Local Museums

Gregory Stafford Excerpts

Thursday 5th March 2026 Westminster Hall

[Gregory Stafford (Farnham and Bordon) (Con)]

It is a pleasure to serve under your chairmanship, Ms Lewell. What an inspiring tour we have had of museums up and down the nation. I am grateful to the hon. Member for Thurrock (Jen Craft) for securing the debate and inspiring speeches about so many opportunities. She mentioned everything from Zeppelins to Gurkhas. I do not think anyone was expecting an argument over who owned Dracula—certainly something for us to get our teeth into. [Interruption.] I apologise.

More importantly, I thank the hon. Member for giving me the opportunity to promote and champion the museums in my constituency. The Museum of Farnham, Haslemere Educational Museum and the Rural Life Living Museum in Tilford are not only recognised throughout Surrey and Hampshire but attract visitors from far and wide. People are drawn by the rich local history that they preserve and the way that they celebrate and bring to life the heritage of our local market towns.

Museums are deeply valued by the public. Some 89% of UK adults believe that museums are important to our national culture—I do not really understand what the other 11% are thinking, but never mind—and three quarters agree that having a local museum adds real value to their area. Indeed, 54% of people say that they would feel “disappointed” if their local museum were to close and 41% say that they would feel “genuinely sad” at such a loss.

Over the past 25 years, under Governments of all colours, about 138 independent non-profit museums and 152 private museums closed, while 418 independent non-profit museums and a further 209 museums opened. That tells us two things: the sector faces real pressures, but it also shows remarkable resilience, and there is such enthusiasm for local museums and heritage. Each museum is different. Some are run by charities, others by local authorities, universities, the armed forces or Government-sponsored bodies. The sector supports about 33,000 jobs and has more than 93,000 volunteers. Yet, increasingly, museums are forced to diversify their activities and income simply to stay afloat as costs continue to rise.

The challenges facing museums are clear at the Rural Life Living Museum in my constituency. It began as a private collection in 1968 and has grown into a significant open-air museum in Tilford, with about 40,000 objects and 20 historical buildings that bring 19th and 20th-century rural Britain vividly to life. My family and I thoroughly enjoy visiting the museum, in particular with its open-air, hands-on approach and the volunteers who quite literally inhabit that history. They immerse visitors through working demonstrations at the forge, in the woodyard and along the narrow-gauge railway. The museum operates entirely on ticket sales and donations, but with costs rising faster than income, its future is far from certain. Sadly, that story is being repeated in museums across the country, as we have heard from several hon. Members today.

We see similar pressures in Farnham, where the Museum of Farnham sits at the heart of a vibrant and creative community and celebrates the town’s long artistic and craft heritage, recognised in 2020 when Farnham was designated a world craft city. The Haslemere Educational Museum benefits from the expertise of individuals such as Richard Sabin, a trustee of the museum but also the principal curator of mammals at the Natural History Museum in London. The museum in Haslemere specialises in human history, natural history and geology, and provides invaluable educational opportunities for local schools through key stages 1 to 4.

Some of my fondest childhood memories involve being taken to the Haslemere museum by my parents to see Arthur the Siberian bear and the 2,500-year-old mummy, with its toes visible through the bandages—I encourage the hon. Member for Derby North (Catherine Atkinson) to bring her children to see another mummy. For a small boy, that was extraordinary. The museum was founded in 1888, but this year marks 100 years on the High Street site. It launches a centenary appeal this evening—I appeal to the Minister, because I am sure any donation that the Government were to give would be welcome.

More nationally, local museums play a vital role in our communities and in education. Under the Conservative Government, following publication of the culture White Paper, the Mendoza review was launched. In the public consultation that followed, 85% of the more than 1,200 respondents agreed that museums and galleries are primary places for education. The review led directly to the establishment of the museums estate and development fund, which distributed about £100 million in grants to support essential repair and renovation work. The levelling-up fund, shared prosperity fund and towns fund also provided much needed investment in museums and, during the extraordinary challenge of covid-19, the £1.57 billion culture recovery fund safeguarded the UK’s heritage, with £296 million specifically supporting museums, heritage sites and historical places.

I am proud of that record—the practical support, serious investment and clear commitment to protecting our cultural heritage that the previous Government showed. Unfortunately, by contrast, Labour’s first tranche of funding, announced in summer 2024, disproportionately benefited national museums. Those institutions are already protected by grant in aid and are largely insulated from the financial pressures facing local authorities. Meanwhile, the smaller museums that form the backbone of local cultural life are left to struggle.

