Brexit: Creative Industries’ Access to European Markets Debate

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Department: Department for Digital, Culture, Media & Sport

Brexit: Creative Industries’ Access to European Markets

Lord Suri Excerpts
Wednesday 15th May 2019

(5 years, 7 months ago)

Lords Chamber
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Lord Ashton of Hyde Portrait Lord Ashton of Hyde
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My Lords, I agree with the noble Lord that it is no small thing. As many noble Lords will know, the Government produced two analyses of the economy as a whole in November last year and February this year. There has not been a separate economic analysis comparing the two scenarios he mentioned, but I think it is clear to everyone that a Brexit which involves an agreement with the EU is better, because it allows us more time to negotiate a future economic partnership which, crucially, involves reciprocity in many of the areas that concern the creative industries, such as movement of talent.

Lord Suri Portrait Lord Suri (Con)
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My Lords, the continued growth of the UK creative industries is founded on the creative education, research and innovation delivered in UK universities. The UK’s creative education sector is highly dependent on access to European markets and funding. Brexit threatens to damage the reputation of the UK as a centre of the creative arts. The workforce in creative higher education, like that of the wider creative industries, is critically dependent on continued access to skilled workers from Europe, as well as non-EU countries. The Government should work closely with creative universities, particularly UAL, to review the shortage occupation list to ensure that it reflects the economic need for the training skills provided by the creative industries.

Lord Ashton of Hyde Portrait Lord Ashton of Hyde
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I very much agree with my noble friend that the academic sector in this country plays a vital role in sustaining our creative industries, and we certainly intend that to continue.