Queen’s Speech

Lord Berkeley of Knighton Excerpts

Tuesday 18th May 2021 Lords Chamber

[Lord Berkeley of Knighton (CB) [V]]

My Lords, congratulations to the noble Baroness, Lady Fullbrook, on a fine maiden speech. I am sorry that we will have to wait for that of the noble Baroness, Lady Fleet. Congratulations too to the Chancellor on the initial financial interventions he made to try to keep business and the arts still standing, but there is pitifully little in the Queen’s Speech on that desperately challenged creative industries—in particular music, in which I declare my interest as listed in the register.

The decision to concentrate the Chancellor’s resources on existing and proven organisation— understandable in many ways—has left many individuals to fall through the support net. I of course accept that one cannot please all of the people all of the time but, sadly, a confluence of government policies means that we now have a profoundly worrying outlook for the creative industries, despite the fact that the Government are always at great pains to point out that they value and acknowledge the billions of pounds that these industries generate for the Exchequer.

I have a quick question for the Minister. If 20,000 football fans can sing “Abide with me” at Wembley, why can a socially distanced choir still not sing together? If, indeed, real value is given to what creativity has brought to this country—not just financially but socially and aesthetically—surely we ought to be securing its future by investing in the opportunities and training that we give to succeeding generations. Yet we seem to be doing quite the reverse. First, disastrously, the arts came off the national curriculum and, while hubs do a certain amount for music, once again many fall through the system. Now we are told that there is to be a 50% cut in higher education for arts subjects. What are we to make of that? What do the Government think that says about their priorities, in particular for the less privileged—those who come from disadvantaged backgrounds and who we are keen to see level up?

My noble friend Lord Bird potently made my point: social cohesion improves when people are given the creative means of self-expression. The number of children and young adults who find their way into music, art or dance because of enlightened exposure at a tender age is remarkable. Whether it is the London Symphony Orchestra, a string quartet or Radiohead, the ability to learn an instrument or read music at school had led to our having the musicians and composers who have brought this country worldwide admiration and income.

So what of these artists? Frankly, the post-Brexit agreement, or lack of agreement, on touring is disastrous. We are told that the DCMS is in consultation with representatives of our cultural organisations, and that advice will be offered on how to deal with visas and work permits for the 27 countries involved. However, that is shutting the stable door after the horses have bolted. We were assured by the Prime Minister that the problem would be sorted, and recent legal scrutiny commissioned by the Incorporated Society of Musicians suggests that it could and should have been. In fact, no visible progress has been made at all. Oliver Dowden’s statement to the Culture Select Committee last week did not, I am afraid, encourage me that we were about to see any significant change. The rules still vary from country to country. Some only allow up to 14 days’ stay and we still have no prospect of a solution to the road haulage problem. The Government seem to be paralysed, unable or unwilling to help.

I believe, and have been assured, that the truth is that the EU wanted this vital exchange of ideas and performances much more than our Government did, or do. Let me put it another way: in order to preserve the Government’s absolute obsession with their immigration red lines, the creative industries and musicians in particular were sold down the river—a river flowing now towards the open sea where they will doubtless meet the fishermen who feel that they too were sold unfulfilled promises.

[The Deputy Speaker (Lord Lexden) (Con)]

The noble Baroness, Lady Newlove, has withdrawn. I call the noble Lord, Lord Mann.