All 2 Debates between Helen Goodman and Andy Slaughter

Earls Court Exhibition Centre

Debate between Helen Goodman and Andy Slaughter
Tuesday 21st January 2014

(10 years, 10 months ago)

Westminster Hall
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Andy Slaughter Portrait Mr Slaughter
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I thank my hon. Friend, the shadow Sports Minister, for his intervention and I am delighted that he has drawn attention to the centre’s importance as a sporting venue.

It is the largest exhibition space in central London and is clearly a versatile space. It has a swimming pool 60 metres by 30 metres available inside it. In its time it has hosted ski runs 100 feet long. It was used in both world wars.

During the construction of Earls Court Two, the new part of the exhibition centre in my constituency, residents put up with some years of pile-driving—I was first a councillor there in the late 1980s—but they knew that a venue was being provided that could rival any other in the United Kingdom and internationally. Its expansion, only 20 years ago, provided jobs for the local community and an unrivalled conference venue. It has hosted operas, rock concerts and the Olympics; it is a venue that cannot be replaced.

I say all that because we are here to praise Earls Court, but we are also here because others wish to bury it. That includes Earls Court’s current owners Capital & Counties, the London borough of Hammersmith and Fulham and Transport for London, which between them own the Earls Court opportunity area—one might call them partners in crime. They are abetted by the planning authorities, which conveniently are also the owners of those bodies in two out of three cases: the Mayor of London and the London borough of Hammersmith and Fulham. They are joined, I am afraid, by the royal borough of Kensington and Chelsea and the Secretary of State for Communities and Local Government in sounding the death knell for the exhibition centre by granting consent to the master plan for the development of the 80-acre site, which will lead not only to the demolition of the exhibition centre but the demolition of 760 high-quality, affordable homes on the West Kensington and Gibbs Green estates and the loss of 550 skilled jobs and a major manufacturing site for Transport for London at the Lillie Bridge depot. Each of those deserves a debate in its own right, and indeed I have previously raised them in the House. They are part of a much bigger plan to destroy Earls Court.

Helen Goodman Portrait Helen Goodman (Bishop Auckland) (Lab)
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My hon. Friend is making an excellent case. Does he agree that the potential destruction of the Earls Court site, which has an iconic 1930s art deco building and provides employment, would affect an important area of London that is a real place with a real community? If we take Earls Court with Smithfield, we see that all the city will be turned into expensive flats for people who do not live in them. Does he not think that will make London an intensely boring city?

Andy Slaughter Portrait Mr Slaughter
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My hon. Friend makes several good points. She is right about Smithfield, although I note that Smithfield, which is an iconic site, albeit much smaller than Earls Court, has been granted a public inquiry, as has the Shell centre. In the case of Earls Court, the Secretary of State has cynically refused a public inquiry for 80 acres in the centre of London. My hon. Friend is also right that, in place of the rich employment, cultural and residential areas that we now see, we will have 8,000 faceless high-rise luxury flats sold off plan to foreign investors with, at most, 11% new affordable housing—a quarter of all housing—that will not be affordable to any of my constituents. Unfortunately, every day in west London is Christmas day for developers, but there is a lot of collateral damage.

In the remaining time, I will address the damage that will be caused and the real loss that will be occasioned if the exhibition centre goes. The proposal is part of a much bigger time scale. We have had five years of attempts at demolition and resistance from the community, but we have up to 25 years of further development on the site. That long time scale notwithstanding, it is appropriate that we should be talking about Earls Court today because we stand between two important events for the future of the exhibition centre. Last week, the developer submitted the first detailed application for that part of the site, which includes the potential replacement for the exhibition centre should Earls Court One and Two be demolished. That detailed application followed the granting of the planning application for the master plan for the whole area in November 2013.

With what would the developer and the local authorities replace the exhibition centre? The answer is luxury flats. The total floor space of the detailed designs submitted to replace the exhibition centre is 290,170 square metres. The amount for culture, education, health and community is 324 square metres, which works out at 0.1% of the site. There will not be one single affordable home, but there will be 1,324 luxury homes in massive apartment blocks. That is what we will have on the site instead of the Earls Court exhibition centre if the detailed planning application is granted. Meanwhile, there is a question of land ownership, and on Thursday of this week Transport for London’s finance and policy committee—there are serious questions on whether that is the appropriate body and whether it has the powers to do this, but no doubt it will attempt to do so—will recommend that the board approve TfL entering a joint venture arrangement with Capital & Counties Properties and/or a wholly owned undertaking of Capco, on which hangs other tales, with regard to the development of Earls Court One and Two, of which London Underground is the freeholder and Capco the long leaseholder, along with other properties owned by London Underground and Capco.