As my hon. Friend the Member for Bexhill and Battle (Dr Mullan) stated, many of our local museums are charity-run or heavily reliant on local funding. They often occupy historical buildings that are expensive to maintain, difficult to modernise and in urgent need of repair. In Farnham, for example, the repair bill for a relatively modest museum building has already reached £2 million. When council budgets are squeezed, culture is often the first thing to be cut. At the same time, many charity-run museums face falling donations, fewer volunteers and rising operating costs, including higher employment costs and increased national insurance contributions introduced by this Government.

In short, the pressures are growing, but the support is not. The result is that smaller museums are left exposed. Too many lack the staff, time or specialist expertise needed to navigate complex funding systems, co-ordinate bids or build partnerships with larger national institutions.

When public money is spent, it must be spent wisely. Last year in Wales, the National Museum Cardiff reportedly faced a £4.5 million deficit, yet at the same time taxpayers’ money was spent on exhibitions such as “The Dynamic”, which explored radical newspaper culture, alongside displays of Extinction Rebellion posters. It is entirely reasonable to ask whether institutions facing serious financial pressures should prioritise political activism over the core mission of preserving and presenting the nation’s history and heritage. Museums should bring communities together around shared culture and shared history. That must remain the central purpose, especially when budgets are tight and buildings are in need of repair.

[Jen Craft]

Does the hon. Gentleman not think that political activism is part of our nation’s story and of local history in certain places? The People’s History Museum in Manchester springs to mind at the top of the list, but there are many more. Activism and political interest form the path of our nation and our local history.

[Gregory Stafford]

I thank the hon. Lady for her intervention. It is rare that we agree on anything, so she will be slightly disappointed now. There is a distinct difference between looking back at movements and discourse that happened in the past and what that museum was doing: promoting a political cause of the moment.

I want to ask the Minister three questions. First, have the Government considered ringfencing local authority funding for cultural purposes in order to safeguard local museums? Secondly, what practical support is available to smaller museums to help them to navigate funding applications, manage financial risk and collaborate more effectively with national institutions? Finally, how do the Government intend to encourage private and corporate philanthropy beyond the major cities—for example, through place-based giving incentives, as suggested in the Hodge review?

Our museums are not just custodians of the past, but living educational and cultural resources at the heart of our communities. They deserve practical support to ensure they can continue to thrive, educate and inspire future generations.

--- Later in debate ---

[Ian Murray]

We should congratulate everyone involved. The way that we curate and develop museums is renowned across the world. Many countries look to the UK for the expertise to build their own capability, because we do the best museums and exhibitions in the world and have the best skills. Congratulations to all of them.

My hon. Friend the Member for Stoke-on-Trent South wants to talk about the Lunar Gardens project. Baroness Twycross will be delighted to talk to her about that, and we will make sure my hon. Friend has an appropriate meeting in place as soon as possible.

My hon. Friend the Member for Derby North (Catherine Atkinson) talked about her three children, and how museums are a key component of the local community and education. She also talked about entertainment and telling the stories of the past that shaped future generations. I have a five-year-old and a one-year-old, and my five-year-old loves being in museums. He loves looking at the exhibitions, but he loves just being in big spaces he can enjoy and run around in. I do not know if Dracula is a son of Derby, but it is something that we should perhaps debate further, maybe in an Adjournment debate with the lights out.

My hon. Friend the Member for West Dunbartonshire (Douglas McAllister) is absolutely right that Denny’s shipyard built the Cutty Sark, and it celebrates the proud innovation and heritage of shipbuilding on the Clyde. It might not be an entirely accurate statistic, but I think I am right in saying that, 150 years ago, 90% of the ships sailing anywhere in the world were built either on the Clyde or somewhere near the Clyde. That innovation and heritage has to be respected and celebrated. He rightly talked about the local pride of maintaining and developing local museums that tell local stories. I think the statistics show that 89% of adults say that museums are important to their local pride and local culture.

My hon. Friend the Member for Middlesbrough South and East Cleveland (Luke Myer) said that Captain Cook would probably have been a constituent 300 years ago. I would probably describe him as an L5Y—only half the Chamber will know what I am talking about. Again, Baroness Twycross will be delighted to meet my hon. Friend to talk about some of the issues he has with museums in his constituency. He said something important that sums up the whole debate: “Some museums are small in scale but enormous in impact.” That is great for telling local stories. It is the impact on young people, schools and heritage that he is talking about. He also talked about the Land of Iron getting a national title. Arts Council England, via accreditation, will consider all requests from museums to become nationally styled where they have a strong story and strong case to make.

On the Captain Cook Museum, Middlesbrough council museums were awarded £240,000 from the museum renewal fund last year, and the Land of Iron was awarded a MEND grant worth £650,000 in February last year, so we are supporting those museums. For the hon. Member for Bath, we had 93% satisfaction for her speech as well. She talked about what is happening with the Bath museums, and she talked about museums closing and the delicate position that many local museums, particularly smaller ones, are in.

