Channel 4
Debate between Baroness Bonham-Carter of Yarnbury and Lord Ashton of Hyde
Baroness Bonham-Carter of Yarnbury
To ask Her Majesty’s Government when the Department for Culture, Media and Sport will announce its conclusions on the future status of Channel 4.
The Parliamentary Under-Secretary of State, Department for Culture, Media and Sport (Lord Ashton of Hyde) (Con)
My Lords, moving seamlessly from the BBC to Channel 4, I congratulate the noble Baroness on the timing of her Question. The Government want Channel 4 to have a strong and secure future. As a result, the Secretary of State has announced this afternoon that Channel 4 will remain in public ownership and that the Government will launch a consultation to look at how the channel can increase its impact in the regions outside London. This consultation will seek the broadest range of views so that we can open a new chapter of success for Channel 4 as a publicly owned public service broadcaster making a greater contribution to the country as a whole.
Baroness Bonham-Carter of Yarnbury (LD)
I thank the Minister and the Secretary of State for responding to my Question. I congratulate the Government on rejecting privatisation. As the Minister said, the Government are now launching a consultation on how Channel 4 can increase its regional impact, which we also welcome. In looking at the suggestion that the channel’s headquarters should be moved outside London, does the Minister not agree that Channel 4 is a publisher, not a programme maker, that what is important is that production takes place outside London by companies from outside London and that the expense of moving those who commission programmes would potentially take money away from what is most important: namely, the making of programmes in the regions by the regions?
Lord Ashton of Hyde
My Lords, I do not accept that. We are having a consultation to look at exactly these questions. At the moment, Channel 4 is required to commission 35% of new programmes on its main channel from outside London. It spends about twice as much on programmes made in London as on those made in the rest of the UK combined—so there is something well worth consulting on there.
Brexit: Creative Industries
Debate between Baroness Bonham-Carter of Yarnbury and Lord Ashton of Hyde
Baroness Bonham-Carter of Yarnbury
To ask Her Majesty’s Government what steps they are taking to ensure that, following the United Kingdom’s withdrawal from the European Union, the creative industries will continue to receive economic benefits from an international workforce.
The Parliamentary Under-Secretary of State, Department for Culture, Media and Sport (Lord Ashton of Hyde) (Con)
My Lords, the creative industries contributed more than £87 billion to the UK economy and nearly £20 billion in exports. They account for 5.8% of all UK jobs. As the Prime Minister made clear in her speech earlier this month, it is the Government’s ambition to continue to attract the brightest and the best to work in Britain, but there must be control. The UK’s creative industries produce an extraordinary level of creative talent, and we want to ensure that continues after we leave the EU.
Baroness Bonham-Carter of Yarnbury (LD)
I thank the noble Lord for his response but, as he is no doubt aware, there are currently 17 creative roles on the Government’s shortage occupation list, and there is unease that this will only get worse after Brexit. The industry is already concerned that the EBacc is having a negative impact on the uptake of creative subjects in schools and, consequently, on skills. Exactly a year and a day ago, the Government’s consultation on the EBacc closed. The industry’s response was an urgent call for creative subjects to be given the same emphasis as science in our education system. Will the Minister commit to listening to the creative sector—and to his noble friend Lord Baker of Dorking, a former Secretary of State for Education—and agree that what is needed is STEAM, not STEM? Will he also commit to a government response to the EBacc consultation?
Lord Ashton of Hyde
My Lords, the Government are certainly prepared to listen, including to my noble friend Lord Baker. As far as the EBacc is concerned, we accept that arts entry has declined in 2016, but that was one year. Between 2012 and 2015, entries into arts subjects rose. We absolutely accept that the arts have an important role to play in education. We believe that they are complementary to STEM subjects and that a rounded education includes the arts.
Brexit: Creative Industries
Debate between Baroness Bonham-Carter of Yarnbury and Lord Ashton of Hyde
Baroness Bonham-Carter of Yarnbury
To ask Her Majesty’s Government whether they will match current levels of European Union funding for the creative industries following the United Kingdom’s exit from the European Union.
The Parliamentary Under-Secretary of State, Department for Culture, Media and Sport (Lord Ashton of Hyde) (Con)
My Lords, the Chancellor announced that the Treasury will provide a guarantee for all new structural investment fund projects signed after the Autumn Statement and before we leave the EU where they provide value for money and support domestic strategic priorities. Leaving the EU means that we want to take our own decisions about how to deliver the policy objectives previously targeted by EU funding. Over the coming months, we will consult with stakeholders to review all EU funding schemes in the round to ensure that any ongoing funding commitments best serve the UK’s national interest while ensuring appropriate investor certainty.
Baroness Bonham-Carter of Yarnbury (LD)
I thank the Minister for his reply. I know he agrees that our creative industries are one of the great successes. Does he also agree that they have massively benefited from our being a member of the European Union? For example, the Creative Europe programme has a budget of £1.1 billion, for which funding UK applicants have a success rate double that of the EU average. Considering the contribution of the creative industries to our economy and our position as a soft-power superpower, can the Minister confirm that the creative industries will be at the top table when Brexit negotiations commence?
Lord Ashton of Hyde
I am happy to agree with the noble Baroness that the creative industries are one of the great success stories of Britain. They have expanded by 34% since 2010 and now contribute 5.3% of GVA, so they are economically important, quite apart from the important cultural and aesthetic areas of promoting Britain abroad. They are at the top table—Ministers have had many meetings about the creative industries—and even if it was not for the cultural aspects, the fact that they are so important economically means that they are very much at the top table when Brexit is discussed. To show that in some way, the Secretary of State for DCMS is a member of the Cabinet’s economy and industrial strategy sub-committee, which met yesterday.
Cultural Property (Armed Conflicts) Bill [HL]
Debate between Baroness Bonham-Carter of Yarnbury and Lord Ashton of Hyde
Lord Ashton of Hyde
My Lords, I take this opportunity to introduce an amendment to Clause 4 which has arisen as a direct result of the scrutiny and debate on the Floor of this House and to put on record the substance of the letter that I sent to noble Lords last week to explain the amendment.
As was discussed in detail in Committee, Clause 4 deals with the extraterritorial application of ancillary offences. For example, it means that if an individual abroad attempts or conspires to commit an act, that act would be an offence under this legislation.
Noble Lords may recall that in Committee, the noble Lords, Lord Touhig and Lord Stevenson, tabled an amendment to subsections (4) and (5) of Clause 4, which makes provisions for England, Wales and Northern Ireland. The essence of the amendment is to try to understand why these provisions were drafted differently from those relating to Scotland. My predecessor, my noble friend Lady Neville-Rolfe, explained that this was due to a difference in Scottish criminal law. While subsection (6) was not the subject of the noble Lords’ amendment, the debate prompted the Government to reflect on the drafting of this clause and to conclude that the original drafting would benefit from some clarification to ensure that the Bill’s provisions relating to the ancillary offences had the intended effect in Scotland. The Scottish Government and the Crown Office in Scotland have been consulted regarding this amendment and have agreed the appropriate drafting.
I hope noble Lords will accept the amendment. I am grateful that the close consideration this House has given the Bill has resulted in this improvement in its drafting. I beg to move.
Baroness Bonham-Carter of Yarnbury (LD)
My Lords, I welcome the noble Lord to his position and thank him for his previous acceptance of the noble Earl’s amendment and for this amendment. We all agree that this is a good Bill and I am grateful for these two improvements to it.