European Union (Future Relationship) Bill

Lord Clement-Jones Excerpts

3rd reading & 2nd reading & Committee negatived & 2nd reading (Hansard) & 2nd reading (Hansard): House of Lords & 3rd reading (Hansard) & 3rd reading (Hansard): House of Lords & Committee negatived (Hansard) & Committee negatived (Hansard): House of Lords
Wednesday 30th December 2020 Lords Chamber

[Lord Clement-Jones (LD) [V]]

My Lords, the Prime Minister and his colleagues have a nasty habit of telling us to sing “Land of Hope and Glory” while selling key sectors and interests down the river. Last year it was Northern Ireland, now it is Gibraltar and the fishing industry, and it has become clear that our creative industries too are being sacrificed on the altar of so-called sovereignty.

We have been assured by Ministers countless times of the value they place on the arts, but they have now abandoned one of our most successful sectors, already heavily battered by Covid lockdowns, to its own devices. The noble Baronesses, Lady Bull and Lady Bakewell, are absolutely right. In the trade and co-operation agreement, our hugely successful audio-visual sector is specifically excluded. They represent 30% of all channels in the EU, but if they are not to be subject to the regulators of every single country, they will need to establish a new hub in a member state.

We can look in vain for anything that helps our touring artists, particularly musicians, actors and sports professionals, with the ending of freedom of movement for UK citizens. From January, when freedom of movement ends, anyone from the UK seeking to perform in an EU country will need to apply for a costly visa for that country, carnets for their musical instruments and necessary CITES permits, and even, perhaps, provide proof of savings and a certificate of sponsorship from an event organiser. No wonder a petition seeking the UK Government to negotiate an EU-wide touring work permit and a carnet exception has gained over 200,000 signatures in record time, and no wonder UK Music and the ISM have expressed their dismay.

On top of this, quite apart from its dramatic impact on the creative industries, there are huge gaps in the agreement. Services are barely covered, despite making up 42% of our trade with the EU. There is no deal on recognition of professional qualifications, no deal on data adequacy, no membership of the Erasmus scheme for our students, as we have heard, and very limited recognition of the needs of the tourism, travel and hospitality industry, especially given the catastrophic impact on jobs that Covid is forecast to have on the sector. This is a failure of negotiation on a grand scale.

Our architects and engineers, who have made a huge impact on the built environment on the continent over the past 40 years, will have no right to work in the EU. Service industries, global business and tech companies who depend on data exchange with the EU will have no assurance that data flows can continue after six months. Our UK students, 15,000 of whom have taken advantage of the Erasmus scheme each year for exchanges and work placements, will no longer take part.

To describe this as a thin deal does not quite cut it; the Bill implementing it hugely erodes parliamentary sovereignty. “Negligent” and “ignorant” are words that describe it most aptly.