Ivory Bill (Fourth sitting)

Alex Sobel Excerpts

Committee Debate: 4th sitting: House of Commons
Thursday 14th June 2018 Public Bill Committees

[Liz Twist (Blaydon) (Lab)]

Has the Minister considered the position of a local regional musical instrument, the Northumbrian pipes, which are peculiar to Northumbria and the surrounding area, including my constituency? A number of pipe-makers have expressed concern about how they can preserve and continue the tradition of Northumbrian piping, given the current provisions. Clearly there is the question of the percentage exemption, but there is concern that recently made pipes, which were made legitimately in accordance with the legislation at that time, might fall outside the limit.

The pipe-makers have submitted evidence. Has that evidence been considered, and are there any measures that could assist them? It is a great local tradition. I should say that the Northumbrian Pipers’ Society has made it absolutely clear that it does not wish to do anything that would undermine a ban on the sale of ivory or disrupt the legislation. Its members told me that they reuse ivory from things such as old billiard balls. That was perfectly legitimate when the pipes were made. I just wondered whether any consideration had been given to that.

[Alex Sobel (Leeds North West) (Lab/Co-op)]

It has caught my eye that the definition of musical instruments includes plectrums, which are obviously widely used, particularly by professional musicians, to play guitars. A plectrum is a very small item, and there is quite a strong trade in mammoth ivory guitar picks or plectrums. One website that sells them says:

“Due to the density of the material, Mammoth Ivory picks produce a nice, bright, strong tone without the harshness of metal picks, especially on acoustic guitars.”

We heard from the Musicians’ Union that musicians spend their entire careers gathering such instruments, including plectrums, and then sell them upon retirement. It is not a profession that comes with a pension, so that is part of their livelihood. The Bill indicates that the volume of ivory in the instrument needs to be less than 20%. I would like some clarity from the Minister regarding whether that would include plectrums. Mammoth ivory plectrums are entirely made of ivory. Would the trade in mammoth ivory tusks—obviously, mammoths became extinct more than 10,000 years ago—completely vanish or would the effect be that people would have to sell plectrums with guitars? The plectrum could form part of the guitar, and then the volume of ivory would be less than 20%. Sometimes legislation can have unintended consequences. I am interested in that particular one.

[Anna Turley (Redcar) (Lab/Co-op)]

I echo my colleagues’ comments about how important it is that we get the clause right. Musicians’ livelihoods can often be insecure and short term. Often they rely on their instruments to carry out their trade, business and livelihood. Also, in the long term, those instruments are often their pensions and investments. They are tools of the trade. It is vital that we get this absolutely right for a crucial industry.

We had a long discussion this morning about museums and the qualifying bodies that give advice to the Secretary of State, and that will be able to undertake the registers. I fear there is a bit of a gap. If a musician, who is not an expert in ivory, has a number of guitars or plectrums in their bedroom and they are concerned that they are made of ivory, to whom to do they go to ask whether an item is covered? As colleagues have said, we do not want to catch people who have no intention of breaking the law but who are unaware of it. Is there somewhere people can go for advice pre-emptively to ensure they are not falling foul of this new law?

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[David Rutley]

I thank the hon. Lady for the amendment, but I believe that it would add an unnecessary and disproportionate requirement to the registration process. The clause establishes the compliance regime that must be followed by the owner of an ivory item who wishes to deal in that item under any one of the exemptions. The registration process already requires a description of the item and a photograph to confirm the distinguishing features. From responses to the consultation, we understand that the majority of commonly played and traded musical instruments and accessories, such as pianos and violin bows, are less than 20% ivory. We also believe from the evidence we have received that it is reasonably easy to assess with the naked eye whether an item is 10% or less ivory by volume. Indeed, we believe that it is easier to assess against a 10% threshold than, for instance, a 30% threshold.

Anyone who registers an ivory item will have confirmed to the best of their knowledge that the item in question meets the relevant category of exemption, and will have submitted information or evidence about it—photographs, for example. Spot checks will be carried out on registered items by enforcement and compliance officers to confirm that they are exempt from our ban. If an item is being used commercially, regulators or the police may check to confirm that it is registered and compliant, and may take appropriate action if necessary. Given that explanation, I ask the hon. Lady to withdraw her amendment.

[Alex Sobel]

In the US, President Obama introduced a ruling similar to the one we seek to make. The United States Grammy organisation, which has a role similar to that of the British Phonographic Industry in the UK, has published useful guidelines. The US Fish and Wildlife Service supports musicians with looking at the ivory content of their instruments, because there is a similar 10% de minimis rule in the US. The guidelines mention bagpipes, which I am sure my hon. Friend the Member for Blaydon is interested in, and keyboards. There is also a 200-gram limit. Bagpipes, keyboards and pianos are the sorts of items for which there is difficulty working out whether they meet the criteria. Will the Minister look at that good practice in the US?

[David Rutley]

I thank the hon. Gentleman. He is clearly seeking to find ways to assist with getting judgments right in what can be quite difficult circumstances. I think it is fair to say that, from the evidence we heard and certainly from the submissions to the consultation, the enforcement agencies believe that this is a proportionate approach, and that it would be much more difficult if gram weight, for example, were used. The volume basis is a much better way to move things forward.

It is difficult to specify a method that fits all items well. The hon. Gentleman is obviously more of an expert on the US system than I am—I cannot even pronounce the name of the agency he referred to. It was refreshing and encouraging to hear in evidence that the 20% threshold will work for the vast majority of musical instruments, and that the enforcement agencies feel comfortable that that is a way to take the process forward—notwithstanding the unique issues with Northumbrian pipes, which we will talk about separately.

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[David Rutley]

We are. We are fleet of foot, that is for sure. Some of the questions are quite interesting.

As we are talking about lots of different issues at this point, I want to go back to the comments from the hon. Member for Leeds North West, to bring it together. The musicians sector has said that it is broadly happy with the 20% exemption. Particularly for pianos, the vast majority are definitely going to fall within that exemption, so that will be fine. The US has a different arrangement, but our enforcement bodies were very clear that they did not want a weight measure. It just made it more difficult. Just so we are all clear, the US body is called the US Fish and Wildlife Service—I thank my officials for that.

A very good point was raised about resources. Obviously, public finances are always under scrutiny and we need to make sure that they are being best used. The National Wildlife Crime Unit is jointly funded by the Home Office and DEFRA and will be funded up to 2020, and there are ongoing conversations about that. Future funding decisions about such bodies will be for the Home Office, and the Home Secretary has said he is working on those matters. We should also not forget that we have the regulator involved.

[Alex Sobel]

The US Fish and Wildlife Service’s Office of Law Enforcement is similar to our National Wildlife Crime Unit. I discovered that it has eight regional offices and a national office, and 383 staff to undertake the same work as our 12 staff in the National Wildlife Crime Unit. Obviously the US is a much bigger country with a population of 300 million, but the resources are way in excess of those available to us to do this role. We should look at the stark difference between us and the US.

[David Rutley]

We will seek to learn lessons from them. We are getting a regulator and a new system in place here. It was very clear that the witness who we had in front of us from the National Wildlife Crime Unit was a very committed individual. We need to figure out how we can best move this forward. In the spirit of this free-flowing Committee, let us get on with it. We will learn as we go a bit here. I am sure there will be further challenges and further learning as we move things further forward.

On new clause 4, as I said in my speech, we do not believe that there is any need for further information on provenance regarding the registration process, as clause 10(1)(b) requires a description of the item and its distinguishing features, which will include details on its provenance and age. That is available in the registration process.