EBacc: Expressive Arts Subjects Debate

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Department: Department for Education

EBacc: Expressive Arts Subjects

Carol Monaghan Excerpts
Monday 4th July 2016

(8 years, 4 months ago)

Westminster Hall
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David Lammy Portrait Mr Lammy
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I do not want to get into the “either/or” debate as it is not helpful. We could also have a discussion in this House—I would certainly be back for this—on the importance of religious studies education. I know some colleagues who would come to that debate as well.

It is depressing that we are having this argument in the country of Shakespeare, the Beatles, so many wonderful actors who pick up awards internationally and domestically every single year, the west-end theatres, and some of the world’s best musicals. I was Minister for Higher Education and I remember that successive Governments made some very poor decisions which resulted in a huge diminution in language learning. There has just been a big national debate on the importance of Europe; the potential for exchanges like those that people of a certain age in this room may have had with young people in Germany and France has been diminished. This debate is so important because there is a sense, in the petition and in the House, that in this fundamental area of our lives, we are taking the wrong course.

Carol Monaghan Portrait Carol Monaghan (Glasgow North West) (SNP)
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The right hon. Gentleman has mentioned a lot of fantastic contributions. One name that should be mentioned is Professor Brian Cox, a physicist who is also a musician. More and more, we see that the creative arts actually help to fuel creativity in other areas such as science.

David Lammy Portrait Mr Lammy
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The hon. Lady is right. Famous scientists say the same thing. When I was an Arts Minister, I gave a speech at the Science Museum on the importance of arts and the relationship between arts and science.

Our debate today is being had in the field of performing arts and is live in universities. I was recently at the London College of Fashion, which with Goldsmiths and all the other art colleges is asking, “Where are the working-class students?” They have disappeared from the system. Of course, they are concerned about fees and the way in which we are forcing young people to make decisions based solely on how much they will earn when they leave education. Excluding expressive arts subjects from the EBacc will compound the problem.

If we want to see the multi-layered complexity of our country played out on our screens, in our music halls and in the charts in the years ahead, it is important that the Minister recognises what hon. Members are saying. Rather than use statistics selectively to defend his corner, he must recognise that people have taken the time to sign the petition and to come here this afternoon because there is a profound problem with the direction that the Government are taking.

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Carol Monaghan Portrait Carol Monaghan (Glasgow North West) (SNP)
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Thank you, Mr Chope. You have confused me by not being Ms Buck, but I will carry on. As always in education debates, it is interesting to compare the picture in Scotland with that in England. As a former physics teacher, I never considered physics to be any more or less worthy than any other subject. It seems as though a hierarchy of subjects is developing.

At first glance, the principles behind the EBacc seem laudable enough—a solid grounding in core academic subjects makes sense—but the argument is about the key subjects. We are all individuals—not everyone can excel at maths and science. Likewise, arts subjects do not come easily to others, including me. Scotland had a similar system to the one we are discussing today, but forcing pupils to study subjects in which they have no interest is counterproductive and has implications for pupil behaviour, engagement and attainment.

Nick Gibb Portrait Mr Gibb
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Does that mean that if a pupil is not interested in maths, they should be able to drop it at any point?

Carol Monaghan Portrait Carol Monaghan
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A pupil will need a certain grounding in maths, but how many pupils need to know how to do complex algebra or calculus? Basic numeracy and literacy are different from studying subjects in great detail.

Nick Gibb Portrait Mr Gibb
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I think the software-games industry would have a different view.

Carol Monaghan Portrait Carol Monaghan
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In Scotland, we are looking at how we can prepare our students for the workplace. Calculus features in only a few, specific jobs, and we need to consider that.

