Glasgow School of Art: Mackintosh Building

Anneliese Dodds Excerpts

Monday 19th October 2026 Commons Chamber

[Torcuil Crichton]

I am glad to have the right hon. Member here bringing not just his experience, but cross-party support. I appreciate what he did and what previous Governments did after the first fire. There are hundreds of competing pressures on politics and on our political and financial capital, but he is right that it is a building of national importance. It was also a very beautiful building.

[Anneliese Dodds (Oxford East) (Lab/Co-op)]

Does my hon. Friend agree that the building is of international importance, when we look at the significance of Charles Rennie Mackintosh in the history of design? He always married function with form, and that is nowhere more clear than in that building.

[Torcuil Crichton]

I completely agree with my right hon. Friend about the style and form of the Mack. It was a beautiful building, and we do miss it. I do not mean that in a sentimental sense, because it was not just a building of bricks and mortar; it was, as she said, more than the sum of its parts. Since its construction at the turn of the 20th century, the Mack has become a symbol of Glasgow’s flair. It has been an incubator for Scotland’s creative spirit, and it has been a building of significance, as Members have said, not just for the city, but for Scotland and the country. It is a story that runs through the Scottish nation, and through the lives of so many famous artists, writers and performers who have been inspired by their time there, and others, like me, who were simply spellbound by its beauty.

If the Minister is looking for evidence of how the Mack runs through our lives, she will recall that tonight at Dover House, as she made her speech for the Poppyscotland appeal, which we all support, she was heralded by a painting by Adrian Wiszniewski on one side and one by Ken Currie on the other—the new Glasgow boys; the most recent wave of artists to come out of the art school.