Secondary Ticketing Market
Debate between Luke Evans and Sharon Hodgson(1 month ago)
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Dr Luke Evans (Hinckley and Bosworth) (Con)
It is a pleasure to serve under your chairmanship, Mr Rosindell. I congratulate the hon. Member for Cramlington and Killingworth (Emma Foody), and I hope she enjoys her nostalgic tour through all the concerts she plans to go to. For what it is worth, as we are sharing, one of my first gigs was Faithless, which I am quite proud of, although it does not quite stack up when I say that my second one was Tom Jones. Still, I enjoyed both hugely.
I was sorry to hear the hon. Member for Chelmsford (Marie Goldman) talk about her parents becoming victims. There is some joke about Sting and getting the Police involved, but I will leave that for the moment.
I thank the hon. Member for Washington and Gateshead South (Mrs Hodgson) for her dedication and her expertise on this issue. We all know, as I have learned in the last five years, that we have to plod and plod in this place to keep getting heard. The fact that we are having another debate and that there will be a consultation is all credit to her.
Like the hon. Member for Ipswich (Jack Abbott), I too have seen three of S Club 7. My sighting was at a stag do with my brother in Newport. I hope that the hon. Member was not there—if he was, I hope he does not share the pictures.
As the hon. Member for Leigh and Atherton (Jo Platt) noted, grassroots venues are so important. The UK is a centre for the creative industries, and that is the testbed; that is why we have world-class talent coming out, and we certainly do not want to lose that.
The hon. Member for Knowsley (Anneliese Midgley) brings a huge amount of expertise. I think she said she was a DJ, so I am looking forward to her doing the cross-party celebration of “Mistletoe and Wine”—there is a good Cliff Richard reference.
The issue of secondary ticketing and dynamic ticket pricing has affected many of our constituents, as we have heard today. It certainly seems that when Oasis came up with their masterplan to reform, the ticket promoters did not foresee the issue of dynamic pricing causing so many headlines and unfortunately detracting from the exciting news of Oasis reforming.
It is important to separate the secondary ticket market from the specific issue of dynamic ticket pricing. Unlike the primary market, in which tickets are sold at their original face value and the price is set by the artists, event organisers or box office, the secondary ticket market relates to tickets resold after their original sale. Prices for these tickets are often inflated and sometimes go for at least double the face value. We have heard the term price gouging, which particularly applies here.
Dynamic ticket pricing is, as the Minister will be aware, a pricing strategy used by a lot of sectors, including hotels, taxis and airlines, to name but a few. Dynamic ticket pricing can bring significant benefits for consumers when prices are lowered—for example, early bird tickets or late tickets, as we heard from the hon. Member for Chelmsford.
I appreciate that the Competition and Markets Authority has published a call for evidence on the use of dynamic ticket pricing for Oasis. I hope the Minister will agree that in the case of Oasis ticket sales the issue seems to be that fans may not have been provided with the necessary information up front and had not been given any clear information about what was going on. Above all, transparency is really important.
I hope the Minister will touch on how drip-pricing is slightly different and how that affects the live events sector. As we have heard, that relates to hidden costs. A customer should be able to see the full price they are paying up front and not have hidden unnecessary costs.
Mrs Hodgson
The shadow Minister—sorry. He pointed out that with dynamic pricing the price can go up but also come down. That might happen when it is Uber, airline prices or hotel rooms, but at yesterday’s meeting of the all-party parliamentary group on ticket abuse we heard from experts in the room, FanFair Alliance and Reg Walker, that that never happens with regard to ticketing. They never come down. The only way is up.
Dr Evans
I bow to the hon. Lady’s expertise. I hope that will be teased out when we know the terms of reference for the consultation. These are exactly the problems that we need to look at. We can all see that there can be a benefit for the market if dynamic pricing is used for cheaper theatre tickets, but if it is not used in the correct way, how do we enforce that? “How” is the hardest part. We have heard a lot about the problem, but how we solve it, with advancing technology, is what is really going to make the difference.
