Media Bill (Fourth sitting)

Kirsty Blackman Excerpts

Committee stage
Thursday 7th December 2023 Public Bill Committees

[Stephanie Peacock]

I am, of course, aware of the complexity of removing the tier 1 element from the Bill at this stage, and I acknowledge that agreeing to this set of amendments would create difficulties for the Bill more generally. I was aware of that when drafting the amendments, but I wanted to raise the issue that the Bill is perhaps not clear enough about—what the video-on-demand provisions will apply to and how audiences would receive the certainty they need. The Minister has alleviated some of those concerns today, so I beg to ask leave to withdraw the amendment.

Amendment, by leave, withdrawn.

[Kirsty Blackman (Aberdeen North) (SNP)]

I beg to move amendment 38, in clause 37, page 77, line 34, at end insert—

“(5A) In section 368C (Duties of the appropriate regulatory authority), after subsection (6) insert—

‘(6A) The appropriate regulatory authority must draw up, and from time to time review and revise, appropriate guidance relating to the duty of providers of on-demand programme services to ensure the archiving and retrieval of programming delivered by these services for the purposes of preserving cultural heritage.

(6B) The guidance under subsection (6A) must include guidance on providers’ relationships with—

(a) the British Library;

(b) the National Library of Scotland (Leabharlann Nàiseanta na h-Alba);

(c) Llyfrgell Genedlaethol Cymru (the National Library of Wales);

(d) the Library of Trinity College Dublin;

(e) the British Film Institute.’”

This amendment would place a duty on OFCOM (or other regulator) to draw up guidance aimed at streaming services giving them duties to liaise with legal deposit libraries and the BFI to ensure that appropriate measures and strategies are in place for the archiving of video.

[The Chair]

With this it will be convenient to discuss new clause 9—National Television Archive—

“(1) The Communications Act 2003 is amended as follows.

(2) In Part 4A, after section 368R, insert—

‘368RA Contributions towards maintenance of national television archive

(1) OFCOM shall, for the financial year which includes the commencement of this section and each subsequent financial year, determine an amount which they consider it would be appropriate for a provider of on-demand programme services to contribute, in accordance with this section, towards the expenses incurred by a nominated body in connection with the maintenance by it of a national television archive.

(2) In this section “a nominated body” means such body as may for the time being be nominated by OFCOM for the purposes of this section, being a body which—

(a) appears to OFCOM to be in a position to maintain a national television archive, and

(b) is engaged in preserving the cultural and social heritage in one of more of—

(i) Scotland,

(ii) Wales,

(iii) Northern Ireland, or

(iv) England.

(3) A provider of on-demand programme shall pay to OFCOM, in respect of each of the financial years mentioned in subsection (1), such amount as they may notify to them for the purposes of this section, being such proportion of the aggregate amount determined for that year under that subsection as they consider appropriate (and different proportions may be determined in relation to different persons).

(4) Any amount received by OFCOM by virtue of subsection (3) shall be transmitted by them to a nominated body.’”

This new clause would extend the current provisions under the Broadcasting Act 1990 that pertain to Channel 3, Channel 4, and Channel 5 to on-demand programme providers, namely that they make a contribution towards the costs of a national television archive.

[Kirsty Blackman]

It is a pleasure to take part in this Committee again today. Amendment 38 and new clause 9 relate to the archiving of television content.

The television archives are pretty fabulous. A lot of stuff is available there, but there are also significant gaps, including some of the earliest broadcasts. Earlier this year, Aberdeen celebrated 100 years of radio broadcasting. Aberdeen has been a hub of Gaelic radio broadcasting for quite some time, which is slightly bizarre given the small number of Gaelic speakers in Aberdeen. Unfortunately, we do not have access to some of the earliest broadcasts, because they were not properly archived or saved. We have seen that issue through the years with a number of different things.

The amendment is meant to probe. It is a request for the Minister to have a look at the issue and highlight the disparities in relation to it. Amendment 38 asks the regulatory authority to

“draw up, and…review and revise, appropriate guidance relating to the duty of providers of on-demand programme services to ensure the archiving and retrieval of programming”

to ensure that our cultural heritage is preserved. I do not think that it is unreasonable for the Government to require that of agencies or on-demand programmers that are providing programmes that are part of our cultural heritage.

--- Later in debate ---

[Sir John Whittingdale]

I think that there is general agreement across the Committee about the importance of archiving television programmes that are of cultural significance. That is already the case, as we know, for the public service broadcasters. Indeed, I can recall the excitement when various episodes of, for instance, “Doctor Who” or “Only Fools and Horses” were rediscovered, having been lost before the requirement for archiving was in place. The hon. Member for Aberdeen North is absolutely right that there are now examples of programmes or series commissioned by on-demand services that are of similar value—she mentioned “Bridgerton”, for instance. I was fortunate enough to go and see the final episode of “The Crown”, which Netflix showed us a couple of night ago, in advance of its being made available, and that undoubtedly will be seen for a long time to come as a culturally important programme that needs to be preserved.

Where we differ slightly is that the Government’s view is that a non-legislative approach is best able to achieve the objective of archiving on-demand content. The BFI is extremely active in this area and works directly with mainstream services such as Netflix and Amazon. The BFI National Archive has already entered into initial partnerships with Netflix and Amazon to provide both financial contributions and a curated selection of their UK content. The BFI is also talking to other subscription video-on-demand platforms and will continue to do so as it moves ahead with its Screen Culture 2033 ambitions.

