former Member for Houghton and Washington East, Fraser Kemp, Baroness Quin, the former Member for Stockton South, Dari Taylor, my hon. Friends the current Members for Washington and Sunderland West (Mrs Hodgson) and for North Durham (Mr Jones), and me.

I first raised the question of what was to happen to the Gospels when I was elected in 2005 and put down an early-day motion on the subject. I then wrote to key agencies, including the British Library, Durham cathedral and museum services. We constantly badgered the British Library to consider a permanent move for the Gospels to the north-east, and if that was not possible we called for a temporary move. We also lobbied our Government on the matter, and the then culture Minister, my right hon. Friend the Member for Tottenham (Mr Lammy), intervened on our behalf. It was difficult, but that lobbying persuaded the British Library to commission an independent expert review into the future of the Gospels in 2006. In 2009, the panel reported back, recommending that, with great care, the books could be loaned for three months every seven years.

[Mrs Mary Glindon (North Tyneside) (Lab)]

I congratulate my hon. Friend on securing this important debate. She will be aware that the fabulous collection of Roman gold and silver known as the Backworth hoard is in the north-east for the first time in 200 years, on loan from the British Museum. Does she agree that such exhibitions and the fact that the Lindisfarne Gospels will be allowed to come to us every seven years shows that our region has the skills, expertise and knowledge to host our most treasured national items?