In Scotland, the emphasis is no longer on a suite of specific subjects, but on personalisation and choice. That has led some students to specialise in science and technical subjects, while others enjoy success in music and the arts. Despite concerns that student numbers may drop in some subjects, the overall presentation numbers have not suffered, because students can take multiple subjects in a curricular area, such as three science subjects or three arts subjects. More importantly, pupil behaviour, engagement and attainment have all improved. Because students have opted into particular subjects, they are in charge of their own decisions and are full stakeholders. The current EBacc in England, rather than allowing students to flourish, is setting some up for failure. Surely a free choice of subjects gives students, especially those from a disadvantaged background, a far better chance of success.

The hon. Member for Newcastle upon Tyne North (Catherine McKinnell) opened the debate by talking about the wide range of organisations supporting the debate, how society is enriched by the arts, and the job opportunities available in the creative industry. The hon. Member for Somerton and Frome (David Warburton) talked about his experience as a musician and how music improved cognitive skills. I know something about that. In a very tough council estate in Raploch, Stirling, a music programme where primary school students were taught the fiddle saw attainment, attendance and general participation all increase as a result.

The right hon. Member for Slough (Fiona Mactaggart) talked about her experience as a teacher, the importance of science and the arts and how creativity is at the core of British education. I concur; as a science teacher, I know that science is not always considered to be a creative subject, but our top scientists all have creativity in common. The right hon. Member for Tottenham (Mr Lammy), who has left, gave us a wonderful vision of his angelic choirboy past. It was quite hard to imagine. He talked about academic rigour and the benefits of studying the arts for creativity. As a physicist, I know that of the courses that are now developing at universities, including the University of Edinburgh, physics and music is now a joint degree. It is good to see those two subjects coming together as well as the juxtaposition of the two.

My hon. Friend the Member for Motherwell and Wishaw (Marion Fellows) talked about the importance of developing well-rounded individuals who can contribute and enrich society. The hon. Member for Washington and Sunderland West (Mrs Hodgson) talked about the unintended consequences of the current EBacc and how it could prevent creativity from flourishing. The hon. Member for Bradford South (Judith Cummins) talked about the need to align skills to industry’s requirements. The hon. Member for Stalybridge and Hyde (Jonathan Reynolds) talked about the benefits of the arts to health and wellbeing. The hon. Member for Bristol East (Kerry McCarthy) talked about how we get students through the door and how different school activities can be the hook that draws them in, but she also raised concerns about pupils being forced to drop arts subjects because of the EBacc.

The hon. Member for Wirral West (Margaret Greenwood) talked about her experience as a former teacher and how theatrical experience allows some troubled students to express themselves in a different way. The Minister should consider seriously her point that the reduced value of arts subjects can contribute to low staff morale.

Scotland’s curriculum for excellence has eight curricular areas, all with equal status. The expressive arts is one of those areas. The Minister should consider the possibility of different flavours of EBacc, so that some students could have a science specialism while others had a language specialism or an expressive arts specialism, and others could do a general EBacc across a range of subjects. That would allow students both to flourish and to specialise in their chosen area.

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Nick Gibb Portrait Mr Gibb
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I will of course listen carefully to this debate and all the representations made to the consultation, but there is a problem in this country. All the participants in the debate have talked about the arts being in addition. No one said—I listened carefully—that a foreign language is unnecessary for the majority of young people. No one said that taking two or three sciences is unnecessary for most young people. No one said that maths is not important, apart from the hon. Member for Glasgow North West (Carol Monaghan)—

Carol Monaghan Portrait Carol Monaghan
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I do not think I said—in fact, I know I did not say—that maths was not important, although I said that basic numeracy was a requirement. What I did say was that advanced algebra and calculus were not necessary for every student to make their way in life.

Nick Gibb Portrait Mr Gibb
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That is where we disagree: young people living in a modern, complex society need to have mathematical skills that go beyond simple numeracy. They need to be able to do maths to the level of GCSE, which is why we have insisted that a GCSE in maths and in English are part of further education studies for students without those GCSEs.

No one in the debate is saying that those subjects should be dropped—in so far as that is concerned, we all agree. Our contention is that there is ample room to study, in addition to the EBacc subjects, the arts, economics or a vocational subject, if that is what interests the young person.