Oral Answers to Questions

Debate between John Whittingdale and Sharon Hodgson

Thursday 4th June 2015 Commons Chamber

[Mrs Sharon Hodgson (Washington and Sunderland West) (Lab)]

T4. Will the Secretary of State update the House on the details of the Government’s plans for the review of the secondary ticketing market, which was set up under the Consumer Rights Act 2015?

[Mr Whittingdale]

I am aware of the hon. Lady’s long-standing interest in this matter. She and I share a determination to ensure that fraudulent ticket sites are cracked down on. Measures have been taken to do that. She is right to refer to the statutory review, which was set up as a result of legislation. It has to report within a year and we await its findings with considerable interest.

Supporting the Creative Economy

Debate between John Whittingdale and Sharon Hodgson

Thursday 13th February 2014 Westminster Hall

[Mr Whittingdale]

The Minister is entirely right. I am pleased that the Government are talking about extending the tax credit not only, as already proposed, to high-end television drama, animation and electronic games, but potentially to regional theatre, because theatre is the breeding ground for many of our greatest talents.

Still on film success, we talked to the film companies and asked why they came to make films in this country. A lot was to do with the extraordinary talent that we have here—the skills—but they also said that, without question, had the tax credit not been in place, they would not have been able to come here.

[Mrs Sharon Hodgson (Washington and Sunderland West) (Lab)]

Might one of the other reasons film companies come here be our heritage? For instance, “Harry Potter” was filmed up in Northumberland at beautiful Alnwick castle. Looking around the world, or trying to build a set such as Alnwick, would have cost a fortune. Does he agree that that also can be a reason for people coming to this country to film?

[Mr Whittingdale]

Of course it is. In particular, historical dramas make use of some of our great heritage assets. There are a large number of reasons why people want to come to Britain to make films, but without the tax credit, they probably would not. We pay tribute to the previous Government for introducing it, and to this Government for continuing it.

I would be interested to hear from the Minister an update on the progress of discussions with the European Union on the introduction of the electronic games tax credit, because that, too, is welcome. The games industry is under pressure, and we have lost some companies already, so it is important for that tax credit to be achieved soon.

In examining the creative industries, we received a lot of evidence about an issue that lies at the absolute heart of their success: intellectual property rights. For a long time, Governments have sought to address some of the problems created by online distribution. In the previous Parliament, the Government passed the Digital Economy Act 2010, which was a valiant attempt to put in place measures to deter online piracy. Unfortunately, it has not come into force.

I will not recap the whole history of what has happened since the Act was passed—the judicial reviews, the arguments and so on. However, the principle behind it is that people who illegally download copyrighted material, and so jeopardise the success of the music, film, television, and, I suspect, in due course, games industries, need to be told that what they are doing is not only illegal, but poses a real threat to the economic viability and success of those industries. It was suggested that that should be done through the dispatch of warning letters. Once people were identified as serial downloaders, their internet protocol addresses should be identified and the internet service providers asked to send letters.