(9 years, 10 months ago)
Commons ChamberI think it is serious and hope that the discussions that follow will be successful, but I understand the right hon. Gentleman’s puzzlement about the precise timing of what happened.
Earlier this month, Ofcom announced that it has received two competing applications—from Listen2Digital and Sound Digital respectively—for the licence to run the second national radio digital multiplex from next year. Premier is listed as a station on both the bids, so it should be assured of a place on Digital Two. However, if it cannot stay on Digital One after March, it will have a very serious problem. Digital Two will not open until the second quarter of next year, so Premier would lose more than half its audience and a large chunk of advertising and other income. It does not have a big corporation standing behind it, and removal from Digital One would be an existential threat.
The right hon. Gentleman is making a great case and is right to raise this issue. It is very important that Premier maintain a presence. As it is broadcasting and will be broadcasting again from April 2016, as he has just explained, is it not clear that a solution needs to be found that suits Premier and suits Arqiva to let it continue to broadcast in the meantime?
The hon. Gentleman is absolutely right and I think we can be hopeful that such an arrangement will be found.
Premier has worked very hard over 20 years to build its audience and has a lot of very committed listeners. The issue I particularly want to raise concerns the requirements of the Broadcasting Act 1996, as it seems to me that they should apply in this case. Section 54(6) of the Act states:
“Where the licence holder applies to the Authority for the variation of any condition imposed in pursuance of subsection (1)(b) and relating to the characteristics of any of the digital sound programme services to be broadcast under the licence, the Authority shall vary the condition accordingly unless…(a) it appears to the Authority that, if the application were granted, the capacity of the digital sound programme services broadcast under the licence to appeal to a variety of tastes and interests would be unacceptably diminished”.
Yes, I do agree.
It seems to me that the summary removal of Premier from Digital One, and its replacement with a pop music station very similar to several others, falls foul of the requirement in the 1996 Act, as the capacity to appeal to a variety of tastes and interests would be unacceptably diminished. I hope that Ofcom will take that view; I would have hoped that it might have done so already. I hope the Minister will take that view as well.
I feel strongly about this, as I was a member of the Committee on the Broadcasting Bill back in 1996, and I remember being very impressed by the diligence of the then broadcasting Minister, the late Iain Sproat, in bringing forward a regulatory framework for broadcasting that was commercially viable but also decent. That requirement to “appeal to a variety of tastes and interests” was at the heart of it.
In Committee, on 14 May 1996—I was there—Iain Sproat said:
“For digital radio, as for digital television, allowing the new technology to extend choice is a main aim of the Government.”
I hope the Minister will confirm that it still is. Iain Sproat also said that
“no more than two of the stations on the multiplex should be aimed at predominantly the same section of the listening audience”.—[Official Report, Standing Committee D, 14 May 1996.]
I understand that MPs are likely very soon to start receiving listeners’ postcards on the subject. As a London MP I have been on the receiving end of Premier postcard campaigns in the past, and the number of postcards is pretty impressive. Section 3 of the Communications Act 2003 also applies, with its requirement to secure
“the availability throughout the United Kingdom of a wide range of television and radio services which (taken as a whole) are both of high quality and calculated to appeal to a variety of tastes and interests.”
Premier Christian Radio is not the only Christian station on Digital One—United Christian Broadcasters is there as well—but it provides a unique and distinctive service. It is speech-led, and one of only three non-BBC stations on Digital One with 50%-plus speech content. Premier has its own news team, with journalists who provide a distinctive perspective on current affairs. It has a unique Christian telephone helpline and it is a very distinctive presence on Digital One.
Premier leads on important campaigns: the RE.ACT campaign in 2011 to safeguard religious education in schools; the Safetynet campaign in 2012 to protect children from online pornography; and the Not for Sale campaign, which did important work on the Modern Slavery Bill.
I am very grateful to the right hon. Gentleman. He is being very generous and is making an excellent speech. On the point about diversity and appealing to a wide range of interests, is it not the case that many of Premier’s listeners are fairly elderly and take great comfort from the ministry it provides, whereas most listeners to a pop station tend to be slightly younger?
The hon. Gentleman is absolutely right. Last week, Premier started to ask its listeners to write in with their support. I am told that 2,000 to 3,000 a day have been writing in since then. Let me just read what one of them said, which very much echoes the hon. Gentleman’s point:
“Premier is a lifeline for me. I am registered disabled, with M.E., and unable to get to church or meet with other people. Premier helps me to connect and engage with my faith and feel part of a wider community.”
I think a large number of people who listen to Premier feel the same way. Premier Christian Radio has recently announced an annual “society Sunday” to build closer relationships between local representatives and faith groups in their area to celebrate the work of faith groups in communities. The first is due to take place on 14 June, and has been backed by the Communities Secretary. The hon. Gentleman is absolutely right that Premier is very important indeed for many of its listeners.