S4C Debate

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Thursday 31st January 2013

(11 years, 9 months ago)

Westminster Hall
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Alun Cairns Portrait Alun Cairns (Vale of Glamorgan) (Con)
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Thank you for chairing this debate, Sir Alan; it is pleasure to serve under your chairmanship. I extend my appreciation to the Backbench Business Committee for responding positively to my request for this debate. Its members, like all Members here, recognise the importance of S4C.

The purpose of this debate is to recognise and underline the important role that S4C has played in Wales over the past 30 years, but I also want to look forward to how the channel can develop and respond to changing needs in the new media age. This is also an opportunity to seek assurances from the Minister about his Department’s continued role in supporting and funding the channel.

It is hard to recall how broadcasting in Wales looked before S4C started transmitting in 1982. I can just about remember when Welsh language programmes used to appear on the BBC and ITV. They irritated non-Welsh speakers and could hardly meet the demand of those who wanted to watch Welsh language programmes. “Pobol y Cwm”, “Heddiw” and “Fo a Fe” are just three of the programmes I remember best. Although “Pobol y Cwm” remains with us, it has changed significantly and holds the record for being the BBC’s longest-running soap opera. It is interesting to note that the first Welsh-language broadcast was in 1923, when Mostyn Thomas sang “Dafydd y Garreg Wen” on the radio.

S4C was born of the Broadcasting Act 1980, which established Channel 4 across England, Scotland and Northern Ireland and S4C in Wales. Before that time, there was some controversy. We should pay tribute to two people who played key roles in securing the Welsh channel. The first was the former Plaid Cymru MP Gwynfor Evans, who campaigned tirelessly; the other was Wyn Roberts, then MP for Conwy and now known as Lord Roberts. His influence as a Welsh Office Minister was key in encouraging Margaret Thatcher and Willie Whitelaw to agree to the channel.

Over the past 30 years, S4C has boasted a host of nominations and awards, including numerous BAFTAs. “Hedd Wyn” and “Solomon a Gaenor” were nominated for Oscars in the best foreign-language film category, along with several Emmys and New York film festival awards. S4C has an excellent reputation for animation; “Superted”, one of its first programmes, broadcast in 1982, became the first ever British animation series to be broadcast by Disney. I could go on and on.

Those awards not only demonstrate the channel’s cultural and artistic influence but underline its economic role. Films and programmes of such calibre have naturally created demand from international broadcasters. I could highlight several examples, but one of the most notable is “Jesus: The Miracle Maker”, seen in the cinema and on television by some 40 million people, including two peak-time viewings on the ABC network in the US.

The fallout from such success and Government spend has been the creation and development of a broadcast industry. Wales has 40 independent television companies, some of which have become significant UK players and are expanding internationally. Two obvious examples are Boom Pictures, which developed from Boomerang and is in the news today because of its deal with MainStreet Pictures, and Tinopolis, which bought Mentorn Media and Sunset and Vine.

Other notable companies winning commissions from UK networks are Rondo, Green Bay, Cwmni Da and many others. Their main activities are in Wales, where they create employment and wealth for the UK economy.

Jonathan Edwards Portrait Jonathan Edwards (Carmarthen East and Dinefwr) (PC)
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What does the hon. Gentleman think the state of the creative industries in Wales would be if there had not been an S4C?

Alun Cairns Portrait Alun Cairns
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The hon. Gentleman might be familiar with the Hargreaves report, which said that it is unlikely that there would be an independent television industry in Wales if not for S4C. The economic impact now adds between £80 million and £90 million to the economy. Although that is positive, it needs to develop further with a multiplier effect; I will return to that a little later. I note that every one of S4C’s chairmen and chief executives have contributed significantly to that success and provided excellent leadership over the years.

Digitisation created new opportunities, but also caused the channel some difficulties. S4C established its digital channel in 1998, changing the landscape significantly. Rather than broadcasting a limited number of hours of Welsh programming and taking the remaining feed from Channel 4, S4C Digital started broadcasting Welsh-language programmes all day long. Although there was a change in the funding formula, budgets naturally became tighter with increased demand for output. Increased viewer choice also had a fallout on viewer numbers. Depending on how we measure the channel’s success, audience numbers would naturally have been squeezed. Recent changes in viewing patterns to online, on-demand, satellite, mobile and other innovative formats have made Broadcasters’ Audience Research Board data less reliable.