I do not want to diminish the seriousness of a lot of the stories we have heard about our local museums, but an independent academic study has found that since 2000 the number of museums in the UK has risen. Despite the 500 closures since 2000, there have been more new museums in the UK, although it has plateaued since about 2015-16. There is a lot of work to do, but it is not all bad news in our museum sector. Arts Council England supports the museums and schools programme with £1.2 million a year to make sure it happens.

It is wonderful that the shadow Minister has some Dracula jokes, but they are so old that perhaps they should be in a museum themselves. However, museums need local authority funding. We should not turn this into a political debate, as it has been so collegiate today, but the last Government, during their 14 years in power, completely and utterly decimated local authority funding right across the country. That was the starting point for culture and arts to be diminished—they are not statutory, so they fall away.

On the Hodge review, Arts Council England has been looking not only at how local authorities can be better supported but at how they can be better held to account for what they do on arts and culture. Hopefully, the review will come through and we can respond very soon.

The shadow Minister, the hon. Member for Farnham and Bordon (Gregory Stafford), made a strange point about freedom of speech and editorial freedom. I do not think it is for the Government or the Opposition, or indeed any politician, to tell museums how they should celebrate our heritage. Many of the political issues we are dealing with today relate to the past. Some of the best museums in the world that I have visited address political issues such as slavery, and we should make sure that we maintain that approach. Actually, a lot of the stories we tell in politics today are not new—they are stories of the past—and I hope the public engage with them, and the public will determine whether they are good things to reflect.

[Gregory Stafford]

I think I made the point very clearly to the hon. Member for Thurrock (Jen Craft), but I will repeat it now. My concern is not about museums representing accurately what happened in the past—that is obvious. What I am against is museums using taxpayers’ money to push a current political cause. Extinction Rebellion is not a historical organisation. It is active now, and museums should not be pushing its agenda.

[Ian Murray]

I do not want to get into a debate about Extinction Rebellion or any other organisation, but I feel obliged to respond directly to that point. If my five-year-old daughter sees an exhibition on Extinction Rebellion and starts to talk about climate and other current political issues, I think that is what museums are there to do. They are not just there to celebrate heritage and the past; they are there to educate and inspire for the future. We do not have to agree with any of those exhibitions. In fact, I have not particularly agreed with some of the exhibitions and creative curation I have seen, but I have still engaged with them to be able to have a political debate.

[Ian Murray]

It seems to me that some Opposition parties like to be bastions of freedom of speech until they disagree with what that freedom of speech is used to say.

[Gregory Stafford]

It is taxpayers’ money.

[Ian Murray]

It is all taxpayers’ money and public money, and it is the public’s money as well. The public can decide whether they wish to attend these exhibitions. They can even ask their local museums to put on other curations. However, it is important to see that in the context of what our museums do. We might not agree with everything we see—in fact, we might agree with only a small proportion of all the stuff we see—but we should be exposed to it. That is what art and culture have been doing for centuries: expressing views. Looking at a painting is just about as politically expressive as seeing an exhibition about Extinction Rebellion.

I am conscious of time, so let me conclude by saying two more things. First, I will say a little about the vital role that museums play in schools and communities. For example, the Essex Fire Museum in Grays, in the Thurrock constituency, is a brilliant example of a museum partnering with schools in its local area to deliver practical, hands-on education that engages children in learning environments outside the classroom. The museum runs an impressive learning programme in schools, offering immersive experience of fire service history, as well as sessions designed to engage children with subjects such as home safety, cyber-safety and the environment.

Arts Council England’s museums and schools programme, which is funded by DCMS, works with 18 museum partnerships across the country—from Blackburn to Scarborough to Bristol—providing money to connect museums with local schools. The programme reaches over 200,000 pupils across the country, which is key.

There is also placemaking and tourism, of course, as they are great drivers of footfall, and not just on our high streets but anywhere there is a museum. They drive footfall towards the areas where we want people to spend their money. Reviving our town centres is a key component of what the Government want to achieve. The average museum contributes nearly £350,000 to its local economy through visitor numbers alone.

The role of local museums, as the cultural heart of our communities, in protecting, exploring and sharing our diverse local stories is undeniable. Today we have heard examples of the immense and varied contributions that museums have made across the country. The Government will not neglect local museums. We have committed significant new funding to the sector— historically high funding—and forthcoming publications and policies, including our response to the Hodge review, will further our commitment to the museums sector right across the country. That will outline the breadth of our ambitions for the sector, now and into the future. I thank all hon. Members for championing their local museums.