All 2 Debates between Gareth Snell and Robert Flello

Early Parliamentary General Election

Debate between Gareth Snell and Robert Flello
Wednesday 19th April 2017

(7 years ago)

Commons Chamber
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Stoke-on-Trent City of Culture 2021

Debate between Gareth Snell and Robert Flello
Tuesday 21st March 2017

(7 years, 1 month ago)

Westminster Hall
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Gareth Snell Portrait Gareth Snell (Stoke-on-Trent Central) (Lab/Co-op)
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Thank you very much, Mr Hollobone. It is a pleasure to serve under your chairmanship in this debate, as we seek to showcase the very best parts of the city that my hon. Friends and I represent. You will have already seen, though, that parochialism among the three constituencies is very much alive and well.

I congratulate my hon. Friend the Member for Stoke-on-Trent North (Ruth Smeeth) on securing this debate. She mentioned, albeit briefly, one of Stoke’s historic sons, Arnold Bennett. This year marks the 150th anniversary of Arnold Bennett’s birth in Hanley, in my constituency. His tales of Turnhill, Bursley, Hanbridge, Knype and Longshaw provide a witty and pithy account of life in the Potteries at the turn of the last century. Whether in stories about Anna of the five towns or the Clayhanger family, he illuminated the real-life problems facing society at the end of the Victorian era through his application of what we would now call the creative industries.

While the wealth of Stoke-on-Trent and Staffordshire was derived from our heavy manufacturing, ceramics and mining, Arnold Bennett also knew the value of arts and culture. He once said:

“Am I to sit still and see other fellows pocketing two guineas apiece for stories which I can do better myself?...If anyone imagines my sole aim is art for art’s sake, they are cruelly deceived.”

That is potentially the benefit that my city can derive from its bid to be the city of culture in 2021. It is not just a financial but a social benefit. We understand the added benefits that can be derived when we go above art for art’s sake, and how it can help to heal some of society’s greatest wounds.

The Potteries is rich in culture. I cannot hope, in the time available to me, to do it justice, but I will do my best. For theatre lovers, we have some of the finest boards that have ever been tread—the Regent, the Victoria Hall, the Mitchell Memorial Theatre and the New Vic, which is a purpose-built theatre in the round. Each not only provides a brilliant night out but works with young people, older people and those who feel left behind to use culture and creativity as a conduit for tackling problems in their communities. Those who wish to eat and drink will find some of the finest breweries and restaurants in the west midlands. For those who wish to continue their festivities, an array of clubs and night-time venues will provide many a happy—if blurry—memory.

Our cultural contributions run deep. My hon. Friend the Member for Stoke-on-Trent North mentioned the distinguished careers of music legends Slash, Lemmy and Robbie Williams, but I am afraid to say that she neglected to mention that of Jackie Trent, who is well known as the composer of the theme tune to “Neighbours” and can trace her roots to the Potteries.

Robert Flello Portrait Robert Flello (Stoke-on-Trent South) (Lab)
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I cannot allow this opportunity to pass by without mentioning Gertie Gitana.

Gareth Snell Portrait Gareth Snell
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My hon. Friend, as always, shows his experience in matters that are above me. Given that my hon. Friends the Members for Stoke-on-Trent North and for Stoke-on-Trent South (Robert Flello) are present, and that my other neighbour, the right hon. Member for Staffordshire Moorlands (Karen Bradley), is the Culture Secretary, it would be remiss of me not to point out that everybody needs good neighbours, and that with a little understanding, you can find the perfect blend.

Stoke-on-Trent’s historic contributions to cultural advancements are not limited to music, food, theatre and ceramics. We have a rich scientific heritage too. Sir Oliver Lodge, born in 1851 in Penkhull, was a physicist and inventor who identified electromagnetic radiation independent of the work being carried out by his contemporary, Hertz. His work gave the world the spark plug. The fact that that is not better known is shocking. Thomas Twyford, born in Hanley in 1849, may have bequeathed to our society one of the greatest cultural advances ever: the single-piece ceramic flush toilet. In doing so, he performed a public duty for public sanitation.

Our city’s industrial heritage is well preserved at the Etruria Industrial Museum. The Potteries Museum and Art Gallery, which my hon. Friend the Member for Stoke-on-Trent North mentioned, is also home to part of the Staffordshire hoard. The Wedgwood Museum in Barlaston has kept a real and tangible link with the historic family, who made their name in Stoke-on-Trent. The Gladstone Pottery Museum in Stoke-on-Trent South ensures that skills from our past are being passed on to our children for their future.

--- Later in debate ---
Robert Flello Portrait Robert Flello
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Indeed, and long may that continue, and long may I continue to be a member of the pot turners club as well. I say this just as an aside: we need to ensure that that industry gets the best possible deal out of Brexit.

The fact that the campaign to save the Wedgwood collection was the fastest fundraising campaign in the 111-year history of the Art Fund tells us everything we need to know about its importance. Josiah Wedgwood was the pioneer of so much that has shaped modern Britain, from marketing to distribution and the division of labour. He was one of the fathers of the industrial revolution, not to mention a prominent abolitionist, and is yet another reason to be proud of our city.

It should not simply be the volume that decides which city is successful in its bid to be capital of culture, as the guidance for the bid acknowledges; it should be the quality and diversity of the offer. If it was about sheer volume, London would be capital every time. However, if we want to see a wide range of projects covering a multitude of different categories, engaging all ages and ethnic groups and being truly and properly inclusive, there is nowhere better than Stoke-on-Trent. We have a truly ambitious and wide-ranging series of projects that will absolutely do justice to the honour of the title.

I believe that Stoke-on-Trent City Council was right to bid for city of culture 2021. If I may delicately suggest, those in power now may have been a little slow to back the previous Labour Administration’s plans for the city, but I am delighted to provide my support now and to give the bid truly cross-party support. When it comes to improving our city, there is no place for party politics.

Gareth Snell Portrait Gareth Snell
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My hon. Friend is making an excellent speech. It is worth noting—I am sure he was going to get to this point—that every local authority in Staffordshire, irrespective of political hue, backs this bid, which has got genuine cross-party consideration locally across Staffordshire and across the Members of Parliament as well.

Robert Flello Portrait Robert Flello
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I am grateful to my hon. Friend for making that point. It is important that the bid has that backing from across parties and across Staffordshire. City of culture status for Stoke-on-Trent has the potential to inspire, to build pride in our city and to showcase our true face, not the impression that has been built up through decades of cheap shots and uninformed criticism.