Secondary Ticketing Market
Debate between Luke Evans and Chris Bryant(4 weeks ago)
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The Minister for Creative Industries, Arts and Tourism (Chris Bryant)
It is a great delight to see you in your seat, Mr Rosindell, not least because we have been knocking around these parts as MPs for about the same time. It pays to hang on in there, doesn’t it? It is a great delight to congratulate my hon. Friend the Member for Cramlington and Killingworth (Emma Foody) on securing this debate. This is an innovation that I have started in the last few debates that we have had here: I am going to try to answer the questions that hon. Members have put to the Minister as much as I possibly can.
Chris Bryant
Hang on. In the words of Shania Twain, “That don’t impress me much”.
My hon. Friend the Member for Cramlington and Killingworth asked what we can do under the current legislation. It is a frustration, certainly for this Minister—I am not sure that previous Ministers felt it—that although several different bodies could bring forward prosecutions, the number of prosecutions has been so few. I fully understand why trading standards has struggled, because for the last 14 years, local authorities have had difficult budgets and sometimes it has not had the resources that it needs to take forward these issues.
It is not for me to directly tell trading standards or the CMA when to take action— we believe in the separation of powers, so that would be completely inappropriate —but the more that the prosecuting authorities feel able to act in this sphere, the better. If they want to come to me and say that they do not have the powers or the resources that they need, I am happy to hear that and we can act on that basis, but it is frustrating that I cannot tell them to act in individual cases.
Chris Bryant
I will not, if the hon. Gentleman does not mind, because I will try to answer all the questions. I will come on to his questions later.
One key matter that we will have to get right—if and when we bring forward legislation in this field—is enforcement, because there is no point bringing forward new lews if we cannot enforce them. We made manifesto commitments during the general election that we are absolutely determined to implement. As for when they will be implemented in legislation, we have had one King’s Speech; there will be another one coming along. I do not want to tell the Leader of the House precisely who will have what Bills at what time, because I might not stay in my post if I keep doing that, but if there is a Bill at some point, we will have to ensure that we sort out the enforcement issue. That is one element on which we will be consulting.
My hon. Friend the Member for Cramlington and Killingworth said that this issue is not at the top of the list of Government priorities. Whenever I post about it on X, people say, “Bryant, get on with doing the things that really matter to your constituents.” Well, this is one of those issues. The Government can do more than one thing at the same time. This is part of a panoply of measures that we need to implement to ensure that we put fans back at the heart of music, live events and sport. It is part of a wider Government strategy to rejig the economy so that it works for all of us. As my hon. Friend quoted:
“What is a club in any case?...It’s the noise, the passion, the feeling of belonging”.
It is fundamentally about the fans. They are the people who have created the value, and it is despicable that they are not able to benefit from it.
The hon. Member for Chelmsford (Marie Goldman) made the point that things have got worse since 2012. I think she is right, which is why it was a bit cheeky of the shadow Minister, the hon. Member for Hinckley and Bosworth (Dr Evans), to pretend that they had not been in government for 14 years, and to actually praise the previous Government for taking no action in this area. We are determined to take the necessary action, and I hope that the hon. Member for Chelmsford and her party will support those measures.
My hon. Friend the Member for Washington and Gateshead South (Mrs Hodgson) used the word “parasite” at one point. On the “Today” programme, someone was saying that leeches have had great difficulty reproducing of late, but that they have discovered a new way. I do not want to overstate this metaphor, but we could argue that what we see in the secondary market is a form of leeching off the creative endeavours and the fan-led passion of so many others.
I will give some more examples. “Vampire” is my favourite of Olivia Rodrigo’s songs. We can get tickets for her concert in Manchester on 1 July next year on StubHub for £1,506, with a face value of £200. If we go to Viagogo, the price is £2,573 for exactly the same event—almost identical tickets, just a few rows in. That ticket’s face value, which we find only once we have gone two thirds of the way through the process with Viagogo, is £50. That is a shocking 5,146% increase. We can buy tickets for James Blunt—everybody knows I am not a great fan of his and he is no great fan of mine—that have a face value of £105 for £327 on StubHub.
