Artist Visas

Afzal Khan Excerpts

Wednesday 4th September 2019 Westminster Hall

[Afzal Khan (Manchester, Gorton) (Lab)]

It is a pleasure to serve under your chairmanship, Mr Gray. I thank the hon. Member for Edinburgh North and Leith (Deidre Brock) for securing the debate and all those who have contributed to it.

There is no doubt that the UK’s thriving creative sector is of huge economic and cultural importance. Taken together, the creative industries contribute more than £100 billion to the economy and account for one in 10 jobs across the UK. Last year, an estimated 29.1 million people attended festivals and concerts across the country. Beyond the statistics, the creative industry is also an essential part of our national identity and a crucial instrument of the UK’s soft power on the world stage.

The temporary movement of talent across borders is crucial to the continued economic success of this world-leading sector. Within the music industry, 13% of the workforce are European nationals and, with a disastrous no-deal Brexit looming, they are understandably concerned for their future. This prosperous industry is able to flourish thanks to the diverse, global talent that contributes to all its sectors. It is therefore vital that that talent does not become yet another victim of the Government’s shambolic handling of Brexit.

Back in 2017, Labour made it clear that we were committed to putting the needs of the creative sector at the heart of any Brexit negotiation, but instead of listening to our call the Government have run down the clock on our negotiating time and unashamedly ignored the needs of the creative sector. A large proportion of artists’ income is reliant on their ability to freelance and tour cheaply and easily. Doing so also allows them to reach new audiences across borders and cultures. Does the Minister recognise that many artists will not meet the £30,000 income threshold due to the nature of their work, and that this will further limit access to new creative talent in the UK?

Today’s debate has raised three interconnected problems. The first is that, as a result of this Government’s chaotic Brexit strategy and the increasing likelihood of a no-deal Brexit, UK artists have an uncertain future in the EU. Movement across European borders is vital for the continued success of the UK’s creative sector. Currently, artists from across the EU do not need permission to perform in venues across the UK, and vice-versa. That means that an artist can perform in Amsterdam one night and Manchester the next without incurring any associated costs or red tape. Changes to that ease of movement will affect all those involved in the music industry, from large orchestras to up-and-coming musicians touring on a bootstrap.

As we look set to leave the EU, European artists will also now have to consider their ability to travel and tour in the UK. European artists due to perform in the UK in the coming months are now facing grave uncertainty, thanks to the situation that this Government have created as we head towards exit day. What is the Minister doing to reassure British and European artists that they will be able to continue to contribute to the creative sector in a post-Brexit world?

I will put Brexit aside for a moment to touch on the issue of non-EEA artists who come and tour here in the UK. As it stands, those artists are eligible for tier 5 temporary creative worker visas, permitted paid engagement visas and standard visitor visas. Big festivals and events such as the Edinburgh international festival and the Manchester international festival use those routes to bring thousands of foreign artists to the UK each year. In Edinburgh alone, the participation of those artists helps to attract an audience of 4.7 million to the city each year and generates over £300 million in cultural tourism.

Sadly, however, those artists are too often being turned away by the Home Office due to delays and poor decisions. Just last year, the prominent Palestinian writer Nayrouz Qarmout was refused entry three times before the Home Office eventually relented. In a similar case, the first showcase of Arab artists at the Edinburgh fringe festival was forced to cancel several of its productions after nearly a quarter of visas for performers were refused. From my own experience in Manchester, an internationally renowned artist who was due to perform at the festival was refused a visa and faced long delays in dealing with the Home Office. As a result of those issues, my team and I stepped in at the last minute and worked to ensure that artist was able to perform at the festival. Those artists are vital to the cultural enrichment of British society and should be welcomed by the Home Office, not turned away. Has the Minister considered the impact of the Government’s hostile environment on the creative sector, and will she engage with the industry to consider reforming the tier 5 visa application?

As we are all too aware, the hostile environment policies pursued by the Government have had an untold effect on migrants travelling to, working in, and creating a home in the UK. It is high time that the Government put an end to those policies. Labour has committed to dismantling this Government’s immigration regime and building a new system that is fair, open and welcoming.

I know I have touched on only a few of the issues raised in this debate, but I hope the Minister will provide answers to the questions I and colleagues have raised today. I will finish by saying this: if the Government continue to ignore the needs of the creative sector, they will wreak havoc on the UK’s cultural exports, our international soft power and our economy. It is vital that the UK’s creative sector does not continue to suffer under the Government’s irresponsible Brexit strategy or their hostile environment. The Government need to act now.

--- Later in debate ---

[Seema Kennedy]

I will come to that point later.

Last year, we published new guidance for UK creative event managers that provided an overview of what to consider in terms of planning for visas. We now have dedicated points of UKVI contact for those UK organisations organising UK events, which the hon. Member for Edinburgh North and Leith referred to. I am sure that people organising major creative events or international conferences will be able to take advantage of that. I bear in mind her point about smaller groups.

[Afzal Khan]

The Minister talked about achieving 97% in 15 working days. Is she willing to give us a breakdown of the different countries?

[Seema Kennedy]

I am not entirely sure, but I imagine that such things are in the public domain. I am almost positive that they are available, because of our great transparency, but I will not say from the Dispatch Box where they are when I do not actually know. I would never want to mislead the House.

We are working closely with other Government Departments, particularly the Department for Digital, Culture, Media and Sport. Officials have met sector representatives to understand the requirements of the creative sector. We have listened to stakeholders to ensure that our systems strike the right balance in terms of customer use and the integrity of our controls.

We want people to apply for their visas as early as possible. We published guidance for UK event managers that provides an overview of what to consider in terms of planning for visas and we also now have dedicated events. On what the Home Office and UKVI are doing, in May we published new guidance for our decision makers, including escalation procedures, to ensure that when they are assessing and making decisions on visitor visa cases, they consider all the evidence in the round, particularly UK sponsorship.

The hon. Member for Cardiff West, who is no longer in his place, referred to fees. I wholeheartedly disagree that they are a racket. The Immigration Act 2014 set out the governing factors that must be given regard to when fee levels are set: they include the cost of administering the service, the benefits likely to accrue to the applicant on a successful outcome, the costs of operating other parts of the immigration system, the promotion of economic growth, the fees charged by or on behalf of the Governments of other countries for comparable functions, and any international agreement. Having said that, we keep all visa, immigration and nationality fees under review.