Museums and Galleries

Lord Ashton of Hyde Excerpts

Tuesday 23rd January 2018 Lords Chamber

[The Parliamentary Under-Secretary of State, Department for Digital, Culture, Media and Sport (Lord Ashton of Hyde) (Con)]

My Lords, I have two problems in answering this debate. One is that I have a slipped disc and it takes me about a minute to stand up without grimacing—I am not grimacing because I do not want to reply. The second problem is that I misinterpreted the debate and have a 20-minute speech instead of a 12-minute one. I will do the best I can so I will speak quickly, if I may.

I thank my noble friend Lord Cormack for securing this debate and all other noble Lords for their interesting contributions. We are deeply committed to museums, as to all arts and culture. Museums play an important role in our lives and our society. They look after the historic, scientific, global and local collections that help us to understand the world around us and who we are as people. They make our towns and communities places where people and businesses want to be and to visit. They attract foreign visitors and give them a sense of Britain’s values.

The period of change that we have seen over recent years led the Government to commission a review, as we have heard. It is the first of the whole sector in more than 10 years, looking in depth at museums and their challenges and opportunities. This shows the importance that the Government place on museums and on culture. As we have heard, the Mendoza review was published in November 2017, and the Government are very grateful for Neil Mendoza’s hard work over more than a year of research and thinking. I am also grateful to the noble Baroness, Lady Andrews, for her welcome of the review. The response from John Glen, the then Minister, was published the same day. He welcomed the review and committed to implement all its recommendations. I am pleased to say that Michael Ellis, the new Minister, has reiterated his enthusiasm as well.

I note first that Neil Mendoza and his team found that there is not a crisis in the museums sector, contrary to the perceptions which some may hold. There are, of course, some museums that have struggled and faced very serious problems, often because of councils and local authorities withdrawing funding. Many noble Lords mentioned this. It is sometimes difficult to accept hard decisions, but it is right that decisions which directly affect local matters are taken locally.

I absolutely do not wish to overlook the difficulties of some individual museums. Some museums have indeed closed, but museums should not be institutions that simply assume they can always exist as they have. Many museums have adapted and found different ways of doing things, and some new museums have opened. Overall, it was found that the museum sector is already impressive and well placed to thrive. For example, Neil Mendoza found great work in Norfolk, Barnsley, Derby, Cornwall and Manchester, and in many other places.

As many noble Lords have observed, the funding environment for some museums has been tight. The review goes into some length about how many museums have adapted to this. Many museums have innovated and found ways to make money go further, work together to share costs or generate more income. For the first time, the review brought together all public funding sources to museums, as much as is possible. They still receive over £800 million every year from 16 different sources. The Government continue to help museums. The new tax relief for exhibitions is now in effect and is expected to provide £30 million per year. There will be a further £4 million through the DCMS/Wolfson fund to be spent in 2019-20. Museums will also benefit from the Government’s recent announcements on creating a cultural development fund of £2 million to work on pilots —I make the point to my noble friend Lord Cormack that it is £2 million to work on pilots, not the actual amount to spend—and a £7.7 million curriculum fund.

We in DCMS are conscious of our role, as mentioned by my noble friend Lord Eccles and the noble Lord, Lord Clement-Jones. We are taking steps to address the challenges in the sector. I have said that the Government agree with the review recommendations, as outlined by the former Minister John Glen, and I am therefore very pleased that he moved to the Treasury in the reshuffle. His successor, Michael Ellis, has met Neil Mendoza, and I know he is also very supportive.

Over time, we expect to implement the Mendoza Review in full. First, we will prioritise the museums action plan. The key improvement will be better joined-up activity between government funders. DCMS, Arts Council England and the Heritage Lottery Fund will produce a plan showing how their funding will be used more strategically across the country to support the nine priorities Neil Mendoza identified for the sector. We will also prioritise the partnership framework.

[Lord Patten (Con)]

My Lords—

[Baroness Chisholm of Owlpen]

My Lords, this is a time-limited debate. The Minister has 12 minutes to answer. I am really sorry.

[Lord Ashton of Hyde]

The partnership framework will help better co-operation around how the national museums work with the wider sector. National and regional museums already work in partnership on many galleries and projects, for example, loans of objects such as the V&A lending the Great Bed of Ware to Ware Museum or the British Museum’s partnership with galleries all over the UK with long-term loans for permanent galleries. This goes both ways. The Science Museum in London recently benefited from the loan of the beautiful Silver Swan automaton from the Bowes Museum. I am sure the noble Lord, Lord Rees, approves of that.