The matter has been debated at length in the London Assembly. On 9 October 2013, by 14 votes to 7, with the support of all parties other than the Conservative party, this resolution was passed:

“This Assembly notes that the Mayor of London has approved the Earls Court Opportunity Area plans, which will mean that…the Earls Court exhibition centres will be demolished in the absence of a full, independent economic impact assessment, and in the face of opposition from the event organisers industry”.

The resolution goes on to describe what happens to the West Kensington estate and the Lillie Bridge depot, and it states that:

“TfL should not enter a joint venture to develop these sites”.

That very clear instruction from the London Assembly was totally ignored by the Mayor. I am pleased to say that the same members of the Assembly have today written to TfL:

“We are writing to strongly urge you to defer your recommendation on entering the proposed joint venture with Capital and Counties…with regard to the redevelopment Earls Court and West Kensington Opportunity Area”.

The letter points out that the London Assembly transport committee has yet to discuss the matter, and indeed we have yet to hear the Government’s response to today’s debate. The letter states:

“There has not…been a full independent economic impact assessment on what the loss of the Earls Court Exhibition Centres will mean to the local and national economy. There are also concerns that TfL will not receive the best value from this deal until the value of the land has been properly and independently assessed.”

I do not want to run too much over my time, but I hope the Minister will bear with me if I go one or two minutes over because this is an opportunity to present all of the issues. I want to say two other things. First, in the view of those who understand, what will be the effect on the exhibitions industry? According to Karim Halwagi, the chief executive of the Association of Event Organisers:

“At a time of deep economic recession, the exhibitions industry is a shining example of national resilience and economic growth. The events economy expanded by over 18% from £9.3 billion to £11 billion between 2005-2010 and this uplift occurred during the worst economic recession in recent years.

We must ask why, in the midst of a property-busted recession, should loss of the halls…rob London of a much-needed cultural and business hub at a time when Britain needs more space devoted to cultural and commercial exhibitions.

This debate is set against a mounting concern in the local residential and business communities that will be directly affected by this contentious development. The failure by the two local authorities to conduct an Area Action Plan, which would have provided a wide-ranging strategic assessment of the proposed development, has left the immediate area vulnerable. The impact of this development is already being felt with businesses and amenities that support the vitality that residents enjoy, already closing.”

I pause to observe that the local businesses that have been sustained by the footfall to Earls Court over the years—mainly small businesses in Kensington and Chelsea and Hammersmith and Fulham, but also businesses in the wider area—are not only facing the loss of most of their trade due to the closure and demolition but are effectively being blackmailed and forced out by the developer, which is increasing their rents by up to 100%. Mr Halwagi also points out that ExCeL, which is considered the alternative to Earls Court, is 36th in the world rankings, whereas Paris has two venues in the top 10. We know that the national exhibition centre is possibly threatened because of the forced sale due to cuts to local government funding in Birmingham. Ironically, the NEC was supposed to provide an alternative to Earls Court all those years ago.

It is therefore not the case that we can do without Earls Court, which is unique by virtue of its space, history and central London location. Indeed, more exhibition centres are needed. There are only 52 weeks in the year, and in any one week we need as many exhibition centres as we have. The industry is expanding, and we are trying to compete on the world stage. It is the sheerest folly to have decided to destroy such centres without putting anything in their place.

Finally, because this debate is primarily about the culture of the area, I turn to a letter published in the Evening Standard on 28 November last year from 30 well-known names across popular and more elite culture, including Neil Tennant, Holly Johnson, Ozwald Boateng, Tracey Ullman, Duggie Fields and Baroness Deech. They said:

“The planned demolition of the iconic landmark Earls Court Exhibition Centres is nothing but cultural vandalism. The authentic Art Deco building represents the visual heart and hub of a community vital to the life-blood of the London economy. The venue attracts on an international scale, with a history of millions of visitors and crowd-drawing events on the world map…Trade shows, product fairs, artists, musicians and performers hold this venue in high esteem because it offers an unrivalled space in a central location. The substantial loss of income to local traders and to London as a whole is inexcusable. Nothing about the so-called Masterplan is beneficial for either the neighbouring community or for the long-term economy, only more shops, offices and apartments for the super-wealthy…London’s skyline is already at risk according to UNESCO and yet the shameless glut of luxury property building continues. It is a scandal that will scar the capital forever and a bubble that will have to burst in the near future, inevitably…A far more modest spend on the buildings infrastructure would guarantee the Earls Court heritage for the long term future, with a continuing enrichment both of London’s creative life as well as the national economy.”

