(3 weeks ago)
Commons ChamberI thank the Minister for his intervention. He is absolutely right. There are clear issues of process here. There are differential approaches across the country—different coroners taking different approaches and different police forces taking different approaches. The words of Ministers have weight and I hope that coroners and police forces are taking note of what needs to happen in the future so that there are proper investigations into the deaths of children who may have suffered misadventure as a result of social media.
On related matters, new clause 1 would gain the support of parents like Ellen up and down this country. We need to move further and faster on this issue of social media and online safety—as this Government promised on various other things—and I am pleased that my party has a very clear position on it.
I will now turn to the issue of copyright protections. I held a roundtable with creatives in Cheltenham, which is home to many tech businesses and AI companies. The creative industries in my town are also extremely strong, and I hear a lot of concern about the need to protect copyright for our creators. The industry, is worth £124 billion or more every year, remains concerned about the Government’s approach. The effects of these issues on our culture should not be understated.
We would be far poorer both culturally and financially if our creatives were unable to make a living from their artistic talents. I believe there is still a risk of the creative industry being undermined if the Government remove protections to the benefit of AI developers. I trust that Ministers are listening, and I know that they have been listening over the many debates we have had on this issue. If they were to remove those protections, they would tip the scales in favour of AI companies at the cost of the creative industry. When we ask AI companies and people in tech where the jobs are going to come from, the answers are just not there.
The amendments tabled by my hon. Friend the Member for Harpenden and Berkhamsted (Victoria Collins) would reinstate copyright protections at all levels of AI development and reinforce the law as it currently stands. It is only fair that when creative work is used for AI development, the creator is properly compensated. The Government have made positive noises on this issue in multiple debates over the last few months. That is a positive sign, and I think that in all parts of this House we have developed a consensus on where things need to move—but creatives remain uneasy about the implications for their work and are awaiting firm action.
Ministers may wish to tackle this issue with future action, and I understand that it might not be dealt with today, but our amendments would enable that to happen. They also have an opportunity today: nothing would send a stronger signal than Government support and support from Members from across the House for my hon. Friend’s amendments, and I implore all Members to back them.
I rise to speak to new clauses 4, 16 and 17, but first let me say that this is a very ambitious and weighty piece of legislation. Most of us can agree on sections or huge chunks of it, but there is anxiety in the creative industries and in the media—particularly the local media, which have had a very torrid time over the last few years through Brexit and the pandemic. I thank UK Music, the News Media Association and Directors UK for engaging with me on this issue and the Minister for his generosity in affording time to Back Benchers to discuss it.
AI offers massive opportunities to make public services and businesses more effective and efficient, and this will improve people’s lives. However, there is a fundamental difference between using AI to manage stock in retail or distribution, or for making scientific breakthroughs that will improve people’s health, and the generative AI that is used to produce literature, images or music. The latter affects the creative industries, which have consistently seen faster and more substantial growth than the overall economy. The creative industries’ gross value added grew by over 50% in real terms compared with the overall UK economy, which grew by around a fifth between 2010 and 2022. That is why the Government are right to have identified the creative industries as a central plank of their industrial strategy, and it is right to deliver an economic assessment within 12 months, as outlined in Government new clauses 16 and 17. I welcome all that.
I know it is not the Government’s intention to deal with copyright and licensing as part of the Bill, but because of the anxiety in the sector the issues have become conflated. Scraping is already happening, without transparency, permission or remuneration, in the absence of a current adequate framework. The pace of change in the sector, and the risk of tariffs from across the pond, mean it is imperative that we deal with the threat posed to the creative industries as soon as possible. We are now facing 100% tariffs on UK films going to the USA, which increases that imperative.
I welcome the Government’s commitment to engage with the creative industries and to implement a programme to protect them, following consultation. I would welcome an overview from the Minister in his summing up about progress in that regard. The more we delay, the worse the impact could be on our creative sector. I am also concerned that in the Government’s correct mission to deliver economic growth, they may inadvertently compromise the UK’s robust copyright laws. Instead, we should seek to introduce changes, so that creatives’ work cannot be scraped by big AI firms without providing transparency or remunerating the creatives behind it. Failure to protect copyright is not just bad for the sector as a whole, or the livelihoods of authors, photographers, musicians and others; it is bad for our self-expression, for how robust the sector can be, and for how it can bring communities together and invite us to ask the big questions about the human condition. Allowing creators to be uncredited and undercut, with their work stripped of attribution and their livelihoods diluted in a wave of synthetic imitation, will disrupt the creative market enormously. We are not talking about that enough.
It is tempting to lure the big US AI firms into the UK, giving the economy a sugar rush and attracting billions of pounds-worth of data centres, yet in the same breath we risk significantly draining economic value from our creative industries, which are one of the UK’s most storied pillars of our soft power. None of this is easy. The EU has grappled with creating a framework to deal with this issue for years without finding an equitable solution. I do not envy what the Government must navigate. However, I ask the Minister about the reports that emerged over the weekend, and whether the Government are moving away from an opt-out system for licensing, which creatives say will not work. Will that now be the Government’s position?
Harnessing the benefits of AI—economic, social and innovative—is not diametrically opposed to ensuring that the rights of creatives are protected. We must ensure transparency in AI, as covered in new clause 4, so that tech companies, some of which are in cahoots with some of the more troubling aspects of the US Administration, do not end up with the power to curate an understanding of the world that reflects their own peculiar priorities. Big AI says transparency will effectively reveal its trade secrets, but that need not necessarily be the case, as my hon. Friend the Member for South Derbyshire (Samantha Niblett) said. A simple mechanism to alert creators when their content is used is well within the abilities of these sophisticated companies. They just need the Government to prod them to do it.
The Government are working hard. I know that they care passionately about the sector, and the economic and social value it brings. I look forward to hearing how they will now move at pace to address the concerns I have outlined, even if they cannot do so through the Bill.