These steps highlight a key finding that money is not the only answer. Museums have a responsibility to be creative and innovative, to look at their communities and think hard about their place in them and what they have to contribute and to make themselves relevant in a changing, increasingly online, world and places where people want to spend time and experience the collections.

I now turn to some of the points raised by noble Lords. The noble Lord, Lord Rees of Ludlow, talked about science museums. I thank him for that and for paying tribute to the fantastic work of the Science Museum Group. I could not agree more, and I am delighted that the new Minister for the Arts, Heritage and Tourism, Michael Ellis, will be visiting the National Railway Museum in York later this week to see first hand the planned redevelopment.

The noble Lord, Lord Monks—flattery will get him everywhere, of course—and the noble Lord, Lord Griffiths, mentioned the People’s History Museum. I agree with them on the benefits and interest in the People’s History Museum. It is a marvellous museum. The noble Lord talked about it losing funding. It used to receive £150,000 a year from DCMS in direct grant in aid funding, which was removed, but it successfully applied to become an Arts Council national portfolio organisation and will receive just over double what it previously received annually. However, I concur with the noble Lord’s recommendation to visit that museum.

My noble friend Lord Eccles made some interesting points, particularly about DCMS. We will support museums as they rethink their place in today’s society. The action plan will help put a funding framework around priorities such as how museums work with audiences and help shape places. The Government fund national museums at arm’s length and regional museums through the Arts Council. This means that museums are fiercely and gladly independent, curatorially and operationally. We think it is a major strength of the sector and do not wish to interfere in museums’ practice.

The noble Lord, Lord Clement-Jones, asked about the operational freedoms pilot. This was set out in a strategic review of government-sponsored museums. We will seek to evaluate the operational freedoms pilot three years after they become permanent in 2018—this year—and will set out our evaluation plans in due course.

The noble Lord, Lord Rees, talked about London-centric national museums. There are 24 branches of national museums outside London, and in 2016-17 the national collection was lent out to more than 1,300 UK venues. We absolutely take his point, but we are working hard to move the benefits of the national museums to a wider audience around the country.

My noble friend Lord Cormack mentioned business rates, which of course are a real problem. The Government are working to revitalise the business rates system, and the Ministry of Housing, Communities and Local Government is currently consulting on the fair funding review. We are aware that the sector has some concerns about how the business rates system affects museums. Many museums are charities and enjoy 80% mandatory rates relief. The York Museums Trust Upper Tribunal decision in 2017 was a milestone, and we are working with the Treasury and the VOA to understand the decision and its long-term impact.

The noble Earl, Lord Clancarty, talked about ivory sales. The proposals on those include specific exemptions for sales to and between museums. Defra does not intend the proposed ban to impact on the display of items by museums or to prevent museum-to-museum loans where currently allowed.

The noble Viscount, Lord Falkland, reminisced that there was not much going on west of Bristol when he was a bit younger. I can assure the noble Viscount that there is now plenty of culture to be had in the south-west of England: Tate St Ives reopened in autumn 2017; the Mary Rose in Portsmouth is a fantastic attraction; and the 70-strong Cornwall Museums Partnership, working with its local enterprise partnership, goes from strength to strength. I urge him to revisit his youth and capture his Inverness enthusiasm in the south-west.

The noble Baroness, Lady Grender, and the noble Viscount talked about school visits and young people. The curriculum fund will support leading cultural and scientific institutions in bringing high-quality materials from our rich cultural and scientific heritage directly into the classroom. It is worth £7.7 million, and the DCMS is working with the Department for Education to engage the relevant stakeholders.

I conclude by talking about national museums working with regional museums. As I mentioned, the national collection was lent out more than 1,300 times, and ACE has provided £3.6 million to regional museums to help them improve their galleries to protect and display borrowed items through the ready to borrow scheme.

The nation’s museums represent a successful, resourceful and creative sector. The Government are focusing on how we can support an environment in which museums can flourish on their own terms, and the steps I have outlined will help to do that. My time is up, and I will write to those noble Lords whose questions I have not yet managed to answer, with apologies.