Arts and Creative Industries

John Whittingdale Excerpts

Wednesday 19th June 2013 Commons Chamber

[Mr John Whittingdale (Maldon) (Con)]

I very much welcome this opportunity to debate the arts and creative industries. Although I of course support the amendment in the name of my right hon. Friend the Prime Minister, in the spirit of consensus that the Select Committee on Culture, Media and Sport always tries to achieve, I have to say that I can find nothing in the motion tabled by the Leader of the Opposition that I disagree with.

As a believer in free markets, I am not normally a supporter of public subsidy. However, I am convinced of the benefits of public subsidy in the case of the arts—not just the economic benefits, which the Secretary of State quite rightly spelt out in her speech. The arts are hugely important to people’s quality of life in this country, as the right hon. and learned Member for Camberwell and Peckham (Ms Harman) said, and many other benefits flow from that in education, health, community cohesion and so much more.

Under the previous Government, the arts enjoyed years of plenty; under this Government, we are facing lean years for the arts. That is absolutely inevitable. This Government have the higher priority of trying to clear up the enormous mountain of borrowing and debt that we inherited, and it would be wrong to exclude the arts from having to play a part in that. However, when we on the Select Committee looked at funding of the arts immediately after the election, we said that it would result in some difficult decisions and that some institutions would probably close as a result. I am delighted to hear from the Secretary of State that she has done well in her debate with colleagues in the Treasury for this year’s spending settlement, but I understand from what I have read and what she has said that we can anticipate still further reductions. That means that more institutions will probably have to close, which will be a tragedy.

That means that we need to look at other means by which we can find funding for those institutions. The Government have already done a lot in trying to encourage philanthropy and, as has been mentioned, to increase the money going from the national lottery. In that respect, I would suggest that what the shadow Secretary of State described as the arts emergency might mean that we can consider—perhaps on only a temporary basis—the flexibility of national lottery funding. It has always been the principle that national lottery funding is there for capital investment projects and not for meeting ongoing costs, but if the consequence is that we can build new buildings while existing ones close, that would not necessarily seem to be a sensible use of resources. That is something that we might consider, if only for a limited period.

I was also interested to see what Dr Simon Thurley said recently about how it is hard to justify spending £35 million on a single painting by an Italian artist when so many buildings in Britain—5,000—are on the at-risk register. That, too, is something we might just look at.

I want to turn quickly to the creative industries, where one has to say that the picture is much brighter. The figures—in terms of employment and economic growth—for the huge contribution that the creative industries make in this country are well known. The success of the music industry and the film industry are well known, but it is also important to look at the others, such as electronic games, publishing, design and advertising.

[Paul Farrelly]

rose—

[Mr Whittingdale]

If the hon. Gentleman will forgive me, I have six minutes and I would like to continue.

One of the most striking things from the Select Committee’s recent visit to California—I will remember this for a long time—was the look on the face of the hon. Member for Paisley and Renfrewshire North (Jim Sheridan) when he saw thousands of zombies overcoming Philadelphia. He said, “That’s Glasgow.” Of course, it was Glasgow. Indeed, that film alone brought £90 million into this country. That could not have come without the tax break which the previous Government introduced but which this Government have maintained and extended to cover high-end TV drama, animation and electronic games.

The one note of warning I would sound is that the success of all those creative industries depends on one thing: a strong framework of intellectual property rights. We tinker with that at our peril. Yes, there may be a case for modernising it, but we must be very careful not to pursue questionable and illusory benefits at the price of putting at risk the huge economic benefit to this country from the success of all our creative industries. I ask the Secretary of State, and also Ministers in the Department for Business, Innovation and Skills, to think very carefully about introducing such things as private copying exception and some of the other Hargreaves proposals. I know that we shall be debating that, but the Secretary of State will be aware of the considerable alarm that is being expressed throughout the creative industries about the damage that could be done unless the matter is handled very carefully.

We also need to do more to tackle online piracy, which is still doing huge damage to the creative industries. The Digital Economy Act 2010 was an extremely good first step: it is not perfect, but it is nevertheless a matter of great regret that none of its provisions have yet been enacted. Things are being done—the City of London police are doing extremely good work, and I strongly support their new initiatives to pursue online intellectual property crime—but a very strong signal would be sent if letters could be written to serial file-sharers who are in breach of copyright law, telling them that what they are doing is not only wrong, but jeopardising the success of the creative industries on which we depend so much.