Arts and Creative Industries
Debate between Maria Miller and Simon Wright(11 years, 5 months ago)
Commons ChamberRead Full debate Read Hansard Text
Simon Wright
Norwich University of the Arts in my constituency is creating a digital centre for innovation. It has come as a result of national funding and support from the new Anglia local enterprise partnership and, of course, of the world-class innovation shown by the university itself. Will the Secretary of State look at this model and how she can work with others in government to promote the best from our world-class universities and create jobs in our communities?
Maria Miller
Of course, I will answer the question from the hon. Member for Bristol East (Kerry McCarthy). I just did not want my hon. Friend not to get the opportunity to talk as well. She is right to pick up on her point, but had she read my whole speech, rather than just an extract, she would have seen clearly that the Government absolutely recognise the intrinsic value of arts and culture. The point I was making—I think, very clearly—in that speech was that there was a powerful economic argument to be made as well. As somebody who has worked in the creative industries for almost 20 years, I know that having a strong culture and arts sector, as we do in this country, means that we can also have a strong creative industry, which has an economic benefit. That is the argument I have used—persuasively, I think—with the Treasury, and perhaps that is why we have achieved such a strong result for the sector.
On the intervention from my hon. Friend the Member for Norwich South, I would be delighted for the Under-Secretary of State for Culture, Media and Sport, my hon. Friend the Member for Wantage, to have a further discussion with him. I am sure he would be delighted to do that too.
I shall take your guidance, Madam Deputy Speaker, and make a few closing remarks. Our international reputation for arts and culture and the easy transfer of people between the cultural sector and the creative industries are based on the enormous talents of the people who work in the sector. We recognise that we need to invest for the future, however, and thanks to our sector skills councils, more than 3,500 people have either completed or are currently doing apprenticeships in the creative industries. The Arts Council’s creative employment programme will support up to 6,500 new apprenticeships, pre-apprenticeships and paid internships across the sector, and the Government are investing up to £8 million each year over the next two years to support skills development in the UK digital content sector. That is important investment in people for the future. It is ensuring that our creative industries have the sort of skilled work force that we need to innovate and compete globally.
We work closely with UK Trade & Investment, the British Council and others to explore ways to promote creative industries globally, too. We are using the GREAT campaign to underpin not just those efforts, but our economic ambitions more generally. The arts and culture, including our museums and galleries, have a key role to play. They act as our flag bearers, helping to develop interest in Britain and allowing us to build the relationships that mean we can do the trade deals of tomorrow. It is this kind of relationship marketing that helps UKTI to fly the flag for British goods and services, and to attract the investment that will drive jobs and opportunities here at home. It opens doors for UK plc and makes it easier for businesses to export and to expand.
If we look at what is actually happening, rather than the rhetoric from the Opposition, we see huge success up and down the country. We see new libraries opening in Birmingham and Liverpool, new regional museums in Margate and Wakefield, and refurbished and regenerated theatres in Bristol and Liverpool. Today, my Department announced a shortlist of four cities that will go forward to compete to be UK city of culture in 2017. While I—I am sorry, but the right hon. and learned Member for Camberwell and Peckham does not announce these things—commiserate with the seven bidders that were not shortlisted, I congratulate all 11 for their ambition and the belief that they share with me that arts and culture are a powerful force for good socially and economically, both at home and abroad.
I take this opportunity to applaud those who lead the arts and cultural institutions in our country for their vision and hard work. Above all, I thank them for their passion and innovation, and for ensuring that Britain remains a pre-eminent cultural force that is well regarded and respected all around the world.