Some politicians and leading individuals have sought to exploit the need for changes in the running of S4C for their own ends. Just over two years ago, my hon. Friend the Member for Aberconwy (Guto Bebb) held a debate on the channel here in Westminster Hall, after the Minister first proposed to change the predominant funding source from the Department for Culture, Media and Sport to the BBC. That debate was exploited to the full, despite assurances and guarantees offered by the Minister and the Secretary of State at the time. Questions were asked about operational independence and commissioning guarantees to independent companies. Despite the commitments offered by Ministers to my hon. Friend the Member for Aberconwy and me, the critics continued to be negative and to use the channel as a political stick, creating uncertainty and undermining confidence.

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Alun Cairns Portrait Alun Cairns
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I remind the hon. Gentleman how packed Westminster Hall was on that occasion. People who had never shown any interest in the channel came merely to use it as a political stick, rather than listening to the reassurances given by the Secretary of State and the Minister, which have now been realised in the agreement signed earlier this week. Until then, the channel had avoided being used for political purposes. I hope that it can return to that state of consensus on how it is supported. That is the best way to secure its long-term future. This week, those guarantees from the Government have become reality. I was pleased that the BBC Trust and the chairman of S4C approved their operating agreement. It is excellent news and exactly meets the Minister’s commitments. It satisfies the demands of the Welsh public, the industry, S4C and the BBC.

Some points in the agreement are still open to interpretation. They relate to powers to intervene, which lie with the trust rather than the corporation, and extreme circumstances in which the BBC could withdraw funding. It is important to emphasise that interpretation of “the BBC” in that document should refer to the BBC Trust, and that there is an expectation that the BBC Trust would consult Ministers and others well before getting into a position to withhold funding.

Jonathan Edwards Portrait Jonathan Edwards
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The hon. Gentleman is being very generous in giving way. The agreement is testament to the hard work of the chair of the S4C authority and the commissioner for Wales of the BBC. They seem to have managed to square a circle. Does he share my concern, however, that the agreement might be problematic if we had a commissioner for Wales on the BBC Trust who was hostile to Welsh-language broadcasting?

Alun Cairns Portrait Alun Cairns
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I refer to the point I have already made. I pay tribute to the people the hon. Gentleman has mentioned, but the agreement follows the commitment and guarantees that were given by the Secretary of State and the Minister at the time of the previous debate. It brings those commitments into reality, and I absolutely take confidence in the document and in the comments made by the chairman of S4C, its chief executive and the chairman of the BBC Trust. I absolutely accept those comments. That is why I wanted to clarify today the small points that are down to interpretation. It comes down to the matter of the BBC Trust, and there is a long process before the BBC would ever get to a position of withholding funding.

With those doubts resolved, we are left with the challenges and opportunities for the future. We are already seeing the benefits of closer working with the BBC. There is on-demand provision through iPlayer and Clic, where common platforms provide opportunities for savings, and some central services can be reorganised to save more money. Such joint working, however, should not be at the cost of commissioning from the independent sector. In fact, money saved through joint working should be able to increase resources available for commissioning.

Commissioning programmes to be made in both English and Welsh makes good sense, and it opens the door to international markets.

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Alan Meale Portrait Sir Alan Meale (in the Chair)
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The hon. Member for Carmarthen East and Dinefwr (Jonathan Edwards) was standing previously, but he is not standing now. Does he wish to speak?

Jonathan Edwards Portrait Jonathan Edwards
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indicated dissent.

Alan Meale Portrait Sir Alan Meale (in the Chair)
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I am grateful to the hon. Gentleman for his largesse in helping the Chair.

Nia Griffith Portrait Nia Griffith (Llanelli) (Lab)
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Thank you, Sir Alan, for the way in which you have managed to fit us all into the debate, despite the difficulties.