That takes me back to the point about the need to have information up front, so that people are not misled in the sales process. Clarity is key. I know the Minister is keen to quote the example of Dua Lipa, but I did my own research on ticket face value. My team and I came across a ticket on Viagogo that was priced at £250 but marked up to £5,167.
We can clearly see that that profit is not going where it should, which is upsetting for fans and frustrating for venues and, perhaps most importantly, angers the artists. Through no fault of their own, they are then labelled as a problem because they are pulled into the secondary market. As many hon. Members will know, and as we have heard, there was particular frustration about the use of computer-powered software. As we heard from the hon. Member for Cramlington and Killingworth, we all welcomed the last Government taking action to strengthen the law on ticket information requirements and introducing a criminal offence for the use of automated software to buy more tickets online.
I often think that it is wise to learn from other hon. Members in this place. With that in mind, I looked to see what the Minister had previously said on the topic, given his long-standing interest. I noticed that in April, when the then Government announced a review into the market, he castigated them and said:
“The idea of a review at the dog end of a Parliament and at the end of the regime is absolutely pathetic”.—[Official Report, 30 April 2024; Vol. 749, c. 187.]
He continued by saying that Labour
“will bring these measures in and go further”. —[Official Report, 30 April 2024; Vol. 749, c. 187.]
So I have to admit that it is a surprise to see that the new Government’s plan, which they thought about for 14 years, is to introduce a consultation. In our exchange in the Chamber last week, the Minister quoted Bucks Fizz. He said,
“the previous Government had embraced Bucks Fizz…
‘Don’t let your indecision take you from behind.’”—[Official Report, 17 October 2024; Vol. 754, c. 966.]
I am pleased to see him being decisive by choosing to do exactly what the last Government did. He is so decisive, in fact, that when he was asked this week, he said:
“That is why we will be launching a consultation on the secondary ticket market soon—the piece of paper in front of me actually says ‘in the autumn’, but I am never quite sure when that is, so I am going with ‘soon’.”—[Official Report, 17 October 2024; Vol. 754, c. 969.]
I ask the Minister not to look back in anger at the last Government—after all, the Conservatives were caught beneath a landslide by a Labour champagne supernova. He is in the Government, and it is the Government’s job to get this right.
I have several questions for the Minister. When will the Government launch their consultation, not the one by the CMA? What is the scope of the consultation and what are its terms of reference—for example, will it include the role of search engines that signpost customers to touts, which is a real problem? When does it aim to conclude? Wider still, how does the private Member’s Bill presented by the hon. Member for Ealing Central and Acton (Dr Huq) fit into this? Is it a Government handout Bill and does it have Government support?
Finally, no one in the House wants to see the public or the artist ripped off, as the hon. Member for Knowsley (Anneliese Midgley) pointed out, so can the Minister clarify how the following fits into Labour’s vision for tackling the secondary market? The Prime Minister, then the Leader of the Opposition, stated that
“a Labour government will cap resale prices so fans can see the acts that they love at a fair price.”
Is that Labour policy? What is a “fair price” and for whom, and how does that translate into artists being paid for their talents? Furthermore, I hope that the Minister will forensically analyse the successes and weaknesses of the legislation that has been implemented in Ireland and is coming forward in Australia, with no fear or favour, to ensure that we get a fit with whatever is brought forward.
In closing, live events make a significant contribution to the UK economy, as many Ministers will know from their summers of concerts and sporting events. Indeed, it is tempting to mention the Prime Minister’s favourite country pop singer and her recent Eras tour, which provided an economic boost to this country of almost £1 billion. The Conservatives want the live events sector to continue to thrive, and to ensure that the ticket market is fair for consumers and well-priced. As the Opposition are looking forward to seeing the consultation, one could say that we are ready for it. I hope the Minister will announce further details not only “soon” but imminently.