All 2 Debates between Christian Matheson and Chris Elmore

Wed 19th Jun 2019
Parliamentary Buildings (Restoration and Renewal) Bill
Commons Chamber

3rd reading: House of Commons & Report stage: House of Commons
Mon 20th Nov 2017

Parliamentary Buildings (Restoration and Renewal) Bill

Debate between Christian Matheson and Chris Elmore
Christian Matheson Portrait Christian Matheson
- Hansard - -

My right hon. Friend from the other side of Boundary Lane in Chester is absolutely right. We have to encourage small and medium-sized enterprises not simply by telling them that it would be good to bid for the contracts, but by making it as easy as possible for them, and by identifying and removing the barriers.

Finally, amendment 1, which stands in my name, is about corporate social responsibility and blacklisting. I remind the House of my entry in the Register of Members’ Financial Interests—I am a proud member of Unite the union and the GMB, and I have received support from both in the past. However, I remind the House that I have tabled the amendment on my own initiative and with the support of hon. Members, not at the behest of any trade union, because we believe that it is the right thing to do.

In Committee I tabled an amendment that might be considered stronger than amendment 1. That previous amendment called for the Delivery Authority to proscribe from the bidding process any firm that had been involved in blacklisting and had not subsequently signed a recognition agreement with a UK-registered trade union. The amendment was narrowly defeated. Nevertheless, I did welcome at the time the Minister’s strong condemnation of blacklisting as a practice, and the support of other hon. Members in Committee. We can condemn, or we can take action. Aside from legislating to outlaw blacklisting, this project is the most direct influence we can have on making a stand against this terrible practice, because this House, along with their lordships’ House, is the ultimate client and can set the terms.

I remind the House that blacklisting is pernicious. It destroys lives, it is dangerous, and it is still going on. Skilled and qualified tradesmen are still refused starts, or are finished up on a job after just a couple of days, without explanation. If a workers’ name appears on a blacklist, it may well be because he or she has been a trade union representative or—more likely—because they have in the past complained about poor health and safety standards. Construction is a dangerous business. Site managers are under pressure to keep costs down, but that can lead to lower standards. Too often, the men or women who have been willing to stand up for their fellow workers and challenge lax health and safety regimes are the ones who have been marked down as troublemakers, when the truth is that in many respects they do their employers a service.

I remind the House of the scale of the problem. The Consulting Association is the most recent example of an organised blacklist—that we know of. In 2009, its offices were raided by the Information Commissioner’s Office, and it was found to be running an organised blacklisting operation, with 3,300 names. In the 2008-09 financial year, subscribers spent £87,749 on name checks. That means that, at £2.20 for each check, 39,886 names were checked. I emphasise that that was in just one year.

Amendment 1 gives the House another opportunity to make a statement and take a stand against blacklisting. I have listened to colleagues, and the amendment is less prescriptive than the one considered in Committee.

Chris Elmore Portrait Chris Elmore (Ogmore) (Lab)
- Hansard - - - Excerpts

My hon. Friend mentioned both Houses leading the way; in 2013, the Welsh Government introduced a ban on the involvement of companies that blacklist and do not recognise trade unions in the public procurement process, such as the building of new schools and hospitals. That ban is already in place and it is working well. Because of those Welsh Government contracts, lots of organisations in Wales have cleaned up their act and now work constructively with trade unions and make sure that they have the most constructive processes, particularly in respect of health and safety.

Christian Matheson Portrait Christian Matheson
- Hansard - -

I am most grateful to my hon. Friend for that illustration of how action of this kind can raise standards. When we raise standards in the construction sector, we save lives. It is a dangerous sector and whenever standards are allowed to fall, workers are regularly harmed, maimed and injured.

TV Licence Fee

Debate between Christian Matheson and Chris Elmore
Monday 20th November 2017

(7 years ago)

Westminster Hall
Read Full debate Read Hansard Text Read Debate Ministerial Extracts

Westminster Hall is an alternative Chamber for MPs to hold debates, named after the adjoining Westminster Hall.

Each debate is chaired by an MP from the Panel of Chairs, rather than the Speaker or Deputy Speaker. A Government Minister will give the final speech, and no votes may be called on the debate topic.

This information is provided by Parallel Parliament and does not comprise part of the offical record

Christian Matheson Portrait Christian Matheson
- Hansard - -

The hon. Gentleman has an excellent and an excellent nose and an excellent face. I am a big fan of Radio 6 Music. I know that politicians are supposed to listen to the “Today” programme, but I do not; I listen to Shaun Keaveny on the breakfast show on Radio 6. The BBC’s flagship programme at the moment is “Blue Planet”. I want to address the point made by my hon. Friend the Chair of the Petitions Committee about the ability to invest in programmes such as “Blue Planet”. There was a remarkable scene a couple of episodes back that involved filming a huge shoal of millions of groupers that were about to spawn, with sharks circling to eat the groupers as they gathered. The film crew went down, but the groupers had not spawned; they went down the next day, and the groupers had spawned and left. So what did the BBC film crew do? They waited a year, and then they came back to a similar area the next year. That level of commitment, investment and astonishing quality would not be possible without the security and certainty that the licence fee gives.

Chris Elmore Portrait Chris Elmore (Ogmore) (Lab)
- Hansard - - - Excerpts

Thank you for allowing me to speak, Mrs Moon; I have been in a Delegated Legislation Committee as an Opposition Whip. My hon. Friend is talking about “Blue Planet”, of which I am an avid fan, as I am of Radio 5 Live. Does he agree with what my hon. Friend the Chair of the Committee said about expert regional developments in broadcasting? That is true not only at a UK level, with programmes such as “Doctor Who” and “Casualty”, but in relation to S4C, which is funded by the licence fee. It is a very specific Welsh-language service that includes the great soap opera “Pobol y Cwm” and allows us to deliver regional and country-wide services that benefit Welsh broadcasters and viewers.

Christian Matheson Portrait Christian Matheson
- Hansard - -

Living as I do in the Welsh border area, I have seen “Pobol y Cwm” a couple of times, although I do not claim to understand it.

My hon. Friend brings me to my next point, about the ecology of the broadcasting system. The licence fee underpins not simply the BBC—and S4C, as my hon. Friend mentioned—but much of the ecology of the UK broadcasting and creative industries. It provides training and career development that is then used by other broadcasters. The BBC is particularly instrumental in developing our music sector. When I was much younger, I listened avidly to the late and long-lamented John Peel, who gave so much to the development of new musical acts throughout the UK.

Many music acts that depended on the BBC for their launch now contribute through the UK’s successful music sector, which is not only a greatly successful creative sector but a huge earner for us globally. That is down to the BBC. If anyone went to the UK music sector to talk about diminishing the BBC’s ability to support it, I suspect that there would be consternation. The BBC underpins a huge amount of the UK’s creative culture, particularly in terms of the risk-taking that my hon. Friend the Member for Warrington North discussed, through the licence fee.

Let us be clear: there is a problem with collecting the licence fee, as my good friend the hon. Member for Kilmarnock and Loudoun mentioned. However, that is not entirely down to the BBC. I remind hon. Members that Capita now has responsibility for collecting the licence fee. I challenge any hon. Member to find an area where Capita is doing well delivering any services for which it is responsible. My hon. Friend the Member for Warrington North did not mention the importance of children’s and educational programmes, from “Trumpton” in my day to “In the Night Garden” in my children’s days.