First, I congratulate the hon. Member for Vale of Glamorgan (Alun Cairns) on his part in securing the debate. I thank the Backbench Business Committee for according us this opportunity to celebrate 30 years of S4C. The debate comes at an important time for S4C, given that we had the announcement only yesterday that the BBC Trust and the S4C Authority have agreed the operating agreement that will govern the future funding and accountability arrangements between S4C and the BBC from April 2013. From then on, the majority of S4C’s public income will be provided by the BBC from the licence fee.

We have heard slightly different versions from both sides of the Chamber of the history of S4C and how the channel came about. The important thing, however, is that it now has support on both sides of the House. I pay tribute to Gwynfor Evans for his work and his determined stance. He is best known for his threat to go on hunger strike, but he did a lot of work before that. I should particularly mention the intervention of the so-called three wise men: Syr Goronwy Daniel, the former principal of the university of Wales in Aberystwyth; the former Archbishop of Wales, Gwilym Williams; and Cledwyn Hughes, the former leader of the Labour peers in the House of Lords. They intervened to try to prevail on the then Prime Minister to change her mind. So it was that Sir Goronwy Daniel became the first chairman of the new channel, and Owen Edwards was appointed chief executive. It may interest hon. Members to know that S4C first broadcast on 1 November, before the new Channel 4, which broadcast on 2 November, in 1982. To start with, the agreement was for 22 hours a week of broadcasting, for a trial period of three years. That seems a long way in the past, but that is how it was then. What a difference that is from the 7 am to midnight service that we enjoy today.

It is not always fully understood that S4C is a commissioning body. In other words it has a finance, contracts and legal department, and a commissioning arm. It has been responsible for commissioning programmes from independent companies across Wales. There was an agreement from the beginning with the BBC to provide 10 hours of programmes per week, but apart from that the output is commissioned by S4C from independent companies. The growth in output from the original 22 hours a week to the current daily coverage, from early in the morning to late at night, has led to a flourishing Welsh-language media sector in Wales, with independent companies across Wales employing some 2,000 people. That has been important not only in providing much needed quality jobs in Wales and a range of Welsh media work experience and apprenticeship opportunities for young people; it has given people in Wales pride in the language and an opportunity to show what we can do. Companies such as Tinopolis in my constituency compete internationally.

Of course, there is a knock-on effect into the local economy. More than 100 regular employees come into the centre of Llanelli to work in Tinopolis, not to mention the many guests who come to stay there to work with the company, who increase footfall in the local shops and businesses. That is a real boost to the local economy and I believe that such decentralisation, and the way independent companies have been able to work across Wales, has been important for many communities. It has given them pride that their company takes part in something as big and important as S4C, and has provided job opportunities, and skills opportunities for young people.

Hon. Members from both sides of the House have mentioned funding cuts, and particularly the worrying cuts from the DCMS budget. I hope that the Minister hears that, and I will not go through the figures again. However, the impact of the cut in S4C’s programming budget, from £85 million to £65 million, is already apparent. Jobs, and opportunities for young people, are already being lost.

As a language teacher, I am particularly aware of the huge importance of S4C in fostering the use of the Welsh language. People choose to use one language or another in different circumstances for complex reasons, but S4C has had a significant role in encouraging and facilitating the use of the Welsh language and in helping people to feel confident, and to find it natural to use it. One problem is that pupils may be attending, or have recently attended, Welsh-medium or bilingual schools, but once they are outside the school the world around them is often dominated by English. That is not just because English is the main language of 80% of the people who live in Wales, nor just because of the influence of our neighbour, England; it is also because English is a worldwide language, used for communication between people of many different tongues, and it has a dominant place in popular culture.

S4C has been vital in helping to foster use of the Welsh language in the past 30 years. One of its great challenges has been to be everything to everyone, from soap opera to highbrow. We all have certain registers of language, but S4C programmes help us to extend them, whether in current affairs and new vocabulary, documentaries, popular comedy series or soap operas. We are exposed to registers that we might not naturally use. We are exposed to different regional accents so that we become less insular and more aware of how people say things in the north or south of Wales. We are better able to communicate as a nation; S4C has done a lot to help with that. Fifty per cent. of Welsh speakers come from homes that are not solely Welsh-speaking, so even people who are not surrounded at home by speakers of the same language have opportunities to continue to hear, use, repeat and be aware of the language.