It is not just about music: the England versus South Africa autumn international rugby tickets for 16 November, with a face value of £145, cost £889 on Viagogo. We should tell the Chancellor of the Duchy of Lancaster, who I think is the world’s greatest Bruce Springsteen fan, that tickets with a face value of £150 are selling on Gigsberg for £1,044.08. Tickets for the world darts championship being held at Alexandra Palace on 30 December this year, with a face value of £55, are £248 on Gigsberg. I could go on, because this is an endless daily source of—frankly—racketeering based on a fundamental unfairness, and that is what we want to put right.
My hon. Friend the Member for Ipswich (Jack Abbott) and I have talked about several issues in relation to the creative industries in his constituency. He made the point about Ed Sheeran, whom I think has made Framlingham castle more famous for him than for Queen Mary, which is quite an accomplishment after so many hundreds of years. That is also part of our tourism industry, as people want to go to Framlingham castle to see the place that “Castle on the Hill” was written about, so we need to capitalise on that. But we cannot if none of the money ends up going back into the creative industries or even into the local economy, and simply goes off into a black hole.
Chris Bryant
And yet so far. Change is coming. I say to all the people I have referred to—Gigsberg, Viagogo, StubHub, Ticketmaster and all the rest—that change is coming, so they should start getting ready for it, because that is what we are determined to deliver.
Oral Answers to Questions
Debate between Luke Evans and Chris Bryant(1 month ago)
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Dr Luke Evans (Hinckley and Bosworth) (Con)
It is an honour to stand at the Dispatch Box for the first time, although I have to admit that it is not how I pictured it. I will do my best not to be a pain in your neck, Mr Speaker.
In a nutshell, the creative industries are worried that the Government will essentially give away their intellectual property. I am pleased to hear the Minister’s response, but the growing concerns were raised by the Chair of the Select Committee following comments by a Minister in the Department for Science, Innovation and Technology. With that in mind, will the Minister confirm that he will not give away IP through an exemption? Will he assure the House that he will not implement the EU’s approach, given its flaws? Finally, will he commit to holding a summit between the tech and creative industries to explore licensing and other models?
Chris Bryant
It is absolutely essential that we protect intellectual property, which is one of the key things this country has to sell. We have already had two meetings with representatives from the creative industries and tech companies, and we are keen to move forward.
I welcome the hon. Gentleman on his décolleté first appearance at the Dispatch Box. However, I gently push back on his suggestion, as I think the previous Government had embraced Bucks Fizz more than anything else:
“Don’t let your indecision take you from behind.”
The previous Government did absolutely nothing in this territory. We are determined to get to a proper resolution that satisfies the needs of both the creative industries and artificial intelligence.
Edinburgh Festivals: Cultural and Economic Contribution
Debate between Luke Evans and Chris Bryant(1 month, 2 weeks ago)
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Dr Luke Evans (Hinckley and Bosworth) (Con)
It is a pleasure to serve under your stewardship, Mr Efford. I hope you do not mind that I have taken off my collar to allow a bit of movement. If my head starts to wobble, please do intervene. Congratulations to the hon. Member for Edinburgh East and Musselburgh (Chris Murray) on securing this debate. It is fantastic to have a discussion on this. Looking through Hansard, I note there has not been a debate on this topic since 1992. He brings a wealth of knowledge and passion that clearly came through, as it did in speeches by a variety of MPs whom I do not have time to thank. That was our own MP fringe event happening right here.
I admit I have never been to the fringe festival, although strangely I, too, have been to a stag do in Edinburgh. I always like to look what the best joke was each year. This year’s was from Mark Simmons:
“I was going to sail around the globe in the world’s smallest ship but I bottled it.”
I first saw him on TikTok, which shows the power of how these artists can spread. Have I stolen the Minister’s line?
Dr Evans
I was also interested to hear that another major Scottish city—Glasgow—has been successful in getting the Commonwealth games. I believe the hon. Member for Edinburgh East and Musselburgh moved to Edinburgh from his home town of Glasgow. It is great to see that success in both those cities is supporting the UK as a cultural destination. I wish the city of Edinburgh well as it prepares for its international storytelling festival, with Hogmanay on the horizon.
The previous Government provided significant support to the sector, including the then Chancellor’s spring Budget, in which he announced £8.6 million of support to festivals, to help boost Scotland’s status as a destination for creative industries, as we have heard. I also understand that the Edinburgh and South East Scotland city regional deal, agreed under the previous Government, is giving the city the chance to unlock opportunities for economic and cultural growth.
