Creative and Cultural Industries: Impact of Visa and Immigration Policies Debate
Full Debate: Read Full DebateEarl of Clancarty
Main Page: Earl of Clancarty (Crossbench - Excepted Hereditary)Department Debates - View all Earl of Clancarty's debates with the Home Office
(1 year, 4 months ago)
Lords ChamberI am afraid that I do not accept the noble Baroness’s proposition that we are, in some way, limiting access to the United Kingdom for creative workers. As I alluded to in my Answer, our domestic law allows musicians, entertainers, artists and their technical staff from non-visa national countries, such as EU member states, the US, Canada, Australia and New Zealand, to perform in the UK without requiring a visa. A non-visa national can stay one month without a visa if they are invited to the UK by a UK-based client or organisation and paid by a UK source, under the permitted paid engagement visitor rules. A non-visa national can stay three months without a visa if they have been assigned a certificate of sponsorship by a licensed sponsor, which is usually a UK company. A non-visa national can stay six months without a visa if performing at a permit-free festival; they are listed in the Immigration Rules and run from Glastonbury to Glyndebourne. All nationalities can apply for a 12-month stay, on a temporary work creative worker route visa, if they obtain a visa and have a certificate of sponsorship.
My Lords, the recently announced increase of at least 20% in the visa charge for people on the 10-year route to settlement and their families will mean a rise of at least £18,265 for an adult and much more for a family. What assessment has been made of the impact on long-term residents, many of whom are on lower incomes and already struggle to meet visa fees?
My Lords, looking at this in the opposite direction to the noble Baroness, Lady Bonham-Carter, is the Minister aware of the real concern of losing British creative skills permanently to Europe, including our music touring technicians such as sound engineers and lighting crews, because of the obstacles the current agreement with the EU now poses to their work if they remain in this country?
As I have already said, we are proud of the fact that we have a very generous offer to those coming into the UK for creative purposes. We hope that other countries will reciprocate. I reassure the noble Earl that we have spoken to every EU member state about the issues facing our creative and cultural industries. From these discussions, 20 member states of the EU have confirmed that they offer visa and work permit-free routes for UK musicians and performers.