I could not have put it better. That is what is at risk.

This should not be a party political issue, and certainly was not in the past. I am grateful for being sent a press release from Sir Horace Cutler, the Conservative leader of the Greater London council in 1979—gosh, that does seem a long time ago— announcing that £5 million was being provided to sustain and improve Earls Court. He said:

“It is tangible proof of the GLC’s total commitment to retaining and encouraging major exhibitions and conventions in London.

It is also evidence of our support for Earls Court in particular. The £5 million that the GLC is injecting will, together with money and expertise from the Earls Court management, ensure that operations go on here for some considerable time.”

I hope that that “considerable time” is not cut off in its prime by the demolition plans. As I said at the beginning of my remarks, I am delighted to see the right hon. and learned Member for Kensington here. His constituents have also written to me, so I know that he has said:

“I would like to see Earls Court being preserved.”

I know that he appreciates as much as I its value as a cultural, as well as economic, asset to the area. I look forward to working with him, with my hon. Friends and, I hope, with the Minister as well. I apologise again for taking slightly more than my allotted time, but I hope that the Minister will indicate whether the Government are prepared to show sympathy to retaining the Earls Court exhibition centre for all the reasons given—and if not, why not—and what do they see as the alternative to preserving and enhancing the cultural and economic life of this part of central London?

BBC

Debate between Helen Goodman and Andy Slaughter
Tuesday 10th July 2012

(12 years, 4 months ago)

Westminster Hall
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Westminster Hall is an alternative Chamber for MPs to hold debates, named after the adjoining Westminster Hall.

Each debate is chaired by an MP from the Panel of Chairs, rather than the Speaker or Deputy Speaker. A Government Minister will give the final speech, and no votes may be called on the debate topic.

This information is provided by Parallel Parliament and does not comprise part of the offical record

Helen Goodman Portrait Helen Goodman
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Diversity is the exact issue that I want to address. There are various dimensions to diversity. A big survey on how women are used in programming focused on the number of women employed by the BBC and the number of women experts whom it interviews. It found that the number of women used is way below that of men, which is not acceptable, because women also pay the licence fee. We cannot tolerate it.

Does having more men in management result in a better picture on the screen? The new director-general is, of course, a man—as Jack Lemmon was told at the end of “Some Like It Hot”, “Well, nobody’s perfect.”—but I hope that he will continue the process of enabling us to see more women on screen.

My final point on diversity relates to the regions, which many hon. Members have mentioned. With apologies to my hon. Friend the Member for Hammersmith (Mr Slaughter), who made a devastating critique of the BBC’s property portfolio management—he seems to have renamed himself the hon. Member for White City—the BBC is, and is perceived to be, very London-centric. A major effort was made to address that by moving to Salford. The fact is that Salford and London are two places and there are many more places across the entire nation. We want to see programmes that reflect life in many other areas.

For example, it is the Durham miners ‘gala this Saturday. Eighty thousand people will be in Durham listening to speeches at this huge cultural festival, which has been going on for 125 years. I have never seen any national coverage of the miners’ gala. We will get it this year, because the leader of the Opposition, my right hon. Friend the Member for Doncaster North (Edward Miliband), will make a speech, but we should receive the coverage anyway. It should not require that speech for people to see such a major event. The regions and the issue of diversity are extremely important.

Andy Slaughter Portrait Mr Slaughter
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I do not disagree with my hon. Friend. Had the BBC not gone to where it did in Salford, it could have gone into Moss Side or into a deprived area, which White City is, of course, although the BBC never engages with the community there. The development in Salford is utterly soulless and completely cut off from the rest of the world. Moreover, what does my hon. Friend think of the Broadcasting House development on one of the most expensive real estate sites in the world?

Helen Goodman Portrait Helen Goodman
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I have not yet visited the new building. There is more to say about dumbing down and received wisdom, but I am sure that the whole Chamber would like to hear from the Minister, so I will draw my remarks to a close.