The hon. Member for Edinburgh East and Musselburgh is well aware of the successes of the festivals. I thought I would add a couple more bits of data: more than 2.6 million tickets issued, more than 3,746 shows registered, and more than 60 different countries represented on stage. That shows the appeal, not only locally but internationally. As my hon. Friend the Member for Gosport (Dame Caroline Dinenage) said, the R&D incubator for the creative industries is something we must cherish.
I noted that the Edinburgh fringe app was downloaded 124,000 times, which shows that a traditional festival can move with the times, and work with others to be creative and engage more people. The extent of the data on the impact of this year’s festival has not been fully quantified or produced yet. In 2022, the Edinburgh fringe festival was on a par with the FIFA World cup. In 2022, BOP Consulting was commissioned by the Edinburgh festival to undertake an economic impact of the previous 11 Edinburgh festivals. The festival in 2022 generated an economic impact of £407 million—a significant increase from £280 million in 2015—not to mention the 7,000 direct jobs and 8,500 jobs across Scotland.
As the hon. Member for Edinburgh East and Musselburgh said in his maiden speech just a couple of months ago,
“culture, hospitality and tourism form the economic backbone of my constituency, not least in August, when it plays host to the Edinburgh international festival and fringe.” —[Official Report, 25 July 2024; Vol. 752, c. 883.]
With that, and turning to the Minister, I am interested in understanding whether he believes the visitor levy being proposed in Scotland will benefit the Edinburgh festivals. Will it benefit the city of Edinburgh and Scottish tourism as a whole? I understand that Edinburgh City Council, as well as Glasgow and Aberdeen, are looking at using the legislation. Does the Minister feel that Scotland has got this right and is he considering that across his Department in Westminster?
The Minister has a jam-packed portfolio, and I would hate tourism and the creative industries to become a fringe, as they are too valuable for that. Will he ensure that the creative industry budget is maintained in the upcoming Budget? Has he spoken directly to the Chancellor about tourism and creative industries? What assurances has he received that the creative industries will be protected, with tax reliefs maintained?
That being said, we are all here to celebrate a fantastic event. I again put on record my thanks to the hon. Member for Edinburgh East and Musselburgh for bringing this forward, from 1992 all the way to 2024.
Chris Bryant
There we are—I have been corrected. The most important point my hon. Friend made was about creative education. We need to make sure that every single child in this country gets a proper creative education. It is a force multiplier for other forms of education and means that children will prosper better in the work market. We are determined to transform that.
My hon. Friend—sorry, the hon. Member—for Edinburgh West (Christine Jardine)—she is a friend as well; she is a very friendly person—is from my mother’s part of the world: Glasgow. She made a very important point about the world’s window on us. That element of soft power, which several Members have referred to, is important. The Edinburgh festivals as a whole are an important part of that. For instance, the film festival and the television festival are world-renowned moments when people look to the UK. She talked about the cost of accommodation in Edinburgh, which goes back to some of our discussions about short lets. It is a significant concern, and one of the things that we want to learn lessons from.
My hon. Friend the Member for Edinburgh North and Leith (Tracy Gilbert) also referred to accommodation costs. I am conscious that some people think we are going to be looking at dynamic pricing in relation to those costs: we are not; we are looking at dynamic pricing in relation to tickets. It is very interesting that the Edinburgh festivals do not use dynamic pricing. That is a really important part of making the whole package affordable and more accessible to more people.
My hon. Friend the Member for Glasgow West (Patricia Ferguson) referred to the book festival—it is not just because Walter Scott gets a great big statue; so many literary figures have come from Edinburgh. She also referred to the importance of Edinburgh being a UNESCO city of literature.
The hon. Member for Cheltenham (Max Wilkinson) talked about the Cheltenham festival. I welcome him to his place and look forward to working with him. I am going to answer the questions from the shadow Minister, who I think sings in a barbershop quartet or chorus—
Chris Bryant
Not yet—all right. He asked about the levy in Scotland, which is of interest to lots of people. Lots of other countries do it; it is not something that we are pursuing at the moment. He asked about the creative industries in the Budget—well, he will have to wait for the Budget, won’t he? He asked about tax reliefs—he can wait until tomorrow morning.
Question put and agreed to.
Resolved,
That this House has considered the cultural and economic contribution of the Edinburgh festivals.