We are pleased that considerable progress is being made and we do not want to impose unnecessary additional requirements on organisations at this time. Therefore we do not see a necessity to legislate at the moment.

[Kirsty Blackman]

I appreciate that, and I appreciate the work that the BFI is doing on this. In the event that the BFI found it particularly difficult to get an agreement with an on-demand service, would the Government assist with some of the conversations in order to ensure that the cultural heritage is preserved, if they were asked to give some level of assistance or if the BFI were struggling with some level of intransigence?

[Sir John Whittingdale]

I recall discussing this matter with the BFI some years ago and I absolutely share its wish, and indeed the hon. Lady’s wish, that it should have access to any of the programming content that it felt was important to preserve. I hope that the circumstances that she describes will not happen, but should they do so, I or whoever is holding my position would, I hope, be keen to assist in those discussions with any video-on-demand provider.

Finally, I come to the amendment that the hon. Lady tabled. Amendment 38 includes Trinity College Dublin, which of course is not a UK institution, and we do not feel that it would be appropriate to instruct the deposit of important works with an overseas institution. For that reason, and for the reasons that I have described, we cannot accept the amendment.

[Kirsty Blackman]

I thank the Minister very much and genuinely appreciate the way in which he has approached this amendment. I am pleased that around the room we are happy and keen to see the archiving of lots of culturally important television footage and on-demand footage as well. I believe, from what the Minister has said, that he has a good handle on this, and I am glad to hear that he does feel that it is important enough for the possibility of intervention in the future should a significant gap be identified. Hopefully, as he says, we will not get to the point at which that happens. Given the Minister’s comments, I am happy to beg to ask leave to withdraw the amendment.

Amendment, by leave, withdrawn.

Question proposed, That the clause stand part of the Bill.

[The Chair]

With this it will be convenient to discuss the following:

Amendment 28, in schedule 5, page 142, line 34, at end insert—

“(3A) In preparing or revising a code under section 368HF, OFCOM must take account of how principles will apply in a video-on-demand context where there is a library of content where users choose what programmes to watch and when.”

This amendment would place a requirement on Ofcom, when preparing the Video on Demand code, to consider how principles will apply in a VoD context where there is a library of content where users choose what programmes to watch and when.

Schedules 5 to 7.

--- Later in debate ---

[Kirsty Blackman]

The hon. Lady is making a powerful and important point. All of us feel better when we can see lives like ours reflected on the television screen. She is absolutely right that we currently see extremes for disabled people; we do not see them on television programmes living their lives as they do. It is all about, “That person is disabled, and that is why they are on this programme,” rather than, “That person is on this programme; they are living their life and they happen to be disabled,” which is much more reflective of life in general.

[Stephanie Peacock]

I completely agree. That is the point I am attempting to convey to the Committee: that we want to see everyday life reflected on television, and that obviously includes disabled people. What work is the Minister’s Department doing to open up opportunities for disabled people in the creative industries and to encourage better representation in the media?

As I have said before, if we to implement a new regime whose effects we really believe in, but that regime relies on Ofcom being a strong regulatory presence, Ofcom must be empowered to act with strength where that is needed; otherwise, the desired impact will not be realised. As such, I am happy with the powers set out in schedule 6, but what recent conversations has the Minister had with Ofcom about its capacity to carry out all the new duties bestowed upon it by the Bill? It is important to the integrity of the new regime for on-demand services, and to the Bill more widely, that there is confidence on all sides in Ofcom’s ability to enforce the new regulation.

Schedule 7 amends references to tier 1 services in the Representation of the People Act 1983, the Communications Act 2003, the Wireless Telegraphy Act 2006 and the Online Safety Act 2023. I will speak specifically about the amendments to the Broadcasting Act 1996, as those changes will have a more tangible impact. The changes in this schedule require Ofcom to create a tier 1 fairness and privacy code and to bring tier 1 services in line with Ofcom’s enforcement powers on breaches of the fairness and privacy code. Hopefully, that will protect members of the public from unwarranted infringements of privacy resulting from the activities of video-on-demand services, but some on-demand and streaming services, particularly Netflix, have raised concerns about the impact on their content and on Ofcom’s resources. They warn that, since the fairness and privacy code will enable complaints to be made from outside the UK, Ofcom could become something of a global policeman, and will have use its resources dealing with complaints from people who do not live in the UK but have failed to seek redress elsewhere.

That practice—complaint tourism—is of particular concern to Netflix in relation to its catalogue. It says it is aware of international complainants previously trying to use the UK regulator to get material removed. It appears from the pre-legislative scrutiny process that Ofcom does not share those concerns. Its approach seems to be that if harm is happening, or there is a risk of harm to UK audiences, it wants to know, regardless of whether a complaint is being raised by someone outside the UK. However, it would be reassuring if the Government and Ofcom worked together to monitor the extent to which the code requires Ofcom to manage a high volume of complaints from abroad, to ensure that genuine complaints can be handled appropriately and that complaints with malicious intent are not encouraged.

Overall, I hope it is clear that I am pleased that the on-demand services will finally be regulated. I look forward to hearing more from the Minister in response to my questions about the details.