Immigration and Social Security Co-ordination (EU Withdrawal) Bill

Lord Aberdare Excerpts

Committee stage & Committee: 2nd sitting (Hansard) & Committee: 2nd sitting (Hansard): House of Lords
Wednesday 9th September 2020 Lords Chamber

[Baroness Jones of Moulsecoomb (GP)]

My Lords, I rise to support Amendment 59 but, in fact, having listened to the debate and read them a bit more closely, I in fact support most of the amendments in this group. Most of them refer to two things that I care very much about. The first is holding our Government to account, which seems to be something that gets increasingly difficult as days go by. Secondly, I feel very strongly that, if you do not assess things, you are not going to get things right. Clearly, all the issues in this group need assessment. As the noble Earl, Lord Clancarty, said, we need an evidence base or we simply cannot know whether we are doing the right thing. Almost all these amendments seem like common sense, and I hope that the Government listen.

[Lord Aberdare (CB)]

My Lords, I add my strong support for Amendment 69 in this group with regard particularly to the impact on musicians. I shall try not to repeat too much of the detail of the points already so powerfully made by the noble Lords, Lord Clement-Jones and Lord Bruce of Bennachie, and my noble friends Lord Clancarty and Lady Bull.

Through a combination of Brexit and Covid-19, musicians have suffered a perfect storm of career-threatening body blows. Covid-19 has made many forms of musical performance impossible and severely restricted most others. On top of that, many musicians depend for a significant part of their income on touring or performing overseas, often at short notice, which may be severely affected as a result of the ending of free movement. As we have heard, that impact could take a variety of forms relating to obtaining visas, transporting instruments, obtaining health cover or, indeed, avoiding having to pay double social security contributions.

I do not need to remind the House, particularly after this debate so far, that this is a sector that not only creates enormous economic, social and cultural value for the whole UK but has suffered perhaps more than any other from the impact of Covid-19, with little prospect of any significant improvement before November at the earliest, for those who can survive that long. We owe it to the sector to ensure that the ending of free movement for EU musicians under this Bill, and any resulting reciprocal arrangements introduced by other countries, do not impose additional constraints on the ability of musicians to resume their activity on a meaningful scale, not least because our cultural ties with Europe and the rest of the world will be even more important after political links with the EU are severed.