Subtitles are vital for helping people who are less confident. When I talk about learners I do not mean just people who arrived in Wales and began learning the language yesterday. Most of us in Wales are learners in one way or another. We all feel less confident about some areas of our language than others. We all have the opportunity, through different types of programme, to increase our fluency and understanding.

The range of children’s programmes is fantastic, and the introduction of the new “Ti, fi a Cyw”, to help parents who are not Welsh speakers to learn alongside their children who watch the programme, is important. There are also things such as “Stwnsh”, for older children. It is important, particularly for teenagers, that Welsh TV is not seen just as the language of mam-gu—just the hymn singing and the countryside programmes, which perhaps do not appeal to the younger, teenage audience. It is important for things to be brought up to date. Sport has been crucial to that, because if people want to watch a programme for its own value, they will want to understand it. Tribute has also been paid, of course, to high-quality productions such as “Hedd Wyn” and “Solomon a Gaenor”.

Jonathan Edwards Portrait Jonathan Edwards
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Funding and high-production drama is important. It can take three or four years to get from concept to production, and that is why certainty of funding is important, and why the point made by the hon. Member for Aberconwy (Guto Bebb) at the end of his speech is especially pertinent to the debate.

Nia Griffith Portrait Nia Griffith
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Indeed; the hon. Gentleman is right about that.

People who live in parts of the United Kingdom outside Wales—some 144,000 of them a week—tune in to S4C. That is immensely important. Students and working people may live in different parts of the UK during their lives, and that helps them to keep up to date, and keep up their Welsh skills.

During the lifetime of S4C there has been unprecedented change in communication technologies. It is almost unbelievable that in 1982 we were still putting film in our cameras, and journalists used to rush to phone boxes to relay breaking news. It was in that year that my constituent Winston Thomas, the owner of Pembrey airport and founder, owner and chief executive officer of Celtic Engineering, was part of a team that developed the first commercial e-mail and numerous other products and services, including fibre-optic systems. We have come a long way from there, but what does the future hold? Gone are the days of the family huddling around one TV set in the living room, and arguing over which of the four channels to watch. People can now access numerous channels, through a wealth of different media devices, and it is a complex thing even to collect current viewing figures, never mind to predict viewers’ future behaviour. That is a challenge for S4C.

As I mentioned, S4C and the BBC have had a long relationship, and we all welcome the announcement made yesterday, setting the agreement between them on a firm footing. Of particular importance in that agreement is the affirmation that

“S4C shall retain its editorial, managerial and operational independence from the BBC at all times during the term of this agreement”.

Furthermore,

“S4C shall retain its commercial freedom and S4C’s commercial activities shall continue to operate in accordance with the relevant statutory framework.”

Those are important aspects of the agreement. Not only funding but independence has been set out.

I have a few questions for the Minister. Members on both sides of the Chamber have mentioned the importance of funding, and £7 million per year of S4C’s funding will continue to come from the DCMS budget; but that sum is guaranteed only until 2015. Continued funding from DCMS is vital to the future of S4C. If it were not forthcoming it would equate to total real-terms funding cuts of 42%. Under section 31 of the Public Bodies Act 2011, the Secretary of State for Culture, Media and Sport must ensure sufficient funding for S4C to provide its public service. What will happen about funding post-2015? How does the Department propose to make the evaluation of the public service provided by S4C? What criteria will the Department use to work out what constitutes sufficient funding for that public service?

As the Minister will appreciate, and as mentioned by the hon. Member for Carmarthen East and Dinefwr (Jonathan Edwards), S4C, as a commissioning body, needs to plan well in advance, and it is keen to engage with officials as soon as possible to discuss the criteria. Will he confirm that his officials will engage with S4C on the issue? When will the meetings begin? I can understand why the Minister will say that he cannot commit beyond the period of the comprehensive spending review. Indeed we on the Opposition Benches certainly hope for a change in Government in 2015. However, as he and I both know, there is homework to be done on this. Whoever is in Government, the officials in the DCMS will continue, and the matter cannot be left to drift. Will the Minister confirm when he will engage with S4C on what constitutes sufficient funding for its public service commitment?